DOI issue:
Nr. 3-4
DOI article:Pasieczny, Robert: Sztuka i polityka: sesja naukowa Instytutu Sztuki Polskiej Akademii Nauk, Instytutu Historii Sztuki UAM oraz Birbeck College, University of London, Warszawa, 11-13 IX 1996
DOI Page / Citation link:https://doi.org/10.11588/diglit.48916#0301
KRONIKA NAUKOWA
of Trees. Politics in the Garden at the Time of the Partitions; Wil-
liam Vaughan, Correcting Friedrich', Małgorzata Omilanowska,
The Impact of 19th-Century Politics on the System of Architec-
tural Education', Jerzy Miziołek, The Story of Lucretia on Flo-
rentine Cassoni and the War with Giangaleazzo Yisconti; Piotr
Paszkiewicz, Russian Monuments in the Western Borderlands of
the Romanov Empire and Their Political Contents; David Crow-
ley, The Politics of National Romanticism in Central Europę
around 1900', Irena Kossowska,„ Goya or Grottger”. Two Cycles
Devoted to War, Łukasz Kossowski, How Japanese Masters
Fostered the Identity of Polish Art', Dariusz Konstantynów, „ The
Most Responsible Sculpture of the Last Twenty Years”: Vera
Muchinas „The Worker and Collective Farm Girl” (1937); Sta-
nisław Czekalski, Political Photomontage in Poland 1924-38; Ste-
fan Muthesius, Post WWII British Architecture and Politics; An-
drew Hemingway, Defenders of Cultural Democracy? Communist
Artists in the United States in the Cold War 1945-56; Katarzyna
Murawska-Muthesius, A „New Face”for the „New Nation” and
the Search for Its Prototypes. A Chapter in the Advancement of
Social Realism in Polish Museums; Nancy Jachec, Clement Green-
berg. Politics and „Modernist Painting”; Simon Shaw-Miller, The
Politics of Perfomance Art; Agata Jakubowska, „ The Imprecise-
ness of the Struggle?” On the Michel Foucaults Conception of
Power and Feminist Art; Izabela Kowalczyk, The Geometry of
Power in Zofia Kuliks Art.
Robert Pasieczny
279
of Trees. Politics in the Garden at the Time of the Partitions; Wil-
liam Vaughan, Correcting Friedrich', Małgorzata Omilanowska,
The Impact of 19th-Century Politics on the System of Architec-
tural Education', Jerzy Miziołek, The Story of Lucretia on Flo-
rentine Cassoni and the War with Giangaleazzo Yisconti; Piotr
Paszkiewicz, Russian Monuments in the Western Borderlands of
the Romanov Empire and Their Political Contents; David Crow-
ley, The Politics of National Romanticism in Central Europę
around 1900', Irena Kossowska,„ Goya or Grottger”. Two Cycles
Devoted to War, Łukasz Kossowski, How Japanese Masters
Fostered the Identity of Polish Art', Dariusz Konstantynów, „ The
Most Responsible Sculpture of the Last Twenty Years”: Vera
Muchinas „The Worker and Collective Farm Girl” (1937); Sta-
nisław Czekalski, Political Photomontage in Poland 1924-38; Ste-
fan Muthesius, Post WWII British Architecture and Politics; An-
drew Hemingway, Defenders of Cultural Democracy? Communist
Artists in the United States in the Cold War 1945-56; Katarzyna
Murawska-Muthesius, A „New Face”for the „New Nation” and
the Search for Its Prototypes. A Chapter in the Advancement of
Social Realism in Polish Museums; Nancy Jachec, Clement Green-
berg. Politics and „Modernist Painting”; Simon Shaw-Miller, The
Politics of Perfomance Art; Agata Jakubowska, „ The Imprecise-
ness of the Struggle?” On the Michel Foucaults Conception of
Power and Feminist Art; Izabela Kowalczyk, The Geometry of
Power in Zofia Kuliks Art.
Robert Pasieczny
279