DOI issue:
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DOI Page / Citation link:https://doi.org/10.11588/diglit.26228#0211
SUPPLEMENTS OF "THE INTERNATIONAL STUDIO"
Modern British Domestic Architecture and Decoration.
Edited by CHARLES HoLME. Bound in Paper. $2.00 net.
EXTRACT FROM THE PRE-FACE: One of the features which characterize the
opening of the twentieth century is the renewai of generai interest in architecture and
decoration, more especiaiiy in their reiation to the construction and ornamentation of the
home. That the new century should generate a styie characteristicaiiy its own, borrowing
from the past oniy those features that are strictiy in accordance with present-day needs, is
the desire of aii true artists. Some progress in the right direction has aiready been made,
and it is not oniy interesting now to observe the present-day phases of architecture and dec-
oration, but it witi be of vaiue in time to come to iook back upon what are probabiy but the
initiai stages of a iarge and important movement.
Modern Pen Drawing—European and American Edited
by CHARLES HoLME. Bound in Cloth. $4.00 net.
EXTRACT FROM THE PREFACE : The purpose of this book is a simpie one,
nameiy, to give typicai and varied exampies of contemporary pen and ink drawings. It is
not intended to suppiy an iiiustrated cataiogue of aii the notabie pen draughtsmen of Europe
and America. Some weii-known names wiii be missed, and missed with regret; but the
editor has endeavored within the iimits of the space at his disposai, to render each section of
the book as representative as possibie of the best work of the nationaiities deait with. His
best thanks are due to ail the artist contributors, and particuiariy to those who are repre-
sented either by work done especiaiiy for the occasion, or eise by drawings which are printed
here for the Hrst time.
Art in 1897. Bound in Cloth, $2.00 net; in Paper, 3 parts, %1.20
net.
Art in 1898. Bound in Cioth, $2.00 net; in Paper, 3 parts, %1.03
net.
These voiumes present in biack and white a pictoriai record of the most famous exhibits in
painting and scuipture at the ieading gaiieries of Eondon and Paris in the years 1897 and
1898. Beginning at the Royai Academy of London we hnd the works of such famous
artists as the foiiowing: In subject pictures, G. F. Watts, Sir E. J. Poynter, Briton Rtviere,
H. H. LaThangue, Herbert J. Draper; in portrait, Hon. John Coiiier, Hubert Herkomer;
in iandscape and seascape, Coiin Hunter, E. A. Wateriow, Aifred East, David Murray ; in
scuipture, Onsiow Ford, G. J. Frampton. In the new Gallery, Sir E. Burne-Jones is still
exhibiting, by the side of his son, the present Sir Philip Burne-Jones; also Walter Crane,
J. J. Shannon, J. W. Waterhouse, Napier Hemy. While at the New Engiish Art Club
we And P. Wilson Steer, C. W. Furse, Henry Tonks, R. Anning Bell. Across the Chan-
nel we see in the Salons the works of the foliowing characteristic French artists : Wiliiam
Bouguereau, Fantin-Latour, L. Perrault, Benjamin Constant, Paul Lefroy, J. A. Meunier;
and in sculpture, Alex. Charpentier, A. Rodin.
AD. xxi.
Modern British Domestic Architecture and Decoration.
Edited by CHARLES HoLME. Bound in Paper. $2.00 net.
EXTRACT FROM THE PRE-FACE: One of the features which characterize the
opening of the twentieth century is the renewai of generai interest in architecture and
decoration, more especiaiiy in their reiation to the construction and ornamentation of the
home. That the new century should generate a styie characteristicaiiy its own, borrowing
from the past oniy those features that are strictiy in accordance with present-day needs, is
the desire of aii true artists. Some progress in the right direction has aiready been made,
and it is not oniy interesting now to observe the present-day phases of architecture and dec-
oration, but it witi be of vaiue in time to come to iook back upon what are probabiy but the
initiai stages of a iarge and important movement.
Modern Pen Drawing—European and American Edited
by CHARLES HoLME. Bound in Cloth. $4.00 net.
EXTRACT FROM THE PREFACE : The purpose of this book is a simpie one,
nameiy, to give typicai and varied exampies of contemporary pen and ink drawings. It is
not intended to suppiy an iiiustrated cataiogue of aii the notabie pen draughtsmen of Europe
and America. Some weii-known names wiii be missed, and missed with regret; but the
editor has endeavored within the iimits of the space at his disposai, to render each section of
the book as representative as possibie of the best work of the nationaiities deait with. His
best thanks are due to ail the artist contributors, and particuiariy to those who are repre-
sented either by work done especiaiiy for the occasion, or eise by drawings which are printed
here for the Hrst time.
Art in 1897. Bound in Cloth, $2.00 net; in Paper, 3 parts, %1.20
net.
Art in 1898. Bound in Cioth, $2.00 net; in Paper, 3 parts, %1.03
net.
These voiumes present in biack and white a pictoriai record of the most famous exhibits in
painting and scuipture at the ieading gaiieries of Eondon and Paris in the years 1897 and
1898. Beginning at the Royai Academy of London we hnd the works of such famous
artists as the foiiowing: In subject pictures, G. F. Watts, Sir E. J. Poynter, Briton Rtviere,
H. H. LaThangue, Herbert J. Draper; in portrait, Hon. John Coiiier, Hubert Herkomer;
in iandscape and seascape, Coiin Hunter, E. A. Wateriow, Aifred East, David Murray ; in
scuipture, Onsiow Ford, G. J. Frampton. In the new Gallery, Sir E. Burne-Jones is still
exhibiting, by the side of his son, the present Sir Philip Burne-Jones; also Walter Crane,
J. J. Shannon, J. W. Waterhouse, Napier Hemy. While at the New Engiish Art Club
we And P. Wilson Steer, C. W. Furse, Henry Tonks, R. Anning Bell. Across the Chan-
nel we see in the Salons the works of the foliowing characteristic French artists : Wiliiam
Bouguereau, Fantin-Latour, L. Perrault, Benjamin Constant, Paul Lefroy, J. A. Meunier;
and in sculpture, Alex. Charpentier, A. Rodin.
AD. xxi.