THE FLEMISH SCHOOL IN THE DRAWINGS COLLECTION OF HENRYK LUBOMIRSKI (1777- 1 850)
99
9K'- tn.;{
^ł<ł^^((ur Ft
2. Dzcł 77or/t.s' (Tife/z'er), St. John the Evangelist, gen, /vvz.s7z, h/ncA ńzA, /ng/z/zg/ztcE
in wAzte, 270 x 7 7J m/n, Oxxo/z'nerzzrz, JTroc^nw, z'nv ($7d7 (z'nventozy 7<%P.' nn772),
g/?o7. O^o/ńrerzm
The gallery consisted of two parts: outer and inner. In the outer gallery, all schools were displayed together; unlike in the
inner gallery, where only the Italian masters were put on display. This intention of generalised comparative examination
served, much as de Piles recommended, as an introductory to developing knowledge of artistry; MEIJERS „Naar...",
op. cit., pp. 264-66.
99
9K'- tn.;{
^ł<ł^^((ur Ft
2. Dzcł 77or/t.s' (Tife/z'er), St. John the Evangelist, gen, /vvz.s7z, h/ncA ńzA, /ng/z/zg/ztcE
in wAzte, 270 x 7 7J m/n, Oxxo/z'nerzzrz, JTroc^nw, z'nv ($7d7 (z'nventozy 7<%P.' nn772),
g/?o7. O^o/ńrerzm
The gallery consisted of two parts: outer and inner. In the outer gallery, all schools were displayed together; unlike in the
inner gallery, where only the Italian masters were put on display. This intention of generalised comparative examination
served, much as de Piles recommended, as an introductory to developing knowledge of artistry; MEIJERS „Naar...",
op. cit., pp. 264-66.