Camera Work: A Photographic Quarterly (1903 (Heft 1))

NOT only was the American exhibit numerically strong, but in point of
artistic worth, judging from the English press reviews and other information,
it attracted the most favorable comment, a result which must be considered
especially gratifying to our censorious critics who have in the past derided
the " American School ” to the limit of their ability. But prophets were
ever without honor in their own country.
THE ninety-four exhibits from the United States were composed as follows:

C. Yarnall Abbott, Philadelphia . . . .
Jeanne E. Bennett, Baltimore.
Zaїda Ben Yusuf, New York.
John G. Bullock, Philadelphia . . . .
Elise Pumpelly Cabot, Boston . . . .
F. Holland Day, Boston.
Mary Devens, Boston.
Wm. B. Dyer, Chicago.
Rudolf Eickemeyer, Jr., New York .
J. Mitchell Elliot, Philadelphia . . . .
Herbert G. French, Cincinnati .
Stockton S. Hornor, Philadelphia
Meredith Janvier, Baltimore.
Gertrude Käsebier, New York.
Joseph T. Keiley, New York.
Frederick K. Lawrence, Chicago . . . .
Francis Watts Lee, Boston.
Anne Pillsbury, Boston.
Olive M. Potts, Philadelphia.
Mrs. Wm. E. Russell, Boston . . . .
Eva Watson-Schütze, Chicago . . . .
Mrs. Sarah C. Sears, Boston.
Eduard J. Steichen, New York . . . .
Mary R. Stanbery, Zanesville, Ohio .
Alfred Stieglitz, New York.
Edmund Stirling, Philadelphia.
A. H. Stoiber, New York (temporarily Paris) .
Mathilde Weil, Philadelphia.
Clarence H. White, Newark, Ohio
Myra C. Wiggins, Salem, Ore.
S. L. Willard, Chicago.

4
1
2
1
1
3
6
6
2
1
2
3
1
7
2
1
2
2
2
3
4
1
9
1
4
6
1
4
9
1
1

frames
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"

Editors.