German Coloured Lithographs
author's Morning in the
High Alps; Kallmorgen's
picturesque Street in a
North German Village ;
Kampmann's poetic Moon-
rise; the captivating Castle
at Bregenz, by Raven-
stein ; and Volkmann's
Wheatfield, a remarkably
fine piece of colour. I
do not believe that the
surging motion of the
wheat in the wind has
ever been presented by
a print of any kind more
vividly than by this splen-
did lithograph. The two
newest issues of Voigt-
laender, Angelo Jank's
"o.\ a solitary height " by Hermann daur Eiseme Wehr and Carl
Langhein's Frisian Village,
call for special notice.
E. Euler; the beautiful view of Dresden from tlie Upon the one the advance guard of a body
River, by Otto Fischer, taken at early dawn in of lansquenets in armour is standing still, with
September; the quiet Mediterranean Sea and lances erect, on the top of a hill. They are
Fishing Craft, by F. Hoch, as well as the same looking down upon a village with quaint tiled
author's Morning in the
High Alps; Kallmorgen's
picturesque Street in a
North German Village ;
Kampmann's poetic Moon-
rise; the captivating Castle
at Bregenz, by Raven-
stein ; and Volkmann's
Wheatfield, a remarkably
fine piece of colour. I
do not believe that the
surging motion of the
wheat in the wind has
ever been presented by
a print of any kind more
vividly than by this splen-
did lithograph. The two
newest issues of Voigt-
laender, Angelo Jank's
"o.\ a solitary height " by Hermann daur Eiseme Wehr and Carl
Langhein's Frisian Village,
call for special notice.
E. Euler; the beautiful view of Dresden from tlie Upon the one the advance guard of a body
River, by Otto Fischer, taken at early dawn in of lansquenets in armour is standing still, with
September; the quiet Mediterranean Sea and lances erect, on the top of a hill. They are
Fishing Craft, by F. Hoch, as well as the same looking down upon a village with quaint tiled