DOI issue:
No. 58 (December, 1901)
DOI article:American studio notes
DOI Page / Citation link:https://doi.org/10.11588/diglit.22772#0198
American Studio Talk
THE CARNEGIE ART INSTITUTE EXHIBITION AT PITTSBURG
“ PORTRAIT OF A YOUNG MAN ” BY GEORGE LOUIS CARSPECKEN
ried a little further, but with the intent of securing
the special qualities of water color, transparency,
purity, and the feeling of spontaneousness. Others
that should be noted are : Charles Warren Eaton’s
The Autumn Rains, Charles B. Coman’s Late
Autumn, Quaker Hill, Emilie Decombes’s The Red
Chimney, Bancel La Farge’s Head-water of the
Hudson, Tahawus, Ben Foster’s Late Moonrise,
George Ferdinand Of’s Capri and Monte Angelo,
and a Marine by Emerline M. Holbrook. An un-
usually clever study of an Indian Klickital Chief
is shown by E. Irving Conse, a good Portrait of a
gentleman by Mathilde de Cordoba, and Maurice
B. Prendergast sends several of his ingenious and
xlix
THE CARNEGIE ART INSTITUTE EXHIBITION AT PITTSBURG
“ PORTRAIT OF A YOUNG MAN ” BY GEORGE LOUIS CARSPECKEN
ried a little further, but with the intent of securing
the special qualities of water color, transparency,
purity, and the feeling of spontaneousness. Others
that should be noted are : Charles Warren Eaton’s
The Autumn Rains, Charles B. Coman’s Late
Autumn, Quaker Hill, Emilie Decombes’s The Red
Chimney, Bancel La Farge’s Head-water of the
Hudson, Tahawus, Ben Foster’s Late Moonrise,
George Ferdinand Of’s Capri and Monte Angelo,
and a Marine by Emerline M. Holbrook. An un-
usually clever study of an Indian Klickital Chief
is shown by E. Irving Conse, a good Portrait of a
gentleman by Mathilde de Cordoba, and Maurice
B. Prendergast sends several of his ingenious and
xlix