Mat 30, 1891.] punch, or the london charivaei. 253
MR. PUNCH'S POCKET IBSEN.
'(Condensed and Revised Version by Mr P.'s Own Harmless Ibsenile.
No. IV.—THE WILD DUCK.
Act III.
Hialhae's Studio. A photograph has just been taken. Gina and
Grim (rudely). Self-examine your grandmother !
[ She goes out; Hedvig comes in.
Gregers (to Hedvig). Ah, I see you haven't found courage to settle
the Wild Dock yet!
Hedvig, No—it seemed such a delightful idea at first. Now it
strikes me as a trifle—well, Ibsenish.
Gregers (reprovingly). I thought you hadn't grown up quite un-
harmed in this house! But if you really had the true, joyous
Hedvig are tidying up. . g?irit of seif.sacrifice) you >d have a ghot at that Wild Dack) i{ you
Gina (apologetically). There should have been a luncheon-party in , died for it!
this Act, with Dr. Rolling and Molvxk, who would have been in a j Hedvig (slowly). I see; you mean that my constitution's changing,
state of comic " chippiness," after his excesses overnight. But, as and I ought to behave as such p
it hadn't muoh to do with such plot as there is, we cut it out. It { Gregers. Exactly, I'm what Americans would term a "crank"—
came cheaper. Here comes your father back from his walk with : bat / believe in you, Hedvig.
that lunatic, Young Weble—you had better go and play with the j [Hedvig takes down the pistol from the mantelpiece, and goes
Wiid Duck. _ [Hedvig goes. into the garret wi',h flashing eyes; Gin a comes in.
Hialmar (coming in). I have been for a walk with Gbegeks ; he . Hialmar (looking in at door with hesitation ; he is unleashed and
meant well—but it was tiring. Gina, he has told me that, fifteen ; dishevelled). Has anybody happened to see my hat ?
years ago, before I married you, you were ra.ther a Wild Duck, I Gina. Gracious, what a sight you are I Sit down and have some
so to speak. (Severely.) Why haven't you been writhing in peni- j breakfast, do. [She brings it.
tence and remorse all these years, eh ? _ Hialmar (indignantly). What! touch food under this roof ? Never 1
Gina (sensibly). Why? Because I have had other things to do. j (Helps himself to bread-and-butter and coffee.) Go and pack up my
You wouldn't take any photographs, so I had to. ! scientific uncut books, my manuscripts, and all the best rabbits, in
Hialmar. All the same—it was a swamp of my portmanteau. I am going away for ever,
deceit. And where am I to find elasticity of :.\.-;<. On second thoughts, I shall stay in the spare
spirit to bring out my grand invention now? ■■ room for another day or two—it won't be the
I used to shut myself up in the parlour, and ^ same as living with you !
ponder and cry, when 1 thought that the effort ■/}/ f'^ %-p^-'/yT [He takes some salt meat.
of inventing anything would sap my vitality. \ 'V ''Jj&o "'O*^^-'' Gregers. Must you go? Just when you've
(Pathetically.) I did want to leave you an , "3|s?' , got nice firm ground to build upon—thanks to
inventor's widow ; but I never shall now, /^^^^'^c^^^^Jj^^^^ ' me ' Then there's your great invention, too.
particularly as I haven't made up my mind Hialmar. Everything's invented already,
what to invent yet. Yes, it's all over. Bab- " - '\, f>*^£0^§.- ■ And I only cared about my invention because,
bits are trash, and even poultry palls. And , ^li!|«:lii|^^^^^^^MV\^ although it doesn't exist yet, I thought Hedvig
I'11 wring that cursed Wild Duck's neck! ifWW^M^^^^^^^ believed in it, with all the strength of her
Gregers (coming in beaming). Well, so ^1^^^^^^^^ sweet little shortsighted eyes! But now I
you've got it over. Wasn't it soothing and % don't believe in Hedvig !
ennobling, eh? and ain't you both obliged |j||P?f |~f [He pours himselfout another cup ofcoffee.
tome? ffivuv^vX^^^ S reW Gregers (earnestly). But, Hialjiab, if I can
Gina. No; it's my opinion you'd better jj< .'¥ Wsx\ prove to you that she is ready to sacrifice her
have minded your own business. [Weeps. \ \M\v\\uv lAW Y Iwll cherished Wild Duck ? See!
Gregers (in great surprise). Bless me ! Par- V'V^Vvr\v M^/r Js [He pushes back sliding-door, and discovers
don my Norwegian naivete, but this ought « /f.' 1$ ffiX^w Hedvig aiming at the Wild Duck with the
really to be quite a new starting-point. Why, - ' v #w ' Y/ Ipi* butt-end of the pistol. Tableau.
I confidently expected to have found you both ' =* WM$/ lllwi Gina (excitedly). But don't you see? It's
beaming!—• Mrs. Eedal, being so illiterate, ' l/tim % fflsm-. the pigstol — that fatal Norwegian weapon
may take some little time to see it —but you, Iwffl/ " \\f^~r which, in Ibsenian dramas, never shoots
Hialmab, with your deep mind, surely you '/////$/ W? straight! And she has got it by the wrong end
feel a new consecration, eh ? Lv/M'' wowt) too. She will shoot herself!
Hialmar (dubiously). Oh— er—yes, I sup- tUMII P Gregers (quietly). She will! Let the child
pose so—in a sort of way. rJJ Iu^a4 make amends. It will be a most realistic and
[Hedvig runs in, overjoyed. feb^ '//7 lw^\\ impressive finale!
Hedvig. Father, only see what JMjJ^ik ^t^tettfe,!^^^ Gina. No, no— put down the pigstol, Hedvig.
Mrs. Soebt has given me for a j| ^^^^P^^^^' Do you hear, child?
birthday present — a beautiful J ^'"^i^i»r«S Hedvig (still aiming). I hear—but I
deed of gilt! [Shows it. Ifc. c-V~v y^y,, |-==^gjsSsajssr - v-"~~" shan't unless father tells me to.
Hialmar (eluding her). Ha! mSj ^ jJIy '^^^sS^^^^Jl^ ^*§z^~ Gregers. Hialmae, show the great
Mrs. Sobby, the family House- -Jj * ___-^2F^~-<5^3i^Jtf2Smsoul I always said you had. This sor-
keeper. My father's sight fail- ^^^^^&/~7/Z/S^ *>^S-^^r-^Z row w^ se^ ^ree w^at is noble in you.
ing! Hedvig in goggles! What ___ Don't spoil a fine situation.
vistas of heredity these astonish- —""" _JLet the child shoot herself '
ing coincidences open up! I am not short-sighted, at all events,
and I see it all—all! This is my answer. (He takes the deed, and
tears it across.) Now I have nothing more to do in this house.
(Puts on overcoat.) My home has fallen in ruins about me. (Bursts
into tears.) My hat!
Gregers, Oh, but you mustn't go._ You must be all three to-
ness, you know !
Hialmar. Self-sacrificing forgiveness be blowed !
[He tears himself away, and goes out.
Hedvig (with despairing eyes). Oh, he said it might Jbe bio wed I
Now he '11 never come home any more!
Gregers. Shall I tell you how to regain your father's confidence,
and bring him heme surely ? Sacrifice the Wild Duck,
Hedvig. Do you think that will do any good ?
Gregers. You just fry it! [Curtain.
Act IV.
Same Scene. Geegees e -iters, and finds Gina retouching photographs.
Gregers (pleasantly), Hjaemae not come in yet, after last night,
I suppose ?
Gina. Not he! He's been out on the loose all night with Ree-
ling and Molvie. Now he's snoring on their sofa.
Gregers (disappointed ) Dear ! —dear!— when he ought to be
yearning to wrestle in solitude and self-examination !
Hialmar (irresolutely). Well, really I don't know. There's a
good deal in what Geegees says. Hm !
Gina. A good deal of tomfool rubbish ! I'm illiterate, I know.
I've been a Wild Duck in my time, and I waddle. But for all that,
I'm the only person in the play with a grain of common-sense. And
I'm sure—whatever Mr. Ibsen or Geegees choose to say—that a
gether, to attain the true frame of mind for self-sacrificing forgive- ! screaming burlesque like this ought not to end like a tragedy—even
in this queer Norway of ours I And it shan't, either ! Tell the child
to put that nasty pigstol down and come away, do!
Hialmar (yielding). Ah, well, I am a farcical character myself, after
all. Don't touch a hair of that duck's head, Hedvig. Come to my
arm3 and all shall be forgiven !
[Hedvig throws down the pistol, — which goes off and kills a
rabbit—and rushes into her father's arms. Old Ekd ae comes
out of a corner with a fowl on each shoulder, ana1 bursts into
tears. Affecting family picture.
Gregers (annoyed). W's all very pretty, I dare say—but it's not
Ibsen"! My real miesion is to be the thirteenth at table. I don't
know what I mean—but I fly to fulfil it! [He goes.
Hialmar. And now we've got rid of him, Hedvig, fetch me the
deed of gift I tore up, and a slip of paper, and a penny bottle of gum,
and we '11 soon make a valid instrument of it again !
[He pastes the torn deed together as the Curtain sloivly descends.
The End {with apologias as before.)
TOi. r.
z
MR. PUNCH'S POCKET IBSEN.
'(Condensed and Revised Version by Mr P.'s Own Harmless Ibsenile.
No. IV.—THE WILD DUCK.
Act III.
Hialhae's Studio. A photograph has just been taken. Gina and
Grim (rudely). Self-examine your grandmother !
[ She goes out; Hedvig comes in.
Gregers (to Hedvig). Ah, I see you haven't found courage to settle
the Wild Dock yet!
Hedvig, No—it seemed such a delightful idea at first. Now it
strikes me as a trifle—well, Ibsenish.
Gregers (reprovingly). I thought you hadn't grown up quite un-
harmed in this house! But if you really had the true, joyous
Hedvig are tidying up. . g?irit of seif.sacrifice) you >d have a ghot at that Wild Dack) i{ you
Gina (apologetically). There should have been a luncheon-party in , died for it!
this Act, with Dr. Rolling and Molvxk, who would have been in a j Hedvig (slowly). I see; you mean that my constitution's changing,
state of comic " chippiness," after his excesses overnight. But, as and I ought to behave as such p
it hadn't muoh to do with such plot as there is, we cut it out. It { Gregers. Exactly, I'm what Americans would term a "crank"—
came cheaper. Here comes your father back from his walk with : bat / believe in you, Hedvig.
that lunatic, Young Weble—you had better go and play with the j [Hedvig takes down the pistol from the mantelpiece, and goes
Wiid Duck. _ [Hedvig goes. into the garret wi',h flashing eyes; Gin a comes in.
Hialmar (coming in). I have been for a walk with Gbegeks ; he . Hialmar (looking in at door with hesitation ; he is unleashed and
meant well—but it was tiring. Gina, he has told me that, fifteen ; dishevelled). Has anybody happened to see my hat ?
years ago, before I married you, you were ra.ther a Wild Duck, I Gina. Gracious, what a sight you are I Sit down and have some
so to speak. (Severely.) Why haven't you been writhing in peni- j breakfast, do. [She brings it.
tence and remorse all these years, eh ? _ Hialmar (indignantly). What! touch food under this roof ? Never 1
Gina (sensibly). Why? Because I have had other things to do. j (Helps himself to bread-and-butter and coffee.) Go and pack up my
You wouldn't take any photographs, so I had to. ! scientific uncut books, my manuscripts, and all the best rabbits, in
Hialmar. All the same—it was a swamp of my portmanteau. I am going away for ever,
deceit. And where am I to find elasticity of :.\.-;<. On second thoughts, I shall stay in the spare
spirit to bring out my grand invention now? ■■ room for another day or two—it won't be the
I used to shut myself up in the parlour, and ^ same as living with you !
ponder and cry, when 1 thought that the effort ■/}/ f'^ %-p^-'/yT [He takes some salt meat.
of inventing anything would sap my vitality. \ 'V ''Jj&o "'O*^^-'' Gregers. Must you go? Just when you've
(Pathetically.) I did want to leave you an , "3|s?' , got nice firm ground to build upon—thanks to
inventor's widow ; but I never shall now, /^^^^'^c^^^^Jj^^^^ ' me ' Then there's your great invention, too.
particularly as I haven't made up my mind Hialmar. Everything's invented already,
what to invent yet. Yes, it's all over. Bab- " - '\, f>*^£0^§.- ■ And I only cared about my invention because,
bits are trash, and even poultry palls. And , ^li!|«:lii|^^^^^^^MV\^ although it doesn't exist yet, I thought Hedvig
I'11 wring that cursed Wild Duck's neck! ifWW^M^^^^^^^ believed in it, with all the strength of her
Gregers (coming in beaming). Well, so ^1^^^^^^^^ sweet little shortsighted eyes! But now I
you've got it over. Wasn't it soothing and % don't believe in Hedvig !
ennobling, eh? and ain't you both obliged |j||P?f |~f [He pours himselfout another cup ofcoffee.
tome? ffivuv^vX^^^ S reW Gregers (earnestly). But, Hialjiab, if I can
Gina. No; it's my opinion you'd better jj< .'¥ Wsx\ prove to you that she is ready to sacrifice her
have minded your own business. [Weeps. \ \M\v\\uv lAW Y Iwll cherished Wild Duck ? See!
Gregers (in great surprise). Bless me ! Par- V'V^Vvr\v M^/r Js [He pushes back sliding-door, and discovers
don my Norwegian naivete, but this ought « /f.' 1$ ffiX^w Hedvig aiming at the Wild Duck with the
really to be quite a new starting-point. Why, - ' v #w ' Y/ Ipi* butt-end of the pistol. Tableau.
I confidently expected to have found you both ' =* WM$/ lllwi Gina (excitedly). But don't you see? It's
beaming!—• Mrs. Eedal, being so illiterate, ' l/tim % fflsm-. the pigstol — that fatal Norwegian weapon
may take some little time to see it —but you, Iwffl/ " \\f^~r which, in Ibsenian dramas, never shoots
Hialmab, with your deep mind, surely you '/////$/ W? straight! And she has got it by the wrong end
feel a new consecration, eh ? Lv/M'' wowt) too. She will shoot herself!
Hialmar (dubiously). Oh— er—yes, I sup- tUMII P Gregers (quietly). She will! Let the child
pose so—in a sort of way. rJJ Iu^a4 make amends. It will be a most realistic and
[Hedvig runs in, overjoyed. feb^ '//7 lw^\\ impressive finale!
Hedvig. Father, only see what JMjJ^ik ^t^tettfe,!^^^ Gina. No, no— put down the pigstol, Hedvig.
Mrs. Soebt has given me for a j| ^^^^P^^^^' Do you hear, child?
birthday present — a beautiful J ^'"^i^i»r«S Hedvig (still aiming). I hear—but I
deed of gilt! [Shows it. Ifc. c-V~v y^y,, |-==^gjsSsajssr - v-"~~" shan't unless father tells me to.
Hialmar (eluding her). Ha! mSj ^ jJIy '^^^sS^^^^Jl^ ^*§z^~ Gregers. Hialmae, show the great
Mrs. Sobby, the family House- -Jj * ___-^2F^~-<5^3i^Jtf2Smsoul I always said you had. This sor-
keeper. My father's sight fail- ^^^^^&/~7/Z/S^ *>^S-^^r-^Z row w^ se^ ^ree w^at is noble in you.
ing! Hedvig in goggles! What ___ Don't spoil a fine situation.
vistas of heredity these astonish- —""" _JLet the child shoot herself '
ing coincidences open up! I am not short-sighted, at all events,
and I see it all—all! This is my answer. (He takes the deed, and
tears it across.) Now I have nothing more to do in this house.
(Puts on overcoat.) My home has fallen in ruins about me. (Bursts
into tears.) My hat!
Gregers, Oh, but you mustn't go._ You must be all three to-
ness, you know !
Hialmar. Self-sacrificing forgiveness be blowed !
[He tears himself away, and goes out.
Hedvig (with despairing eyes). Oh, he said it might Jbe bio wed I
Now he '11 never come home any more!
Gregers. Shall I tell you how to regain your father's confidence,
and bring him heme surely ? Sacrifice the Wild Duck,
Hedvig. Do you think that will do any good ?
Gregers. You just fry it! [Curtain.
Act IV.
Same Scene. Geegees e -iters, and finds Gina retouching photographs.
Gregers (pleasantly), Hjaemae not come in yet, after last night,
I suppose ?
Gina. Not he! He's been out on the loose all night with Ree-
ling and Molvie. Now he's snoring on their sofa.
Gregers (disappointed ) Dear ! —dear!— when he ought to be
yearning to wrestle in solitude and self-examination !
Hialmar (irresolutely). Well, really I don't know. There's a
good deal in what Geegees says. Hm !
Gina. A good deal of tomfool rubbish ! I'm illiterate, I know.
I've been a Wild Duck in my time, and I waddle. But for all that,
I'm the only person in the play with a grain of common-sense. And
I'm sure—whatever Mr. Ibsen or Geegees choose to say—that a
gether, to attain the true frame of mind for self-sacrificing forgive- ! screaming burlesque like this ought not to end like a tragedy—even
in this queer Norway of ours I And it shan't, either ! Tell the child
to put that nasty pigstol down and come away, do!
Hialmar (yielding). Ah, well, I am a farcical character myself, after
all. Don't touch a hair of that duck's head, Hedvig. Come to my
arm3 and all shall be forgiven !
[Hedvig throws down the pistol, — which goes off and kills a
rabbit—and rushes into her father's arms. Old Ekd ae comes
out of a corner with a fowl on each shoulder, ana1 bursts into
tears. Affecting family picture.
Gregers (annoyed). W's all very pretty, I dare say—but it's not
Ibsen"! My real miesion is to be the thirteenth at table. I don't
know what I mean—but I fly to fulfil it! [He goes.
Hialmar. And now we've got rid of him, Hedvig, fetch me the
deed of gift I tore up, and a slip of paper, and a penny bottle of gum,
and we '11 soon make a valid instrument of it again !
[He pastes the torn deed together as the Curtain sloivly descends.
The End {with apologias as before.)
TOi. r.
z
Werk/Gegenstand/Objekt
Titel
Titel/Objekt
Punch
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Inschrift/Wasserzeichen
Aufbewahrung/Standort
Aufbewahrungsort/Standort (GND)
Inv. Nr./Signatur
H 634-3 Folio
Objektbeschreibung
Maß-/Formatangaben
Auflage/Druckzustand
Werktitel/Werkverzeichnis
Herstellung/Entstehung
Künstler/Urheber/Hersteller (GND)
Entstehungsdatum
um 1891
Entstehungsdatum (normiert)
1886 - 1896
Entstehungsort (GND)
Auftrag
Publikation
Fund/Ausgrabung
Provenienz
Restaurierung
Sammlung Eingang
Ausstellung
Bearbeitung/Umgestaltung
Thema/Bildinhalt
Thema/Bildinhalt (GND)
Literaturangabe
Rechte am Objekt
Aufnahmen/Reproduktionen
Künstler/Urheber (GND)
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Rechteinhaber Weblink
Creditline
Punch, 100.1891, May 30, 1891, S. 253
Beziehungen
Erschließung
Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg