DOI issue:
No. 104 (November, 1901)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.19874#0149
Studio- Talk
and top are brought to the front to cover the mountains in Savoy, while Thomas Huson, R.I.,
keyboard, but, by hinging part of the sides, glories in rich and mellow autumn foliage,
the performer is permitted free use of his hands -
for the full width of the keyboard. The music A meritorious painting on an ambitious scale is
rest and candle brackets are made adjustable to The Age of Innocence, by R. G. Hinchcliffe. In
the positions most convenient to the performer. fullest sympathy with fisherfolk and their craft
The stand of this piano is a separate piece of we find Miss Mary McCrossan's St. Ives, and
framing, apart from the case ; this
secures great rigidity when the two
are fixed together by screws and
dowels. The attempt Mr. Shall
cross has made may possibly attract
the attention of those who desire
to see improved design upon the
lines of the oblong grand piano.
•The thirty-first Autumn Exhibi-
tion is certainly equal to any of its
predecessors. Notable pictures are
not less numerous than in former
years, and there is evidence of
great care bestowed upon the
hanging. Much interest has been
shown in the display of foreign
works including M. Constant's
portrait of the late Queen, and
pictures by W. A. Bougereau,
Jules Adler, Edmond Van Hove,
Joseph Bail, and others.
Local artists may be congratu-
lated upon holding a very good
position in this exhibition. Por-
traiture is ably represented in the
several contributions of R. E.
Morrison, G. Hall Neale, W. B.
Boadle, J. V. R. Parsons, Frank
T. Copnall and others ; an especial
success is achieved in the portrait of
Dr. R. Glynn, by R. E. Morrison.
Robert Fowler's rendering ol portrait of robinson gi.ynn, esq., m.d. by r. e. Morrison
his aesthetic and poetic fancies,
Springtime and The Lament of
Autumn, charms us as usual. A very sincere a Fishing Village on the Zuyder Zee, by J. M.
landscape is John Finnie's Firs, and J. Hamilton Dawbarn, both excellent in treatment ; while
Hay's moonlight scenes attract particular notice, favourable mention must be accorded to Feeding
Richard Wane's From Mona to Erin is a clever the Calves, by Harold Swanwick.
marine painting of wave motion, atmosphere, and -
rich colour. In contrast with this is the tender A strong contingent of local artists appear in
harmonious colour in a small picture, Apple Blossom, the Water-Colour Rooms, where prominent posi-
by A. E. Brockbank, and in an admirably rendered tions have been deservedly accorded to Geo.
snow-scene, The Silent Forest, by W. Follen Bishop. Cockram, Isaac Cooke, John McDougal, Albert
Joseph Kitchingman depicts valleys and gorges and Proctor, Talbot Kelly, J. Kirkpatrick, J. Towers,
136
and top are brought to the front to cover the mountains in Savoy, while Thomas Huson, R.I.,
keyboard, but, by hinging part of the sides, glories in rich and mellow autumn foliage,
the performer is permitted free use of his hands -
for the full width of the keyboard. The music A meritorious painting on an ambitious scale is
rest and candle brackets are made adjustable to The Age of Innocence, by R. G. Hinchcliffe. In
the positions most convenient to the performer. fullest sympathy with fisherfolk and their craft
The stand of this piano is a separate piece of we find Miss Mary McCrossan's St. Ives, and
framing, apart from the case ; this
secures great rigidity when the two
are fixed together by screws and
dowels. The attempt Mr. Shall
cross has made may possibly attract
the attention of those who desire
to see improved design upon the
lines of the oblong grand piano.
•The thirty-first Autumn Exhibi-
tion is certainly equal to any of its
predecessors. Notable pictures are
not less numerous than in former
years, and there is evidence of
great care bestowed upon the
hanging. Much interest has been
shown in the display of foreign
works including M. Constant's
portrait of the late Queen, and
pictures by W. A. Bougereau,
Jules Adler, Edmond Van Hove,
Joseph Bail, and others.
Local artists may be congratu-
lated upon holding a very good
position in this exhibition. Por-
traiture is ably represented in the
several contributions of R. E.
Morrison, G. Hall Neale, W. B.
Boadle, J. V. R. Parsons, Frank
T. Copnall and others ; an especial
success is achieved in the portrait of
Dr. R. Glynn, by R. E. Morrison.
Robert Fowler's rendering ol portrait of robinson gi.ynn, esq., m.d. by r. e. Morrison
his aesthetic and poetic fancies,
Springtime and The Lament of
Autumn, charms us as usual. A very sincere a Fishing Village on the Zuyder Zee, by J. M.
landscape is John Finnie's Firs, and J. Hamilton Dawbarn, both excellent in treatment ; while
Hay's moonlight scenes attract particular notice, favourable mention must be accorded to Feeding
Richard Wane's From Mona to Erin is a clever the Calves, by Harold Swanwick.
marine painting of wave motion, atmosphere, and -
rich colour. In contrast with this is the tender A strong contingent of local artists appear in
harmonious colour in a small picture, Apple Blossom, the Water-Colour Rooms, where prominent posi-
by A. E. Brockbank, and in an admirably rendered tions have been deservedly accorded to Geo.
snow-scene, The Silent Forest, by W. Follen Bishop. Cockram, Isaac Cooke, John McDougal, Albert
Joseph Kitchingman depicts valleys and gorges and Proctor, Talbot Kelly, J. Kirkpatrick, J. Towers,
136