PULBOROUGH—DUBLIN
PULBOROUGH (Sussex).—Our illus-
tration above is from a wood block by
Mr. Edward Ertz, who prefers the method
of drawing on the wood in pencil. The
title was taken from a novel by George
Sand, and the print has been exhibited in
the Paris Salon and at the Exhibition of
the Print Makers' Society in Los Angeles.
DUBLIN—The Exhibition of Paintings
and Drawings by Miss Evie S. Hone
and Miss Mainie H. Jellett held recently
in Dublin excited vehement controversy.
" ROMANCE." WOOD ENGRAV-
IN G BY EDWARD ERTZ
The number of works exhibited amounted
to fifty-nine, and comprised paintings in
tempera and in oils and gouache, pen and
pencil drawings. None of these works bore
a title, and the vast majority of them were
as far removed from any effort at repre-
sentation as they could possibly be. The
catalogue contained a number of quota-
tions from the works of Sir Joshua
Reynolds and Eugene Delacroix, cleverly
wrested from the original context, with a
view to proving that Miss Hone's and
Miss Jellett's paintings displayed the
163
PULBOROUGH (Sussex).—Our illus-
tration above is from a wood block by
Mr. Edward Ertz, who prefers the method
of drawing on the wood in pencil. The
title was taken from a novel by George
Sand, and the print has been exhibited in
the Paris Salon and at the Exhibition of
the Print Makers' Society in Los Angeles.
DUBLIN—The Exhibition of Paintings
and Drawings by Miss Evie S. Hone
and Miss Mainie H. Jellett held recently
in Dublin excited vehement controversy.
" ROMANCE." WOOD ENGRAV-
IN G BY EDWARD ERTZ
The number of works exhibited amounted
to fifty-nine, and comprised paintings in
tempera and in oils and gouache, pen and
pencil drawings. None of these works bore
a title, and the vast majority of them were
as far removed from any effort at repre-
sentation as they could possibly be. The
catalogue contained a number of quota-
tions from the works of Sir Joshua
Reynolds and Eugene Delacroix, cleverly
wrested from the original context, with a
view to proving that Miss Hone's and
Miss Jellett's paintings displayed the
163