International studio (15.1901/1902(1902))

First International “Studio ” Exhibition

“visitors’ book” embossed in a similar manner.
The blotting-book, card-case, and photograph


PAINTED TAPESTRY BY EDMUND REUTER

From R, E. Barnard came a bold design of
daffodils for a blotting-book, and a cover for a embroidered portiere by Beatrice venables

STENCIL WORK

BY E. H. ROUSE

frame by Florence C.
Moore were the lighter
exercises of a craftswoman
who appeared most favour-
ably in a binding of
Shakespeare, admirable
for its quiet taste and
conscientious workman-
ship. Indeed the book-
binding section was alto-
gether of high quality.
Among the best examples
were those by H. Granville
Fell and Cedric Chivers,
who sent some beautifully
tooled work in stained
leather for “ Church Ser-
vices ” and other choice

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