| April is, 1884.] PUNCH, OK THE LONDON CHARIVARI. in
THEATRE ROYAL, WESTMINSTER.
Mr. Punch. “Stop! Look here, Mr. Stage-Manager! If you don’t cut the Dialogue, and come to the ‘Business,’ it’ll
TAKE A WHOLE SESSION TO GET THROUGH A SINGLE ACT, AND THE PUBLIC WON’T STAND IT ! ”
[.Dismisses the. Company, to re-assemble after ten days for refreshment at Easter.
acres of common land which by skilfully timed and adroitly gradu-
ated enclosure you have-ahem! utilised, by redeeming them from
unclaimed and unreclaimed wastes to—well, to what they are. In
fact, my Lord, it is you, and such as you, who have made England
what she is !
Marquis (who has been reading g letter,—exultantly). That is to
say, Moulter, the private f reehold of one noble Landowner—myself !
Yes; for Hammerhead has caved in, Moulter. At last the fittest
has_ survived, the concentration of landed property has reached its
I ultimate term, the Great Land Question is finally settled, the Marquis
of Swallowlands is perpetual Grand Landlord of the whole of the
j United Kingdom !!! \_Scene closes.
Con. for a Conservative Catechdser.
Why is your mouth, Sir,—pardon the suggestion !—
Like Sunday Closing F Paradox ! Eh F _ Cut it F
Because ’tis (in the House) an “ Open Question ! ”
(For Heaven’s sake shut it!)
Smokeless Guns.—Why not ? We have “ Smokeless Chimneys,”
at least we haven’t—hut no matter—Mr. Cholmondeley Pennell j
has suggested that our troops should use. smokeless powder. A
strong protest has been raised against this innovation by all painters 1
of battle-pictures.
THEATRE ROYAL, WESTMINSTER.
Mr. Punch. “Stop! Look here, Mr. Stage-Manager! If you don’t cut the Dialogue, and come to the ‘Business,’ it’ll
TAKE A WHOLE SESSION TO GET THROUGH A SINGLE ACT, AND THE PUBLIC WON’T STAND IT ! ”
[.Dismisses the. Company, to re-assemble after ten days for refreshment at Easter.
acres of common land which by skilfully timed and adroitly gradu-
ated enclosure you have-ahem! utilised, by redeeming them from
unclaimed and unreclaimed wastes to—well, to what they are. In
fact, my Lord, it is you, and such as you, who have made England
what she is !
Marquis (who has been reading g letter,—exultantly). That is to
say, Moulter, the private f reehold of one noble Landowner—myself !
Yes; for Hammerhead has caved in, Moulter. At last the fittest
has_ survived, the concentration of landed property has reached its
I ultimate term, the Great Land Question is finally settled, the Marquis
of Swallowlands is perpetual Grand Landlord of the whole of the
j United Kingdom !!! \_Scene closes.
Con. for a Conservative Catechdser.
Why is your mouth, Sir,—pardon the suggestion !—
Like Sunday Closing F Paradox ! Eh F _ Cut it F
Because ’tis (in the House) an “ Open Question ! ”
(For Heaven’s sake shut it!)
Smokeless Guns.—Why not ? We have “ Smokeless Chimneys,”
at least we haven’t—hut no matter—Mr. Cholmondeley Pennell j
has suggested that our troops should use. smokeless powder. A
strong protest has been raised against this innovation by all painters 1
of battle-pictures.
Werk/Gegenstand/Objekt
Titel
Titel/Objekt
Theatre Royal, Westminster
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Inschrift/Wasserzeichen
Aufbewahrung/Standort
Aufbewahrungsort/Standort (GND)
Inv. Nr./Signatur
H 634-3 Folio
Objektbeschreibung
Objektbeschreibung
Bildunterschrift: Mr. Punch. "Stop! Look here, Mr. stage-manager! If you don't cut the dialogue, and come to the 'business,'
it'll take a whole session to get through a single act, and the public won't stand it!" [Dismiss the Company, to re-assemble
after ten days of refreshment at Easter.
Maß-/Formatangaben
Auflage/Druckzustand
Werktitel/Werkverzeichnis
Herstellung/Entstehung
Künstler/Urheber/Hersteller (GND)
Entstehungsdatum
um 1884
Entstehungsdatum (normiert)
1879 - 1889
Entstehungsort (GND)
Auftrag
Publikation
Fund/Ausgrabung
Provenienz
Restaurierung
Sammlung Eingang
Ausstellung
Bearbeitung/Umgestaltung
Thema/Bildinhalt
Thema/Bildinhalt (GND)