DOI Heft:
No. 57 (November, 1901)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.22772#0088
Studio-Talk
and majolica; but Reimann
also works in wood, glass,
porcelain, and a new kind
of tin-metal, called “Kayser-
zinn,” which has the ad-
vantage of being indestruc-
tible and does not scratch
like silver. The ash-trays
here illustrated are made of
this new metal. Born in
Gnesen, in 1874, Reimann,
when very young, joined
the “Industrial Art Classes'’
at the Royal Museum,
Berlin, where he gained,
some two years later, the
“ Prussian State Scholar-
ship.” After several years
spent in travelling, and
from a coloured woodcut by kristian kougstad studying modern art in its
various branches, Reimann
The students will be enabled to visit natural settled down in Berlin, and applied himself to
objects and exhibitions of science and art at a designing models for decorative purposes, in which
distance. They will be provided with
summer quarters on one or other of
the founder’s Perthshire estates, and will
have an opportunity of continuing their
general education in Arbroath. The
trustees are to engage lecturers in art,
science and natural history, and carvers
and engravers to teach the students the
use of tools. Provision is also made for
sending students, on finishing their terms
at Hospitalfield, to the Continent for further
study. Finally, young people between
sixteen and twenty, resident in Arbroath,
may be admitted as day-scholars to the
classes. All the provisions are curiously
minute in detail, and fashioned with
much practical forethought to giving
every student a thorough training. The
issue of an experiment upon such a scale,
made in a secluded mansion at a distance
from any art centre, is looked to with
deep interest, more especially by the
artist friends of Mr. Fraser. E. P.
BERLIN.—Albert Reimann, a
young sculptor, exhibited this
year, at the Berlin Kunst
Ausstellung, some excellent
decorative designs. The models there
shown were carried out in bronze, silver,
“a BURGHER ” FROM A COLOURED WOODCUT
BY KRISTIAN KOUGSTAD
67
and majolica; but Reimann
also works in wood, glass,
porcelain, and a new kind
of tin-metal, called “Kayser-
zinn,” which has the ad-
vantage of being indestruc-
tible and does not scratch
like silver. The ash-trays
here illustrated are made of
this new metal. Born in
Gnesen, in 1874, Reimann,
when very young, joined
the “Industrial Art Classes'’
at the Royal Museum,
Berlin, where he gained,
some two years later, the
“ Prussian State Scholar-
ship.” After several years
spent in travelling, and
from a coloured woodcut by kristian kougstad studying modern art in its
various branches, Reimann
The students will be enabled to visit natural settled down in Berlin, and applied himself to
objects and exhibitions of science and art at a designing models for decorative purposes, in which
distance. They will be provided with
summer quarters on one or other of
the founder’s Perthshire estates, and will
have an opportunity of continuing their
general education in Arbroath. The
trustees are to engage lecturers in art,
science and natural history, and carvers
and engravers to teach the students the
use of tools. Provision is also made for
sending students, on finishing their terms
at Hospitalfield, to the Continent for further
study. Finally, young people between
sixteen and twenty, resident in Arbroath,
may be admitted as day-scholars to the
classes. All the provisions are curiously
minute in detail, and fashioned with
much practical forethought to giving
every student a thorough training. The
issue of an experiment upon such a scale,
made in a secluded mansion at a distance
from any art centre, is looked to with
deep interest, more especially by the
artist friends of Mr. Fraser. E. P.
BERLIN.—Albert Reimann, a
young sculptor, exhibited this
year, at the Berlin Kunst
Ausstellung, some excellent
decorative designs. The models there
shown were carried out in bronze, silver,
“a BURGHER ” FROM A COLOURED WOODCUT
BY KRISTIAN KOUGSTAD
67