Independent British Art at Messrs. Agnews
while on the left in the distance is
seen the running figure of the young
man who " left the linen cloth and
fled from them naked." Adding to
the dramatic effect is the range of
moonlit hills on the horizon. One
of the most striking points of this
remarkable picture is the strong re-
semblance between the features of
the two principal actors in the scene,
and it would be interesting to know
if, according to the authorities in
these matters, the artist is justified in
introducing this likeness. The draw-
ing and posing of these two figures
are full of expression, while in the
general treatment of the subject Mr.
Ricketts shows boldness of imagina-
tion tempered by self-restraint. This
picture will doubtless attract con-
siderable attention during the exhi-
bition.
The virile and almost heroic note
that has marked some of Mr. William
Strang's recent paintings is to be
' LES MOMENTS MUSICAUX" BY C. H. MACKIE
1 LA BELLE ANTONIA " BY CHARLES CONDER
-nJ^^^^HH observed in his canvas Sup-
per-time, of which we have
jv^^^Myl^B^^^H^^K been permitted to give a re-
in conception and executed
with the intense earnestness
dH^^HHPl " MS characterisingall this artist's
JB work, whether in painting or
'Wm JjW HWi etching, it is one of the most
imposing pictures in the
exhibition. The treatment
jHB of the simple scene depicted
is broad and vigorous, and
WSm tMW the artist aptly expresses
the poetry of humble life.
The colouring is strong
•■■Sif?' and warm, but not in the
i least aggressive, the blue
of the tablecloth and the
'*'''^MHfwis brown of the man's vest
showing depth and quality.
HL>; * The Bathers, a smaller
work by the same hand, is
softer in colour, and not so
IImMHBHHIMMBMmHI realistic in treatment.
Mr. C. H. Shannon's
while on the left in the distance is
seen the running figure of the young
man who " left the linen cloth and
fled from them naked." Adding to
the dramatic effect is the range of
moonlit hills on the horizon. One
of the most striking points of this
remarkable picture is the strong re-
semblance between the features of
the two principal actors in the scene,
and it would be interesting to know
if, according to the authorities in
these matters, the artist is justified in
introducing this likeness. The draw-
ing and posing of these two figures
are full of expression, while in the
general treatment of the subject Mr.
Ricketts shows boldness of imagina-
tion tempered by self-restraint. This
picture will doubtless attract con-
siderable attention during the exhi-
bition.
The virile and almost heroic note
that has marked some of Mr. William
Strang's recent paintings is to be
' LES MOMENTS MUSICAUX" BY C. H. MACKIE
1 LA BELLE ANTONIA " BY CHARLES CONDER
-nJ^^^^HH observed in his canvas Sup-
per-time, of which we have
jv^^^Myl^B^^^H^^K been permitted to give a re-
in conception and executed
with the intense earnestness
dH^^HHPl " MS characterisingall this artist's
JB work, whether in painting or
'Wm JjW HWi etching, it is one of the most
imposing pictures in the
exhibition. The treatment
jHB of the simple scene depicted
is broad and vigorous, and
WSm tMW the artist aptly expresses
the poetry of humble life.
The colouring is strong
•■■Sif?' and warm, but not in the
i least aggressive, the blue
of the tablecloth and the
'*'''^MHfwis brown of the man's vest
showing depth and quality.
HL>; * The Bathers, a smaller
work by the same hand, is
softer in colour, and not so
IImMHBHHIMMBMmHI realistic in treatment.
Mr. C. H. Shannon's