Studio: international art (30.1904)

Mount Street School of Art, Liverpool

portiere in applique linen
with elaborate silk stitching
done by Jessie Walker there
was a very effective colour-
scheme.

A painted panel for
an overmantel by Nina
Morrison, and The Blind
Beggar's Daughter for
a dining - room panel by
Annie McLeish which have
already been illustrated in
The Studio (page 269 of
September number, 1902),
added distinction to the
school work.

We noticed an excellent
variety of furniture * and
fittings designed by Ber- TW0 rlate stencil from the life by gilbert Rogers

Daisy Rawlins, Constance Read and Charles
Sharpe.

The altar panel in coloured low relief by Kate
Fisher and a font and modelled panels by Violet
Brunton claimed the principal attention.

Modelled designs for metal caskets, door-fittings,

stencilled christmas card

by florence laverock

tram Ashworth, John R. Hodgkinson and Arthur
Barker, some of which have been executed by local
firms.

Modelling has, in a comparatively short period,
made a notable advance. Insistence upon
thoroughly sound study from the life accounts for

the successful work exhibited by Violet Brunton, hall lamp in copper by Bertram ashworth

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