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June 28, i«84.J

PUNCH, OB, THN LOiNUuix CHaKIVaBI.

j Acteess and her Suitors (The), 158
| Advertisement Extraordinary, 208
j Afterpiece at the Lyceum (The), 49
! After the Simoom, 88
' ‘ Alas, poor Ghost! ” 22
All in the Blue Books, 228
“All in to Begin ! ” 63
All of a Soudan, 137
Ambitious Greenwich, 262
American Cousins-German, 105
Anno Domini," 34
Another “ Bitter Cry,” 186
Another White Elephant, 71
As Clear as Crystal, 230
As it is, and—as it ought to be, 157
Aspiration (An), 177
Assault on an Alderman, 118
At the Christie-Manson s Entertainment,
304

At the Conference, 222
At the Grosvenor. 15
Australians-!;. M.C.C., 256
Bar None, 99
Barter Extraordinary, 195
Bearding the Bard, 292
Beast of Burden (A), ?0
Before and After the Dinner, 132
Best Royal Descent (The), 34
Bit o’ Fresh Meat (A), 150
Bitter Cry of Bumbledom (The), 18
Black or White? 301
Bonnet-Building, 238
Bootiful or Boothiful ? 281
Bournemouth Breach of Promise on Ap-
peal (The), 50
Bow-Wow ! 264
Bow-wow v. Bow-wow, 123
Bravo, Mary ! 22
Breach of Promise, 94
Brokers and Jokers, 11
Bruin in Cockaigne, 110
Burlesque and Melodrama, 109
Buskin v. Ruskin, 241
Cabinet Council Extraordinary, 276
Called Back and Pulled Up, 165
Calls to the Bar, 241
Capital Joke, &c. (A), 154
Cares of State (The), 25
“ Cease, rude Boreas ! ” 245
Centre of Interest in Madagascar (The),
17

Certain yet Uncertain Curtain (A), 47
Change of Ireland’s Emblem, 22
Change of Name, 13
Changing their Note, 197
Charles Reade, 181

Chat with the King of the Maories (A),
Check! 96

“Chief” Difficulty (The), 242
Chips and Sawdust, 58
Christmas Waits Nobody can Put Up
with, 23

Church and State, 122
Church Nautical (The), 154
City Circular (A), 269
Class and Class, 49
Clearing the Prospect, 26
Close Time for Whiskey (A), 238
Colloquy (A), 195
Colourable Complaint (A), 1C8

“ Come unto these Yellow Sands,” 123
Commendable Lunacy, 298
Company Manners, die., 134
Con. for a Conservative Catechiser, 171
Conversation-Book for School-rate Payers,
144

Crimping and Cruelty, 108
Cry of the New Year's Day Children
(The), 22
C. S. C„ 101
Curse of Cane (The), 54
Daffobilatory Apology, 134
Darkness of a First Night (The), 120
Days of Dinners, 122
Dear at the Price, 46
Digest of Laws of Digestion, 183
Disclaimer, 214
Ditty on a, Drag, 253
Doing the Studios, 160
Drama at a Distance (The), 183
Dramatic School Treat (A), 165
Dromore Dromios (The), 23
Dual Control (The). 102
Duke of Seven Dials (The), 305
Duke on Cooks (A). 101
Earthquake Startlers, 206
Easter Manoeuvres, 184
Echoes from the Thames of the Future,
114

Editorial Ecstasy (An), 84
Egyptian Darkness, 294
Election Intelligence, 298
Elements of Modern Success (Tbe), 22
ElTeb, 130

Employment for Mashers, 158
End of tbe Hunting Season (The), 216
Endymion Improved, 158
“ English as She is Wrote,” 39
Essence of Parliament, 76, 95, 107, &c.
Examination Paper for would-be Army
Majors, 147

Extracts from “Getting Round America,”
245

Extraordinary Meat - tea - oric - Pheno -
menon, 2

Farewell to the Native, 154
Fashionable Flower (The), 169
Father Thames in Danger, 142
Fawcett to Flora, 125
“ Field Experiments at Woburn,” 293
Figures of Fun, 262
First-Night Wreckers, 130
First Stage and the Last (The), 226
Five o’clock Tea, 304
Foes and Friends, 114
For Society’s Sake, 169
Fowler did Spread his Net in vain (The),
147

Fowler Spreads his Net in vain (The),
122

Friendly Remonstrance (A). 1E2
Fringe of Gentility (The), 118
Frivolous Inquiry, 69
Further Contradictions, 177
Gaiety and Politics, 77
Gales 1 83
Gas and Water, 42
Gee-bo 1 Geography 1 94
Genuine “ States’’-man (A), 58
Getting a Lift 1 54
Girl Graduates, 26

Girl Gymnaste, 117

Gloss of Fashion (The), 46

Going a-Begging, 153

Good Manners. die., 202, 210, 225, die.

Gordon in the Gap, 226

Grand Prize a l’Anglaise (Tbe), 286

Great Discovery (A), 45, 60, 7e>

Greater London, 72
Great Panjandrum Himself (The), 111
Greeting to Edinburgh (A), 195
Grosvenor Gallery Guy’d, 244
Happy Day (A). 96

Happy Thought-Reading Seance (A), 310
“ Health to South Kensington ! ’ (A), 234
Heat and Light, 121
Heartless Frivolity, 96
Helps for Phelps, 14
Henry James Byron, 193
Highly Suggestive. 253
House Boatiful (The), 310
House of Commons as it should be (The),
145

How it really came about. 17
“ How Plays are Made,” 242
How Plays are Placed, 274
Hyde Park Cornered, 205
“ Ich Dien,” 53
Idle Talk, 62

Important Meeting (An), 300
I-Nana-ties, 34

In Defence of the Doctors, 148
In for Honours, 184
In rij^Matrimony rather Mixed, 158
In Rotten Row, 304
Intercepted Letter (An), 209
International Health Exhibition, 30
Iu the Seat of tbe Thunderer, 105
Iutimidation in Vain, 275
Irresolution. 72
Isthmus of 8ewage (The), 82
Italian Derby (The), 209
Jilted. 182

John Thomas on the Service Franchise,
126

Jules's Egypt, 214

Jumbo and Taoung, 69

Justice and Jesting, 294

Khartoum Cartoons, 214

Khartoum Competition, 255

Killing Time, 124

La Press Anglophobe. 85

Last of the May Meetings (The), 270

Last Punter (The), 97

Latest Craze (The). 22, 46, 50. <fec.

Latest Specimen of a Nihilist (Tbe), 59

Lazy Minstrel’s Sparrow (The), 242

Lecturing in the Future, 106

Lenten Fare, die., 142

Les Grandes Eaux, 306

Letters to Some People, 4, 33, 40, die.

Local Colour, 184

London Cow (A), 23

“Look upon this Picture and on This,”
185

Love in the Limelight, 126
Luck of Leap Year (The), 106
Mad or Not Mad? 190
Match-Making, 48
Matter of Taste (A), 126
Mature Pupil (A), 34
May Martyr (The), 262

Meeting it with Spirit, 26
Meeting of the Waters (The), 142
Michael Costa, 218
Michael Thomas Bass, 225
“ Mirage,” 174

Modern Ars Amandi (The), 10, 24, 30, die.
Modus Vivendi (A), 298
Moore Modernised, 269
Most Inappropriate, 801
Mr. Gladstone's Motto for the Coming
Farmer, 58

Municipal Uniform League Company, 144
Mysterious Calling (A), 142
Mystery (A), 46

Neo-Scientific Nursery Rhymes, 202

New Municipality of London, 205

New Notion. 195

New Oath (The), 63

New Reading for Piimrose Day, 194

New Song of Society, 62

New Year Resolutions, 14

New Year’s Cards, 6

New Year (The), 2

Note-Book of a Detective Journalist (The),
28, 41, 49, die.

Note for a Bow Belle (A), 242
Notes from “Nibbs,” 172, D9. 196
Notes from tbe Diaiy of a City Waiter,
304

Not Far Wrong, 146
Nothing if not Practical, 278
Not so White as he’s Painted, 38
Novel Idea (A), 25
Novelties for the New Year, 10
Novelty at the Savoy Theatre (The), 17
Ode to the Hanging Committee, ‘AO
Oil and Water, 220
Old and the New Stage (The), 118
Old Fogey's Wail (An), 13
Old Story (The), 42
“ Old Tongue’s ” Stable Talk, CO
Ominous! 130
On the Cards 1 82
Otters in the Thames, 146
Our Advertisers, 201, 273
Our Booking-Office, 117
Our Derby Selection, 261
Our Insane-itary Guide to tbe Health
Exhibition, 277, 290, 309
Our Next Expedition, 112
Our Oracle, die., 161
Our Royal Academy Guy'd, 232
Out-of-Proportional Representation, 181
Parcel and the Peer (The;, 93
Pariah Pen (The), 50
Parliamentary Intelligence, 114
Perilous Picnics, 265
Peter Poohbosh—a Mystery, 177
Philippe chtz Alphonse, 48
Pigeons of St. Paul's (The), 74
Pill's Progress (The), 2
Pity the Police ! 133
Pity the Poor Ball! 113
Play at the Workhouse, 35
Playful Facts and B’ancies, 72
Playgoer’s Protest (A), 62
Playhouse and Platform, 310
Pleasantry of Peasantry, 88
Poets to Order, 191
Poor Jack, 138
Practical Education, 74
Bildbeschreibung

Werk/Gegenstand/Objekt

Titel

Titel/Objekt
Index
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Grafik

Inschrift/Wasserzeichen

Aufbewahrung/Standort

Aufbewahrungsort/Standort (GND)
Universitätsbibliothek Heidelberg
Inv. Nr./Signatur
H 634-3 Folio

Objektbeschreibung

Maß-/Formatangaben

Auflage/Druckzustand

Werktitel/Werkverzeichnis

Herstellung/Entstehung

Künstler/Urheber/Hersteller (GND)
Keene, Charles
Entstehungsdatum
um 1884
Entstehungsdatum (normiert)
1879 - 1889
Entstehungsort (GND)
London

Auftrag

Publikation

Fund/Ausgrabung

Provenienz

Restaurierung

Sammlung Eingang

Ausstellung

Bearbeitung/Umgestaltung

Thema/Bildinhalt

Thema/Bildinhalt (GND)
Satirische Zeitschrift
Karikatur
Punch <Fiktive Gestalt>
Toby <the Dog, Fiktive Gestalt>
Angeln

Literaturangabe

Rechte am Objekt

Aufnahmen/Reproduktionen

Künstler/Urheber (GND)
Universitätsbibliothek Heidelberg
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch, 86.1884, Index, S. 311
 
Annotationen