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International studio — 18.1902/​1903

DOI issue:
No. 69 (November, 1902)
DOI article:
Studio-talk
DOI Page / Citation link:
https://doi.org/10.11588/diglit.26228#0066

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in Paris he is one of the best known. He was
born in Peru, being the descendant of an oid Irish
family which emigrated three generations ago to
South America. His artistic education has been
developed in Europe, his hrst studies having been
made in the Ecole des Beaux-Arts in Paris and
in the studio of Maria Augustin Gabriei Ferrier.

His first essays were iliustrations in black-and-
white for Balzac's " Pere Goriot" ; " La Dame
aux Camelias," of Alexandre Dumas ; " Son Altesse
la femme," by Uzanne, in the popular editions of
Quantin, and for " Les Lettres et les Arts," pub-
lished by the hrm of Boussod-Valadon. Since
i8$o, his name has hgured every year among the
exhibitors of the Salon of the Societe des Artistes
Frangais. His hrst pic-
ture, / gained
him a medal of the third
class. In i8$2, he sent in
<&y7*<zAX an im-
mense and majestic com-
position, and obtained a
medal of the hrst class.
A7<77*<?<z/ and
were also two pictures
of deep feeling ; <fc
a sober note oi
expression and remarkable
in execution ; the Cy<^5M-
<%/<? and ZM
V<Z7y7<77//', two decorative
panels, in which the beauty
of the form, the purity of
the colouring, and the sim-
plicity of the inspiration
recall the painters of the
eighteenth century. But
his best known work is
that vivid scene from
A?<z72<773 Z<w<?z</, by the
Abbe Prevost, exhibited in
the Salon in i8$6, and
belonging to M. Auban
Moet. Since that time
Lynch has devoted himself
exclusively to portrait paint-
ing. He understands the
human intelligence in an
extraordinary degree ; he
summarises and analyses
the character of his models,
bringsout themoral features
A FORTRAtT sTUDv BY A. I.YNCH and harmonises physical

is one of his most recent works, and is fortunate
in its promise of better things to come.

We are able to reproduce this month three illus-
trations of the excellent work that Mr. George
Frampton, R.A., has carried out for Lloyd's
Registry. The three statues, at once so delicate
and so manly in their gracious style, are all
symbols of commerce and the sea—or, rather, of
the means by which the products of commerce
are carried by sea from one country to another.

H ^ARIS.—Albert Lynch is a painter of jF73y<?
) ^ and an excellent portrait painter. Though
young, he has already achieved many
successes, and among the foreign artists

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