DOI Page / Citation link:
https://doi.org/10.11588/diglit.55687#0281
Воспоминания Алексея Грищенко как источник по истории Ecole de Paris
277
Толстой 2005 = Толстой, А[ндрей]: Художники рус-
ской эмиграции, Искусство - XXI век, Москва
2005.
Туркина, Мазин 2002 = Туркина, О[леся], Мазин,
В[иктор]: «Тимур», Художественный журнал, 45
(2002), http://xz.gif.ru/numbers/45/timur/, дата
обращения: 22.09.2014.
Фундащя 1962 = Фундацы Олекси Грищенка, каталог
виставки, Украгнський шститут Америки, Нью
Йорк 1962.
A transatlantic avant-garde 2003 = A transatlantic
avant-garde: American artists in Paris, 1918-1939,
Sophie Lćvy (ред.), каталог выставки, Musee d’Art
Americain Giverny, University of California Press,
Berkeley 2003.
Alexis Gritchenko 1948 = Alexis Gritchetnko. Sa vie, son
oeuvre, Rene-Jean, Paul Fierens (статьи), альбом,
Quatre Vents, Paris 1948.
Alexis Gritchenko 1964 = Alexis Gritchenko. Sa vie, son
oeuure, Raymond Charmet, Paul Fierens, Sviatoslav
Hordynsky (статьи), альбом, Quatre Vents, Paris
1964.
Autour de Bourdelle 1996 = Autour de Bourdelle. Paris
et les artistes polonais. 1900-1918, Elżbieta Grabska
(ред.), каталог выставки, Musee Bourdelle, Paris
musćes, Paris 1996.
Bobrowska-Jakubowska 2004 = Bobrowska-Jakubows-
ka, Ewa: Artyści polscy we Francji w latach 1890-
1918. Wspólnoty i indywidualności, Wydawnictwo
DiG, Warszawa 2004.
Gritchenko 1930 = Gritchenko, Alexis: Deux ans
a Constantinople. Journal d’unpeintre, Quatre Vents,
Paris 1930.
Gritchenko 1957 = Gritchenko, Alexis: L’Ukraine de
mes jours bleus, La Colombe, Paris 1957.
Gritchenko 1968 = Gritchenko, Alexis: My Encoun-
ters with French artists. Memoirs of an Artist, Alexis
Gritchenko Foundation, New York 1968.
Kisling i jego przyjaciele 1996 = Kisling i jego przyjacie-
le: wystawa obrazów i rzeźb z kolekcji Musee du Petit
Palais w Genewie, Barbara Brus-Malinowska, Jerzy
Malinowski (ред.), каталог выставки, Muzeum Na-
rodowe, Warszawa 1996.
L’Ecole de Paris 2000 = L’Ecole de Paris. 1904-1929,
la part de lAutre, Jean-Louis Andral, Sophie Kre-
bs, Gladys Fabre (сост.), каталог выставки, Musee
d’Art moderne de la ville de Paris, Paris musees, Paris
2000.
Malinowski, Brus-Malinowska 2007 = Malinowski, Je-
rzy, Brus-Malinowska, Barbara: W kręgu Ecole de Pa-
ris. Malarze żydowscy z Polski, Wydawnictwo DiG,
Warszawa 2007.
Nieszawer, Boye, Fogel 2000 = Nieszawer, Nadine, Boye,
Marie, Fogel, Paul: Peintresjuifsa Paris. 1905-1939.
Ecole de Paris, Denoel, Paris 2000.
The Circle of Montparnasse 1986 = The Circle of Mont-
parnasse. Jewish Artists in Paris. 1905-1945, Kenneth
E. Silver, Romy Golan (ред.), каталог выставки, the
Jewish Museum Universe Books, New York 1985.
Vita Susak
The Memoirs of Alexis Gritchenko as the Source
for the History of the School of Paris
Ukrainian artist Alexis Gritchenko (1883-1977) was an active participant of the avant-garde movement
in Moscow in the 191 Os. He left Soviet Russia in 1919 and came to Paris ar the end of 1921, linking his
life and work with France. Following the example of Delacroix whom he admired in his youth, Gritchenko
kept diaries for many years. Due to these records he could publish later several books of his memoirs: Two
Years in Constantinople (1930), Ukrainę of my blue days (1957), My Encounters with French Artists (1962,
1968 - Eng.), The Years of Storm and Stress (1967). These rare publications in Ukrainian and French
are the valuable resource not only for the authors biography. They contain interesting facts and descrip-
tions of some iconic characters that came to Paris from Poland and from Russia: Moise Kisling, Leopold
Zborowski, Sonia Lewitska, Haim Soutine and others. This information deserves to be introduced in
a wide scholarly use. Gritchenkos approach to “conservation” of documentation about himself and his
work is also interesting. He established his own Foundation at the Ukrainian Instirute in New York, which
was transferred to the National Art Museum in Kyiv in 2006. The “construction” of autobiographies by
the postmodern artists had relied upon the experiences ofmodern artists. Gritchenkos heritage is aspecific
example of artist-emigrant, which expands our understanding of the phenomenon of the artist of Ecole
de Paris.
277
Толстой 2005 = Толстой, А[ндрей]: Художники рус-
ской эмиграции, Искусство - XXI век, Москва
2005.
Туркина, Мазин 2002 = Туркина, О[леся], Мазин,
В[иктор]: «Тимур», Художественный журнал, 45
(2002), http://xz.gif.ru/numbers/45/timur/, дата
обращения: 22.09.2014.
Фундащя 1962 = Фундацы Олекси Грищенка, каталог
виставки, Украгнський шститут Америки, Нью
Йорк 1962.
A transatlantic avant-garde 2003 = A transatlantic
avant-garde: American artists in Paris, 1918-1939,
Sophie Lćvy (ред.), каталог выставки, Musee d’Art
Americain Giverny, University of California Press,
Berkeley 2003.
Alexis Gritchenko 1948 = Alexis Gritchetnko. Sa vie, son
oeuvre, Rene-Jean, Paul Fierens (статьи), альбом,
Quatre Vents, Paris 1948.
Alexis Gritchenko 1964 = Alexis Gritchenko. Sa vie, son
oeuure, Raymond Charmet, Paul Fierens, Sviatoslav
Hordynsky (статьи), альбом, Quatre Vents, Paris
1964.
Autour de Bourdelle 1996 = Autour de Bourdelle. Paris
et les artistes polonais. 1900-1918, Elżbieta Grabska
(ред.), каталог выставки, Musee Bourdelle, Paris
musćes, Paris 1996.
Bobrowska-Jakubowska 2004 = Bobrowska-Jakubows-
ka, Ewa: Artyści polscy we Francji w latach 1890-
1918. Wspólnoty i indywidualności, Wydawnictwo
DiG, Warszawa 2004.
Gritchenko 1930 = Gritchenko, Alexis: Deux ans
a Constantinople. Journal d’unpeintre, Quatre Vents,
Paris 1930.
Gritchenko 1957 = Gritchenko, Alexis: L’Ukraine de
mes jours bleus, La Colombe, Paris 1957.
Gritchenko 1968 = Gritchenko, Alexis: My Encoun-
ters with French artists. Memoirs of an Artist, Alexis
Gritchenko Foundation, New York 1968.
Kisling i jego przyjaciele 1996 = Kisling i jego przyjacie-
le: wystawa obrazów i rzeźb z kolekcji Musee du Petit
Palais w Genewie, Barbara Brus-Malinowska, Jerzy
Malinowski (ред.), каталог выставки, Muzeum Na-
rodowe, Warszawa 1996.
L’Ecole de Paris 2000 = L’Ecole de Paris. 1904-1929,
la part de lAutre, Jean-Louis Andral, Sophie Kre-
bs, Gladys Fabre (сост.), каталог выставки, Musee
d’Art moderne de la ville de Paris, Paris musees, Paris
2000.
Malinowski, Brus-Malinowska 2007 = Malinowski, Je-
rzy, Brus-Malinowska, Barbara: W kręgu Ecole de Pa-
ris. Malarze żydowscy z Polski, Wydawnictwo DiG,
Warszawa 2007.
Nieszawer, Boye, Fogel 2000 = Nieszawer, Nadine, Boye,
Marie, Fogel, Paul: Peintresjuifsa Paris. 1905-1939.
Ecole de Paris, Denoel, Paris 2000.
The Circle of Montparnasse 1986 = The Circle of Mont-
parnasse. Jewish Artists in Paris. 1905-1945, Kenneth
E. Silver, Romy Golan (ред.), каталог выставки, the
Jewish Museum Universe Books, New York 1985.
Vita Susak
The Memoirs of Alexis Gritchenko as the Source
for the History of the School of Paris
Ukrainian artist Alexis Gritchenko (1883-1977) was an active participant of the avant-garde movement
in Moscow in the 191 Os. He left Soviet Russia in 1919 and came to Paris ar the end of 1921, linking his
life and work with France. Following the example of Delacroix whom he admired in his youth, Gritchenko
kept diaries for many years. Due to these records he could publish later several books of his memoirs: Two
Years in Constantinople (1930), Ukrainę of my blue days (1957), My Encounters with French Artists (1962,
1968 - Eng.), The Years of Storm and Stress (1967). These rare publications in Ukrainian and French
are the valuable resource not only for the authors biography. They contain interesting facts and descrip-
tions of some iconic characters that came to Paris from Poland and from Russia: Moise Kisling, Leopold
Zborowski, Sonia Lewitska, Haim Soutine and others. This information deserves to be introduced in
a wide scholarly use. Gritchenkos approach to “conservation” of documentation about himself and his
work is also interesting. He established his own Foundation at the Ukrainian Instirute in New York, which
was transferred to the National Art Museum in Kyiv in 2006. The “construction” of autobiographies by
the postmodern artists had relied upon the experiences ofmodern artists. Gritchenkos heritage is aspecific
example of artist-emigrant, which expands our understanding of the phenomenon of the artist of Ecole
de Paris.