DOI issue:
No. 158 (May, 1906)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.20714#0384
Studio- Talk
'breakfast in the country hy karoly ferenczv
been working for seven or eight years—beauties the
wonder of which gives one, as it were, a longing
to reproduce them. My method of artistic ex-
pression I base on a synthetical blending of colour
and naturalism."
are a happy instance of his
success in this kind of sub-
ject. M. Zoir was awarded
a medal at the Liege Ex-
hibition last year. S.
The tender plant of
artistic talent will some-
times thrive in the chips
from a carpenter's bench.
In the Swedish capital this
has been observed time and
again. Painters, engravers
and sculptors have sprung
from the rank of craftsmen.
Miss Alice Nordin's father
is a cabinet-maker; by his
bench she received her first
impulses for art. She is
still young: nevertheless
her creations in clay and
marble have for years
adorned the annual art
exhibitions in Sweden.
At fifteen years of age
Alice Nordin entered the
Technical School. En-
graving was her choice, but
To these laconic lines there is but little to add,
save this—which the artist in his modesty forgot
to mention — that Ferenczy is absolutely in-
dependent, and has never made any concession to
public taste. He is an artist, body and soul, living
for his art and not by it; in him Hungarian art
possesses one of its brightest hopes. Of this the
works of his now reproduced may perhaps offer
proof. R. M.
STOCKHOLM.-The reproduction here
given of an etching by Emil Zoir is an
admirable example of that artist's work as
an etcher. The treatment of the dark
boughs and the broken lights through the branches « andante patetico" by alice nordin
364
'breakfast in the country hy karoly ferenczv
been working for seven or eight years—beauties the
wonder of which gives one, as it were, a longing
to reproduce them. My method of artistic ex-
pression I base on a synthetical blending of colour
and naturalism."
are a happy instance of his
success in this kind of sub-
ject. M. Zoir was awarded
a medal at the Liege Ex-
hibition last year. S.
The tender plant of
artistic talent will some-
times thrive in the chips
from a carpenter's bench.
In the Swedish capital this
has been observed time and
again. Painters, engravers
and sculptors have sprung
from the rank of craftsmen.
Miss Alice Nordin's father
is a cabinet-maker; by his
bench she received her first
impulses for art. She is
still young: nevertheless
her creations in clay and
marble have for years
adorned the annual art
exhibitions in Sweden.
At fifteen years of age
Alice Nordin entered the
Technical School. En-
graving was her choice, but
To these laconic lines there is but little to add,
save this—which the artist in his modesty forgot
to mention — that Ferenczy is absolutely in-
dependent, and has never made any concession to
public taste. He is an artist, body and soul, living
for his art and not by it; in him Hungarian art
possesses one of its brightest hopes. Of this the
works of his now reproduced may perhaps offer
proof. R. M.
STOCKHOLM.-The reproduction here
given of an etching by Emil Zoir is an
admirable example of that artist's work as
an etcher. The treatment of the dark
boughs and the broken lights through the branches « andante patetico" by alice nordin
364