193 PUNCH, OR THE LONDON CHARIVARI. [November 1, 1879.
THE HEIGHT OF /ESTHETIC EXCLUSIVENESS.
Mamma. "Who are those extraordinary-looking Children?"
Effie. "The Cimabue Browns, Mamma. They're ^esthetic, you know!"
Mamma. "So I should imagine. Do you know them to speak to?"
Effie. "On dear no, Mamma—they're most exclusive. Why, they tut out their Tongues at us if we only look at them!"
« COCK-A-DOODLE-DOO ! " SONGS BEFOLE SUNEISE.
It is yet gloom around us,
The day-spring seems slow ;
The clouds that Have bound us
Lie still dark and low;
But we hear the cocks crowing,
And know 'tis a sign
That the night-time is going,
The sun will soon shine.
Could the cocks' shrill view-holloa
The sun rouse from bed,
Long ere this had Apollo
Un-night-capped his head;
But if day through night's curtain
Be struggling to get,
'Tis only too certain
It's not daylight yet.
Yet the verge shows a glimmer
To weatherwise sight,
Though the dark may seem dimmer
By contrast with light.
East and West, from day's borders,
And night's, far and nigh,
The cocks, their pens' warders,
Lift challenging cry.
There's Hatfield's black rooster—
The bird for a show!—
Might his foe's feathered crew stir,
Were combat all crow !
His spurs bravely shown are,
And big is his bruit—
In thy Garden, Pomona,—
With more flowers than muiT!
But fruit can't be looked for
This year of offence ;
And what this cock is booked for,
Is sound and not sense.
Brag and blooms in high-flung hill
So Manchester showers,
We scarce see or smell dunghill
For fragrance and flowers !
There's the Stanley cock—famous
His breed round Chat Moss ;
And the Eccles Cross—game as
He'd ne'er fought a Cross.
There's the Northcote red-hack!e,
Who shows sparring sleight,
But lacks " devil" to tackle
A foe in hard light.
Still, whate 'er they 're at fighting,
They're all game to crow-
To that now they 're inviting,
All round, friend and foe.
Plucky cocks, and cocks cheeky,
And cock'rels more fit
To make cocky-leeky
Than peg in a pit.
With bodies a-tiptoe,
And throats on the strain,
All for fight spurred and clipt, oh
They look fighting fain.
As, from Bantam to Cochin,
From Dunghill to Game,
They herald approaching
Election-day's flame.
But 'tis not one side only
Breeds birds for the pit;
WThat were crowing, if lonely
The challengers sit ?
Cock-a-doodles breed echoes,
And strut prompts to strut,
And each pecker finds peckers,
Each comb combs to cut.
There's the Bright burly game-cock,
Of tough Rochdale strain,
Prompt to prove he's the same cock
That won many a main.
He's old, you may tell us,
But his heart is as good
As when, big of bellows,
His crow bespoke blood.
And there in the distance,
Preparing to crow—
The soul of resistance
To Beaky & Co.—
The old cock of Ha'rden,
The Cock of the Walk,
Midlothian's yard in
Will soon " toe the chalk " !
There's the Devonshire Ginger,
Of challenge less loud,
But his spur is a swinger
By judges allowed.
Oxford's cock well I ween has
No foe he deigns fear,
And his steel is as keen as
His clarion is clear.
THE HEIGHT OF /ESTHETIC EXCLUSIVENESS.
Mamma. "Who are those extraordinary-looking Children?"
Effie. "The Cimabue Browns, Mamma. They're ^esthetic, you know!"
Mamma. "So I should imagine. Do you know them to speak to?"
Effie. "On dear no, Mamma—they're most exclusive. Why, they tut out their Tongues at us if we only look at them!"
« COCK-A-DOODLE-DOO ! " SONGS BEFOLE SUNEISE.
It is yet gloom around us,
The day-spring seems slow ;
The clouds that Have bound us
Lie still dark and low;
But we hear the cocks crowing,
And know 'tis a sign
That the night-time is going,
The sun will soon shine.
Could the cocks' shrill view-holloa
The sun rouse from bed,
Long ere this had Apollo
Un-night-capped his head;
But if day through night's curtain
Be struggling to get,
'Tis only too certain
It's not daylight yet.
Yet the verge shows a glimmer
To weatherwise sight,
Though the dark may seem dimmer
By contrast with light.
East and West, from day's borders,
And night's, far and nigh,
The cocks, their pens' warders,
Lift challenging cry.
There's Hatfield's black rooster—
The bird for a show!—
Might his foe's feathered crew stir,
Were combat all crow !
His spurs bravely shown are,
And big is his bruit—
In thy Garden, Pomona,—
With more flowers than muiT!
But fruit can't be looked for
This year of offence ;
And what this cock is booked for,
Is sound and not sense.
Brag and blooms in high-flung hill
So Manchester showers,
We scarce see or smell dunghill
For fragrance and flowers !
There's the Stanley cock—famous
His breed round Chat Moss ;
And the Eccles Cross—game as
He'd ne'er fought a Cross.
There's the Northcote red-hack!e,
Who shows sparring sleight,
But lacks " devil" to tackle
A foe in hard light.
Still, whate 'er they 're at fighting,
They're all game to crow-
To that now they 're inviting,
All round, friend and foe.
Plucky cocks, and cocks cheeky,
And cock'rels more fit
To make cocky-leeky
Than peg in a pit.
With bodies a-tiptoe,
And throats on the strain,
All for fight spurred and clipt, oh
They look fighting fain.
As, from Bantam to Cochin,
From Dunghill to Game,
They herald approaching
Election-day's flame.
But 'tis not one side only
Breeds birds for the pit;
WThat were crowing, if lonely
The challengers sit ?
Cock-a-doodles breed echoes,
And strut prompts to strut,
And each pecker finds peckers,
Each comb combs to cut.
There's the Bright burly game-cock,
Of tough Rochdale strain,
Prompt to prove he's the same cock
That won many a main.
He's old, you may tell us,
But his heart is as good
As when, big of bellows,
His crow bespoke blood.
And there in the distance,
Preparing to crow—
The soul of resistance
To Beaky & Co.—
The old cock of Ha'rden,
The Cock of the Walk,
Midlothian's yard in
Will soon " toe the chalk " !
There's the Devonshire Ginger,
Of challenge less loud,
But his spur is a swinger
By judges allowed.
Oxford's cock well I ween has
No foe he deigns fear,
And his steel is as keen as
His clarion is clear.
Werk/Gegenstand/Objekt
Titel
Titel/Objekt
The height of æsthetic exclusiveness
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Inschrift/Wasserzeichen
Aufbewahrung/Standort
Aufbewahrungsort/Standort (GND)
Inv. Nr./Signatur
H 634-3 Folio
Objektbeschreibung
Maß-/Formatangaben
Auflage/Druckzustand
Werktitel/Werkverzeichnis
Herstellung/Entstehung
Künstler/Urheber/Hersteller (GND)
Entstehungsdatum
um 1879
Entstehungsdatum (normiert)
1874 - 1884
Entstehungsort (GND)
Auftrag
Publikation
Fund/Ausgrabung
Provenienz
Restaurierung
Sammlung Eingang
Ausstellung
Bearbeitung/Umgestaltung
Thema/Bildinhalt
Thema/Bildinhalt (GND)
Literaturangabe
Rechte am Objekt
Aufnahmen/Reproduktionen
Künstler/Urheber (GND)
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch, 77.1879, November 1, 1879, S. 198
Beziehungen
Erschließung
Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg