DOI Page / Citation link:
https://doi.org/10.11588/diglit.48916#0009
BULLETIN
OF ART HISTORY
A ąuarterly published by the INSTITUTE OF ART OF THE POLISH ACADEMY OF SCIENCES
(IS-PAN) in conjunction with the ART HISTORIANS’ SOCIETY
YEARLIX 1997 No 1-2
STANISŁAW MOSSAKOWSKI Acknowledgements to Professor Jerzy Kowalczyk
TADEUSZ CHRZANOWSKI A Formal Greeting to the new Editorial Team of the Bulletin of Art History
ARTICLES
PIĘTRO ROCCASECCA La „ Costruzione Legittima ” secondo Erwin Panofsky. II „Modo ottimo ” di Leon Battista Alberti 1
MIECZYSŁAW MORKA On the Iconography and Authorship of the Italian Renaissance Triptych in the Church at Kamionek
in Warsaw 17
JACEK TYLICKI „An Allegory ofMarital Pirtue ”. A key to the other side of Hermann Han ’s art 38
ANNA DOBRZYCKA „Saint John the Baptist” by Ribera in the National Museum in Poznań 60
ANNA BENTKOWSKA Anthropomorphic Landscapes in 16th- and 17th-century Western Art. Questions of attributions and
interpretations 69
STANISŁAW MOSSAKOWSKI Giovanni Battista Gislenis Design for the Church of the Barefooted Carmelites in
Warsaw 92
KRZYSZTOF LESIAK, HANNA SAMSONOWICZ The Sigismund III Vasa Column in Warsaw. Its designers and sources of
inspiration 104
MAŁGORZATA SZAFRAŃSKA Comment le roi visitait ses jardins. Louis XIV au sujet de VersaiU.es 112
REYIEWS
MAŁGORZATA SZAFRAŃSKAMargherita Azzi Visentini, „La villa in Italia. Quattrocento e Cinąuecento”, Milano 1995 124
BOŻENA STEINBORN Christoph Emmendórffer, „Hans Kemmer. Ein Liibecker Maler der Reformationszeit". Leipzig
1997 128
HANNA FARYNA-PASZKIEWICZ „The Tum of the Century. The Art of Polish Modernism 1890-1914” at the National
Museum in Warsaw 131
PETER MARTYN The Warsaw of Tomorrow, Today, but above all else ofYesterday 134
LITERARY SURYEY AND REYIEW OF EXHIBITIONS
„Mariannę und Germania 1789-1889. Frankreich und Deutschland. Zwei Welten - Eine Revue”. Martin-Gropius Bau, Berlin
15.09.1996 - 6.01.1997 - prepared by A. Czarnocka 139
„Tempsdepaix - temps de guerre. Les artistespolonais a Parts 1900-1918”, the Adam Mickiewicz and Bolesław Biegas
Museum, Parts 10. 1996 - 01. 1997- prepared by A. Pieńkos 140
„Autour des Associations Artistiques Polonaises en France”. Academic Post of the Polish Academy of Sciences, Parts 31.05 -
03.06.1996 - prepared by J. Szczepińska-Tramer 141
„Picasso et le portrait”, Galeries nationales du Grand Palais, Parts 18.10.1996 - 20. 01.1997 -prepared by W. Wyganowska 143
„Nova Encyklopedie ćeskeho vytvameho umeni”. Ed. A. Horova. Prague 1995 - prepared by D. Konstantynów 144
Marco Rosario Nobile, „Chiese a pianta ovale tra contrortforma e barocco: U ruolo degli ordini religiosi”. „ Palladia ” 9, N. 17,
1996 - prepared by H. Samsonowicz 145
Neo-Gothic. Materials from the All-Poland Symposium of the Łódź Section of the Art Historians ’ Society and History of Art
Department of Łódź University held in the City History Museum of Łódź on 12th and 13th December 1996. Miscellanea
Łódzkie I (15), 1996 - prepared by Robert Pasieczny 145
OF ART HISTORY
A ąuarterly published by the INSTITUTE OF ART OF THE POLISH ACADEMY OF SCIENCES
(IS-PAN) in conjunction with the ART HISTORIANS’ SOCIETY
YEARLIX 1997 No 1-2
STANISŁAW MOSSAKOWSKI Acknowledgements to Professor Jerzy Kowalczyk
TADEUSZ CHRZANOWSKI A Formal Greeting to the new Editorial Team of the Bulletin of Art History
ARTICLES
PIĘTRO ROCCASECCA La „ Costruzione Legittima ” secondo Erwin Panofsky. II „Modo ottimo ” di Leon Battista Alberti 1
MIECZYSŁAW MORKA On the Iconography and Authorship of the Italian Renaissance Triptych in the Church at Kamionek
in Warsaw 17
JACEK TYLICKI „An Allegory ofMarital Pirtue ”. A key to the other side of Hermann Han ’s art 38
ANNA DOBRZYCKA „Saint John the Baptist” by Ribera in the National Museum in Poznań 60
ANNA BENTKOWSKA Anthropomorphic Landscapes in 16th- and 17th-century Western Art. Questions of attributions and
interpretations 69
STANISŁAW MOSSAKOWSKI Giovanni Battista Gislenis Design for the Church of the Barefooted Carmelites in
Warsaw 92
KRZYSZTOF LESIAK, HANNA SAMSONOWICZ The Sigismund III Vasa Column in Warsaw. Its designers and sources of
inspiration 104
MAŁGORZATA SZAFRAŃSKA Comment le roi visitait ses jardins. Louis XIV au sujet de VersaiU.es 112
REYIEWS
MAŁGORZATA SZAFRAŃSKAMargherita Azzi Visentini, „La villa in Italia. Quattrocento e Cinąuecento”, Milano 1995 124
BOŻENA STEINBORN Christoph Emmendórffer, „Hans Kemmer. Ein Liibecker Maler der Reformationszeit". Leipzig
1997 128
HANNA FARYNA-PASZKIEWICZ „The Tum of the Century. The Art of Polish Modernism 1890-1914” at the National
Museum in Warsaw 131
PETER MARTYN The Warsaw of Tomorrow, Today, but above all else ofYesterday 134
LITERARY SURYEY AND REYIEW OF EXHIBITIONS
„Mariannę und Germania 1789-1889. Frankreich und Deutschland. Zwei Welten - Eine Revue”. Martin-Gropius Bau, Berlin
15.09.1996 - 6.01.1997 - prepared by A. Czarnocka 139
„Tempsdepaix - temps de guerre. Les artistespolonais a Parts 1900-1918”, the Adam Mickiewicz and Bolesław Biegas
Museum, Parts 10. 1996 - 01. 1997- prepared by A. Pieńkos 140
„Autour des Associations Artistiques Polonaises en France”. Academic Post of the Polish Academy of Sciences, Parts 31.05 -
03.06.1996 - prepared by J. Szczepińska-Tramer 141
„Picasso et le portrait”, Galeries nationales du Grand Palais, Parts 18.10.1996 - 20. 01.1997 -prepared by W. Wyganowska 143
„Nova Encyklopedie ćeskeho vytvameho umeni”. Ed. A. Horova. Prague 1995 - prepared by D. Konstantynów 144
Marco Rosario Nobile, „Chiese a pianta ovale tra contrortforma e barocco: U ruolo degli ordini religiosi”. „ Palladia ” 9, N. 17,
1996 - prepared by H. Samsonowicz 145
Neo-Gothic. Materials from the All-Poland Symposium of the Łódź Section of the Art Historians ’ Society and History of Art
Department of Łódź University held in the City History Museum of Łódź on 12th and 13th December 1996. Miscellanea
Łódzkie I (15), 1996 - prepared by Robert Pasieczny 145