254
PUNCH, OK THE LONDON CHARIVARI.
[December 7, 1878.
AN APPEAL TO THE LAW.
Naughty Critic, to use bad Language! Silly Painter, to go io Law about it!
FRIENDS AT A DISTANCE.
Being the brief Record of a feiv Winter-seasonable Visits to certain
Country Houses.
Visit the First— Chapter IV.
The Uprise—A Party—Recognition—Description — Catalogue—
Oldest of Old Counties—The Beauty—Introduction—Mauvais
quart d heure—Etiquette—More Solemnity—Dinner in State.
I had expected Josslyn Dyke to be alone, and, to my utter
astonishment, find myself suddenly thrust in, as it were, on a com-
paratively large party, that, apparently, hadn't in the least expected
me to be added to their number.
The rapidity with which I have been let in, and the door closed
Phantom Butler * SOmetHng like a Practical joke on the part of the
Nobody takes the slightest notice of me, except two or three Ladies,
who look round as much as to say, "What's this ? » and after an in-
spection so brief as scarcely to interrupt their conversation for a
second, they seem to say, " Oh, is that all—well, as we were saying,"
and they resume their talk. Awkward.
My host is engaged with a tall, elderly, crusty-looking Gentleman
by the fire-place. The Crusty Gentleman has taken up the usual
peculiarly Englishman's attitude in front of the fire, so as to render
himself more crusty than ever. He is doing himself to a turn—
[Happy Thought.—Doing himself a good turn. Charity begins at
home, i.e. at your own fireside]—sometimes with great impartiality
presenting a side view to the fire, and sometimes turning right
round while conversing with Josslyn Dyke, so that, in time, the
Crusty Old Gentleman will be thoroughly done through. Whatever
the engrossing subject may be, Josslyn is saying, "it is" and the
Crusty one is " begging his pardon, and assuring bim that it isn't."
I only see one face I know. It belongs to a man whom I meet,
occasionally, once in two years, but as Josslyn is evidently not going
to introduce me to anybody, and as, without this ceremony, I can't
address anyone, even about the weather, without being considered
PUNCH, OK THE LONDON CHARIVARI.
[December 7, 1878.
AN APPEAL TO THE LAW.
Naughty Critic, to use bad Language! Silly Painter, to go io Law about it!
FRIENDS AT A DISTANCE.
Being the brief Record of a feiv Winter-seasonable Visits to certain
Country Houses.
Visit the First— Chapter IV.
The Uprise—A Party—Recognition—Description — Catalogue—
Oldest of Old Counties—The Beauty—Introduction—Mauvais
quart d heure—Etiquette—More Solemnity—Dinner in State.
I had expected Josslyn Dyke to be alone, and, to my utter
astonishment, find myself suddenly thrust in, as it were, on a com-
paratively large party, that, apparently, hadn't in the least expected
me to be added to their number.
The rapidity with which I have been let in, and the door closed
Phantom Butler * SOmetHng like a Practical joke on the part of the
Nobody takes the slightest notice of me, except two or three Ladies,
who look round as much as to say, "What's this ? » and after an in-
spection so brief as scarcely to interrupt their conversation for a
second, they seem to say, " Oh, is that all—well, as we were saying,"
and they resume their talk. Awkward.
My host is engaged with a tall, elderly, crusty-looking Gentleman
by the fire-place. The Crusty Gentleman has taken up the usual
peculiarly Englishman's attitude in front of the fire, so as to render
himself more crusty than ever. He is doing himself to a turn—
[Happy Thought.—Doing himself a good turn. Charity begins at
home, i.e. at your own fireside]—sometimes with great impartiality
presenting a side view to the fire, and sometimes turning right
round while conversing with Josslyn Dyke, so that, in time, the
Crusty Old Gentleman will be thoroughly done through. Whatever
the engrossing subject may be, Josslyn is saying, "it is" and the
Crusty one is " begging his pardon, and assuring bim that it isn't."
I only see one face I know. It belongs to a man whom I meet,
occasionally, once in two years, but as Josslyn is evidently not going
to introduce me to anybody, and as, without this ceremony, I can't
address anyone, even about the weather, without being considered
Werk/Gegenstand/Objekt
Titel
Titel/Objekt
"An appeal to the law"
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Inschrift/Wasserzeichen
Aufbewahrung/Standort
Aufbewahrungsort/Standort (GND)
Inv. Nr./Signatur
H 634-3 Folio
Objektbeschreibung
Objektbeschreibung
Bildunterschrift: Naughty critic, to use bad language! Silly painter, to go to law about it! Bildbeschriftung: Whistler versus Ruskin; No sympathy with the defendant; The law allows it, the court awards it; Old pelican in the art wilderness
Maß-/Formatangaben
Auflage/Druckzustand
Werktitel/Werkverzeichnis
Herstellung/Entstehung
Künstler/Urheber/Hersteller (GND)
Entstehungsdatum
um 1878
Entstehungsdatum (normiert)
1873 - 1883
Entstehungsort (GND)
Auftrag
Publikation
Fund/Ausgrabung
Provenienz
Restaurierung
Sammlung Eingang
Ausstellung
Bearbeitung/Umgestaltung
Thema/Bildinhalt
Thema/Bildinhalt (GND)
Literaturangabe
Rechte am Objekt
Aufnahmen/Reproduktionen
Künstler/Urheber (GND)
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch, 75.1878, December 7, 1878, S. 254
Beziehungen
Erschließung
Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg