Camera Work:
A Photographic Quarterly – digital
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Camera Work: A Photographic Quarterly
— 1903 (Heft 1)
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Please cite this page by using the following URL/DOI:
https://doi.org/10.11588/diglit.29887#0071
DOI article:
Joseph T. [Turner] Keiley, The Pursuit of the Pictorial Ideal
https://doi.org/10.11588/diglit.29887.34
DOI issue:
A Study in Natural History [capture for plate on p. 55]
https://doi.org/10.11588/diglit.29887.35
DOI Page / Citation link:
https://doi.org/10.11588/diglit.29887#0071
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[a]
Camera Work: A Photographic Quarterly [cover recto]
[1]
[Editors] Camera Work [masthead]
[2]
All Rights Reserved [copyright notice]
[3]
Gertrude Käsebier [list of plates]
[4a]
[Gertrude Käsebier, I. Dorothy, photogravure from original negative]
[6a]
[Gertrude Käsebier, II. The Manger, photogravure from original negative]
[8a]
[Gertrude Käsebier, III. Blessed Are Thou Among Women, photogravure from original negative]
[10a]
[Gertrude Käsebier, IV. Portrait (Miss N.), photogravure from original negative]
[14]
[Gertrude Käsebier, V. The Red Man, photogravure from original negative]
15-16
Alfred Stieglitz, Joseph T. [Turner] Keiley, Dallett Fuguet, John Francis Strauss, An Apology
John B. [Banister] Tabb, From a Photograph [poem]
Charles H. [Henry] Caffin, Mrs. Käsebier’s Work – An Appreciation
Dallett Fuguet, [To Plague Our Souls for the Ideal, untitled poem]
Frances Benjamin Johnston, Gertrude Käsebier: Professional Photographer
J. B. [John Barrett] Kerfoot, How History Repeats Itself
Will [William] A. Cadby, A Chat on the London Photographic Salon: Forewords (From the Catalogue) [dated article, London, September 25, 1902]
Editors, America at the London Salon
[26a]
Serbonne [caption of illustration on p. 27]
[27]
[Gertrude Käsebier] Serbonne, From a ‘Gum’ Print by Gertrude Käsebier [half-tone reproduction]
Sidney Allan [Sadakichi Hartmann], Repetition: With Slight Variation
‘Landscape’ From a Painting by D. W. [Dwight William] Tryon [half-tone reproduction]
‘L’ Hiver’ From a Painting by [Pierre] Puvis de Chavannes [half-tone reproduction]
H. F[.], [We Proudly Feel that Truth Is Strong, untitled poem]
Eva Watson-Schütze, Signatures
Editors, Pictorial Photography: The St. Louis Exposition
Charles H. [Henry] Caffin, [Reprinted Article from The International Studio, August 1902, Including Excerpts from the Correspondence Between The International Studio, J. A. Ockerson, Chief Department of Liberal Arts, St. Louis Exposition, and Julius C. Strauss, Professional Portrait Photographer, St. Louis]
Dallett Fuguet, [Though Life Be Short and Art Be Long, untitled poem]
[46]
“The Hand of Man” by Alfred Stieglitz [capture of photogravure on p. 47]
[47]
Alfred Stieglitz, The Hand of Man [photogravure from original negative]
Eduard J. [Jean] Steichen, Ye Fakers
48
[It Is an Error Common to Many Artists, unsigned and untitled text]
Otto Walter Beck, Some Lessons from Old Masters.—No. I [with an introduction by the editors]
A. [Arthur] Radclyffe Dugmore, Effective Lighting in Bird-Photography [with an introduction by the editors]
Joseph T. [Turner] Keiley, The Pursuit of the Pictorial Ideal
[54a]
A Study in Natural History [capture for plate on p. 55]
[55]
A. [Arthur] Radclyffe Dugmore, A Study in Natural History [photogravure from original negative]
Photography at Important Art Exhibitions
Turin Decorative and Fine Arts Exhibition
The Final Disposition of the King’s Prize
The Yorkshire Union of Artists
Dallett Fuguet, Notes by the Way: Artistic Requisites
Editors, The Pictures in This Number
Editors, The Kodak Developing-Machine
Acetone-Sulphite [unsigned]
Some New Things Worth Looking Into [unsigned]
66
Editors, Announcement
66
Addenda [unsigned]
[67-84]
[Advertisements]
Eastman Kodak Co. [Kodak Films]
The Berlin Photographic Co. [Masterpieces of Art]
E. B. Meyrowitz [Carl Zeiss Anastigmat Lenses]
Tennant & Ward [Photograms of the Year] [Call for Contributions for the Photo-Miniature series]
Tennant & Ward [Call for Contributions for the Photo-Miniature series]
E. Schering [Pyrogallic Acid]
The United States Express Company [Photographic Apparatus and Materials from “Abroad”]
The Photochrome Engraving Company [Photographic Reproductions]
Fleming & Carnrick Printinghouse [Printing in Black and Color]
Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter]
Willis and Clements [The Platinotype]
Bausch & Lomb Optical Co. [$3,000.00 for Photographs]
The Voigtländer & Son Opt. Co. [The Collinear Lenses]
H. C. Townsend [Winter Resorts of Texas, Mexico & California]
The Folmer & Schwing Mfg. Co. [Graflex Camera]
C. [Carl] P. [Paul] Goerz Optical Works [The Goerz Lens]
Taylor, Taylor & Hobson Ltd. [Cooke Lenses]
John Royle & Sons [Lining-Bevelers]
The Carbutt Dry Plate and Film Company [Vinco Developing-Papers]
Alfred Stieglitz [For Advertising Rates and Particulars, announcement]
The Anthony & Scovill Co. [Ansco Platinum and Cyko Paper]
Nepera Chemical Co. [Velox Paper]
The Helios Photographic Paper Co. [The Helios Sepia Platinotype]
Farbenfabriken of Elberfeld Co. [Bayer Photographic Products]
The Obrig Camera Co. [Camera Apparatus and Supplies]
G. Gennert [Developers]
The "Steichen Number" [unsigned announcement]
G. Gennert [The Speedway Camera]
[unknown company] [Edinol Developer]
Geo [George] F. [Ferdinand] Of [Frames]
Otto Knoll [Bindings]
Country Life in America [The Only American Christmas Annual]
C. Heuermann [Platinum Paper]
The Actien-Gesellschaft für Anilin-Fabrikation [Eikonogen and Amidol]
[bb]
Eastman Kodak Co. [Kodak Camera, back cover verso]
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