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Studio: international art — 42.1908

DOI issue:
No. 178 (January, 1908)
DOI article:
Garstin, Norman: On stencil cutting: an open letter from Mr. Norman Garstin
DOI article:
Studio-talk
DOI Page / Citation link:
https://doi.org/10.11588/diglit.20776#0342

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Studio-Talk

any one else's work of to-day. The exhibition The Pearl Gatherers, an excellent example of this
was unique and attractive in character. young painter's powerful rendering of form and
- poetic treatment of the nude.

At the Bedford College for Women Mr. George -

Thomson brought together in December a loan Appreciators of the higher forms of decorative
collection of some sixty water-colours, including art always turn with confidence and pleasure to the
two remarkable examples of Cotman's art, work productions of Mr. R. Anning Bell. We give as a
by David Cox, Harpignies, Whistler, Brabazon, supplement this month a reproduction of a panel
Conder, Bauer, Sickert and other modern water- in coloured plaster by him which was recently on
colourists of distinction. We were glad to see his view at the Fine Art Society's. Mr. Anning Bell
own fine work in the medium not unrepresented. has at times expressed himself through this medium
- with much beauty of result and with great advant-

Mr. W. Alison Martin, whose first " one-man age in interior architecture,
show " was recently held at the Baillie Gallery in

Baker Street, is one of the youngest members of More than one gallery has of late been showing the

the Liverpool Academy. In 1900 he won the coloured etchings of the modern French School

gold medal for drawing at the Liverpool School of A large collection of these were exhibited last

Art and a travelling scholarship with which he month at the Dore Gallery by Messrs. Georges

went to Paris and studied under Bouguereau, Petit, who have placed some very successful prints

Ferrier, and Rene Prinet. After visiting Italy on the market. These prints bring within the

Mr. Martin returned to England, where in 1902 reach of people with the slenderest purse a form of

he exhibited at the Royal Academy a large art which is the closest approach to original work,

bacchanal entitled Evoc !, and continued his One may perhaps say that there has never been

studies under Mr. A. E. John at Liverpool. From placed before the public so cheap a form of good

his exhibition at the Baillie Gallery we reproduce art. One has but to remember the vogue of the

"THE PEARL GATHERERS "
308

(In the Collection of Alfred Earl, Esq.)

BY ALISON MARTIN
 
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