Studio: international art (42.1908)

Studio-Talk

medallists. Starck is very
fine in his modelling, deep
in expression, and gives
his best in classical types.
Bosselt profits by French
technique yet is essentially
German in character. His
sharp-lined portraits,
figures, and ornaments
betray the decorative
artist.

The recent exhibition
of Ferdinand von Rayski's
works at Schulte's gallery
will do much to establish
the reputation of the Saxon
' , ■■< . WHfPfff master, who died forgotten

'. ' 'l<~ * ' ' - ill ^ in Dresden in 1890. The

Berlin Centenary Exhibi-

plan of king haakon's forest residence kr. biong, architect tion has already strongly

revived his memory. If

instincts have been strongly roused by Parisian we omit some less significant works there
example, though, after all assimilations, the racial remains enough to convince us of the racy tem-
nature has quickly asserted itself. perament of a painter of real distinction. The

- German cavaliers and ladies of the middle of last

Constantin Starck, a pupil ot Reinhold Begas, century have hardly found a more convincing

and Rudolf Bosselt, pupil of Josef Kowarzyk, interpreter. A passionate huntsman, he was

belong to the younger generation of German also a close student of nature and a particular

king haakon's forest residence
74

(See page 73)

kr. biong, architect