DOI issue:
No. 119 (January, 1907)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.28250#0284
Studio-Talk
PORTRAIT OF A YOUNG LADY BY JOSEF DURST
in delicate greys scarcely tinted—very decorative.
Ritter sent portraits in oil and pastels, all with good
execution and great charm and brilliance. Trubner’s
vigorous brushwork and a la prima method lead at
times to patches in his pictures, which do not keep
their place and cause restlessness. Kallmorgen was
fresh, broad and breezy; Von Ravenstein showed
a snow scene with russet-grey forest background;
Ivampmann a sunlit interior, well studied; Von
Volkmann, Black Forest scenes, full of good colour,
and some lithographs with style and power; Dill,
some fishing boats in a soft luminous atmosphere,
a change from his Dachau motives ; Nagel’s winter
snow, with deep blue water, was virile and frankly
realistic; Haueisen’s family group was without air and
is heavy in workmanship. Brasch, senr. and junr.,
Schmitt and Bropheter all showed sound and inter-
esting portraits, Bentz and Hasemann cabinet
pictures principally from the Black Forest, and
Schonleber some of his masterly combinations of
strength and delicacy. Far too much second-rate
work was admitted, but doubtless this was un-
avoidable under the particular circumstances, as
painters of all schools sunk their differences to
do honour to the Grand Duke and Duchess.
F. B.
INNSBRUCK.—The recent exhibition which
the “ Kiinstlerbund ” for Tyrol and Vorarl-
berg held here in the old “ Schloss ” was
its third and, may be, the last, for the
society has not met with that material success
which it artistically deserves. Little local interest
was taken in it, although it contained many works
of undoubted talent.
Franz von Defregger (Munich) contributed two
studies of Tyrolese men, such as this artist loves
to depict. Rudolf Nissl (Munich) contributed
several pictures, all in oil and mostly interiors
His Beer Garden is a characteristic presentation
of one of those places of entertainment. Gustav
Bechler (Maurach) sent woodcuts of great promise
and three oil paintings, his Mein Fenster, ex-
hibited both as woodcut and as an oil painting,
being singularly happy in its treatment of light.
Albert Stolz (Bozen) exhibited five water-colours
STATUETTE IN WOOD
BY L. PENZ
PORTRAIT OF A YOUNG LADY BY JOSEF DURST
in delicate greys scarcely tinted—very decorative.
Ritter sent portraits in oil and pastels, all with good
execution and great charm and brilliance. Trubner’s
vigorous brushwork and a la prima method lead at
times to patches in his pictures, which do not keep
their place and cause restlessness. Kallmorgen was
fresh, broad and breezy; Von Ravenstein showed
a snow scene with russet-grey forest background;
Ivampmann a sunlit interior, well studied; Von
Volkmann, Black Forest scenes, full of good colour,
and some lithographs with style and power; Dill,
some fishing boats in a soft luminous atmosphere,
a change from his Dachau motives ; Nagel’s winter
snow, with deep blue water, was virile and frankly
realistic; Haueisen’s family group was without air and
is heavy in workmanship. Brasch, senr. and junr.,
Schmitt and Bropheter all showed sound and inter-
esting portraits, Bentz and Hasemann cabinet
pictures principally from the Black Forest, and
Schonleber some of his masterly combinations of
strength and delicacy. Far too much second-rate
work was admitted, but doubtless this was un-
avoidable under the particular circumstances, as
painters of all schools sunk their differences to
do honour to the Grand Duke and Duchess.
F. B.
INNSBRUCK.—The recent exhibition which
the “ Kiinstlerbund ” for Tyrol and Vorarl-
berg held here in the old “ Schloss ” was
its third and, may be, the last, for the
society has not met with that material success
which it artistically deserves. Little local interest
was taken in it, although it contained many works
of undoubted talent.
Franz von Defregger (Munich) contributed two
studies of Tyrolese men, such as this artist loves
to depict. Rudolf Nissl (Munich) contributed
several pictures, all in oil and mostly interiors
His Beer Garden is a characteristic presentation
of one of those places of entertainment. Gustav
Bechler (Maurach) sent woodcuts of great promise
and three oil paintings, his Mein Fenster, ex-
hibited both as woodcut and as an oil painting,
being singularly happy in its treatment of light.
Albert Stolz (Bozen) exhibited five water-colours
STATUETTE IN WOOD
BY L. PENZ