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"HARD LINES."

"Richardson's
Show !" Tram-car
performances I

Those of the North
Metropolitan Tram-
cars Co. seem to be
very hard lines. Mr.
Richardson, the
Chairman, did. his
best to show it was
all right—more or
less. But Muster
Richardson's Show
wasn't quite satis-
factory all round as
it might have been,
specially when the
Pall-Mali Gazette
ferret went to work
to get at the truth
about Tram-cars.
Over fourteen hours
a day is a pretty good
dose of it; and, if
this is absolutely
the case, then the
Tram-car man's lot
is not a happy one.
Adapting an old
song of the over-
worked slavey — it
was Caliban who
sang it in a Bur-
lesque, by the Bro-
thers Beocgh, in
The Tempest, before
such liberties taken
with the Bard
shocked the dainty
Critics—the Tram-
car man might well
sing,—

' From morn to night I
workelike winkin'.
Up and down and
turn about,

With scarce 'ard timefor
grub or dnnkin'.
And they seldom lets
me have a Sunday
out."

Let us hope that
this state of things
will rapidly improve,
without injury to the
nine per cent, divi-
dend, and that the
' Rider," to reduce
the hours, and give
the men. more rest,
may be—as riders
should he — carried
by N.M. Tram-car Co.

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' THE TUG OF WAR."

(From a Randolphian point of view. Suggested by Mr. Harding Cox's well-known Picture.)

If the slaves of the Tram-car complain of their
fourteen and a half hours of labour " in the open air "
which their Chairman seemed to consider quite an
attraction, what will be thought of the Jew tailors in
the East End, who, during the busy season, are com-
pelled, according to an article in the P. M. <?., to
work sixteen hours a day, and this in anything but the
open air. They get during this time two pounds a week.
But not afterwards. The " basters " toil from seven

a.m. to midnight. The basters are those who keep
them at it, poor basters! And the " pressers " some-
times earn seven shillings a day, and they work till
midnight too. "We pity the pressers, and should like
to tackle the oppressors.

Suggestion to Social Reformers. — " La pro-
priety c'est le vol." CorollaryProsecution is per-
secution.

Astronomical and Sporting.—Aug. 12. Licen-
sing Day for_Shooting Stars.

New Reading.—Be thou as chaste as ice, as pure
as snow, thou shalt not escape—Caxlan, eh ?

One of Mr. Chamberlain's latest speeches^s very
generally considered as Hull-tra Radical.
Bildbeschreibung

Werk/Gegenstand/Objekt

Titel

Titel/Objekt
"The tug of war"
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Grafik

Inschrift/Wasserzeichen

Aufbewahrung/Standort

Aufbewahrungsort/Standort (GND)
Universitätsbibliothek Heidelberg
Inv. Nr./Signatur
H 634-3 Folio

Objektbeschreibung

Objektbeschreibung
Bildunterschrift: (From a Randolphian point of view. Suggested by Mr. Harding Cox's well-knows Picture.)

Maß-/Formatangaben

Auflage/Druckzustand

Werktitel/Werkverzeichnis

Herstellung/Entstehung

Künstler/Urheber/Hersteller (GND)
Sambourne, Linley
Entstehungsdatum
um 1885
Entstehungsdatum (normiert)
1880 - 1890
Entstehungsort (GND)
London

Auftrag

Publikation

Fund/Ausgrabung

Provenienz

Restaurierung

Sammlung Eingang

Ausstellung

Bearbeitung/Umgestaltung

Thema/Bildinhalt

Thema/Bildinhalt (GND)
Satirische Zeitschrift
Karikatur
Churchill, Randolph Henry Spencer
Salisbury, Robert Cecil of
Politiker <Motiv>
Hund <Motiv>
Mops <Motiv>
Tiermensch
Tauziehen
Toby, the Dog, Fiktive Gestalt
Plakat <Motiv>
Iddesleigh, Henry Stafford Northcote
Tiermalerei
Rezeption
Cox, Harding

Literaturangabe

Rechte am Objekt

Aufnahmen/Reproduktionen

Künstler/Urheber (GND)
Universitätsbibliothek Heidelberg
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch, 89.1885, August 15, 1885, S. 75

Beziehungen

Erschließung

Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg
 
Annotationen