DOI Heft:
No. 158 (May, 1906)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.20714#0372
Studio- Talk
in Dublin. Count Mar-
kievicz's work is known in
most Continental galleries,
from Paris to St. Petersburg.
His just-completed portrait
of the Irish Chief Justice—
Lord O'Brien of Kilfenora
—is a fine piece of work.
The subject of his large
canvas L'Amour is an old
Polish legend. The ad-
venturer into the enchanted
forest can obtain the fulfil-
ment of a wish, but must
die should he feel fear. A
bold youth has entered the
wood and asked for love,
but seeing a beautiful
maiden approach, is over- <.,.0nte ticino, pavia" from an etching by d. maclaughlan
come with fear and pays
the penalty. Mr. George
Russell's original and decorative landscape studies, one of the primitives, and in all her portraits one
with their rhythmic colour-scheme, would merit an finds a similar sincerity of purpose and directness
article to themselves. Mr. Russell is an artist with a of treatment along with strong and skilful draughts-
strong personality and very definite ideals, who owes manship. E. D.
little to tradition or to conventional art theories.
He is almost entirely self-taught. Finally, there "■ "VARIS.—Mr. Donald Shaw MacLaughlan, a
is Miss S. C. Harrison, a pupil of M. Alphonse I 3 native of Boston, Mass., whose etchings
Legros, and a painter of a wholly different type A have many a time been on view at the
from those I have mentioned. A portrait of a lady salons and minor shows here, has recently
which she recently exhibited in Dublin had the brought together, at the American Art Associa-
ndiveti and the perfection of finish of a work by tion's galleries, a collection embodying several
years' study and patient
research. Gifted with a
hand of unusual precision
and a truly original percep-
tion, this artist pursues the
double tradition of Rem-
brandt and Meryon. A
devotee of pure etching,
MacLaughlan, as M.
Uzanne observes in an
interesting preface to the
catalogue of the exhibi-
tion, eschews the dry-point
and burin, nor does he
resort to soft-ground mani-
pulation, aquatinting, and
so on, but proves his
plates exactly as they are
bitten by the mordant,
untouched by any deposit
of steel with its often
MELONCELLo" FROM AN ETCHING by d. MACLAUGHLAN preCariOUS results.
352
in Dublin. Count Mar-
kievicz's work is known in
most Continental galleries,
from Paris to St. Petersburg.
His just-completed portrait
of the Irish Chief Justice—
Lord O'Brien of Kilfenora
—is a fine piece of work.
The subject of his large
canvas L'Amour is an old
Polish legend. The ad-
venturer into the enchanted
forest can obtain the fulfil-
ment of a wish, but must
die should he feel fear. A
bold youth has entered the
wood and asked for love,
but seeing a beautiful
maiden approach, is over- <.,.0nte ticino, pavia" from an etching by d. maclaughlan
come with fear and pays
the penalty. Mr. George
Russell's original and decorative landscape studies, one of the primitives, and in all her portraits one
with their rhythmic colour-scheme, would merit an finds a similar sincerity of purpose and directness
article to themselves. Mr. Russell is an artist with a of treatment along with strong and skilful draughts-
strong personality and very definite ideals, who owes manship. E. D.
little to tradition or to conventional art theories.
He is almost entirely self-taught. Finally, there "■ "VARIS.—Mr. Donald Shaw MacLaughlan, a
is Miss S. C. Harrison, a pupil of M. Alphonse I 3 native of Boston, Mass., whose etchings
Legros, and a painter of a wholly different type A have many a time been on view at the
from those I have mentioned. A portrait of a lady salons and minor shows here, has recently
which she recently exhibited in Dublin had the brought together, at the American Art Associa-
ndiveti and the perfection of finish of a work by tion's galleries, a collection embodying several
years' study and patient
research. Gifted with a
hand of unusual precision
and a truly original percep-
tion, this artist pursues the
double tradition of Rem-
brandt and Meryon. A
devotee of pure etching,
MacLaughlan, as M.
Uzanne observes in an
interesting preface to the
catalogue of the exhibi-
tion, eschews the dry-point
and burin, nor does he
resort to soft-ground mani-
pulation, aquatinting, and
so on, but proves his
plates exactly as they are
bitten by the mordant,
untouched by any deposit
of steel with its often
MELONCELLo" FROM AN ETCHING by d. MACLAUGHLAN preCariOUS results.
352