DOI Heft:
Nr. 353 (August 1922)
DOI Artikel:Mourey, Gabriel: The Thirteenth International Exhibition of Modern Art at Venice
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.21396#0094
VENICE INTERNATIONAL EXHIBITION
"PORTRAIT." BY
RICCARDO GALLI
Bonnard, Maurice Denis, Emile Bernard Hungary commands attention chiefly by
and Charles Guerin, each occupy a special acollectionof decorativeworksof a religious
room, and show important collections of character by MM. Megyer and Rippl
their works ; while in the general display Ronai. The Russian Pavilion is closed this
are contributions from MM. Blanche, Le year, and the Spanish Pavilion was not
Sidaner, Henri Martin, Simon, Besnard completed when these notes were penned.
Menard, Claude Monet, Naudin, Signac, There remains the German Pavilion, when
Jean Marchand, and others. 0 0 such well known artists as MM. Lieber-
Modern Dutch art is worthily repre- mann, Corinth, and Slevogt are repre-
sented by MM. Breitner, Toorop, Bauer sented by works which suffice for making
and Mendes da Costa, while in the Belgian acquaintance with their art. They are, as we
Pavilion are grouped harmoniously can- know, good artists and among the best of
vases by MM. Van de Woestyne, Claus, the German school. Side by side with
Van den Eeckhoudt, Rassenfosse, Oleffe, them are to be seen a number of canvases by
Laermans, Gilsoul, and Permeke ; with M. Oskar Kokoschka, who is, it seems, the
sculpture by MM. Lagae, Rousseau, glory of the Expressionist school—the
Fontaine and Berchmans. 000 demur cri, so to speak, of German painting.
74
"PORTRAIT." BY
RICCARDO GALLI
Bonnard, Maurice Denis, Emile Bernard Hungary commands attention chiefly by
and Charles Guerin, each occupy a special acollectionof decorativeworksof a religious
room, and show important collections of character by MM. Megyer and Rippl
their works ; while in the general display Ronai. The Russian Pavilion is closed this
are contributions from MM. Blanche, Le year, and the Spanish Pavilion was not
Sidaner, Henri Martin, Simon, Besnard completed when these notes were penned.
Menard, Claude Monet, Naudin, Signac, There remains the German Pavilion, when
Jean Marchand, and others. 0 0 such well known artists as MM. Lieber-
Modern Dutch art is worthily repre- mann, Corinth, and Slevogt are repre-
sented by MM. Breitner, Toorop, Bauer sented by works which suffice for making
and Mendes da Costa, while in the Belgian acquaintance with their art. They are, as we
Pavilion are grouped harmoniously can- know, good artists and among the best of
vases by MM. Van de Woestyne, Claus, the German school. Side by side with
Van den Eeckhoudt, Rassenfosse, Oleffe, them are to be seen a number of canvases by
Laermans, Gilsoul, and Permeke ; with M. Oskar Kokoschka, who is, it seems, the
sculpture by MM. Lagae, Rousseau, glory of the Expressionist school—the
Fontaine and Berchmans. 000 demur cri, so to speak, of German painting.
74