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DOI Artikel:Sinkowska, Anna: The Flemish school in the drawings collection of Henryk Lubomirski (1777-1850)
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.34475#0110
104
ANNA SlNKOWSKA
d. Ctzre/Euhrzfmv, The triumph ofMordecai, 7696-7d47, reeE-pez?, wAzYe
6oEy-co/oz.z/t tz^ew tozzcAav wzYA gz^upAzfe, A 267? wzzz, Dvvo/z'zzezzzzz, BToc7tztg zhv ^705
fzzzvezttozy 7($dP.' HK 724), y/zot. Dvs*o7znezzzzz
From the 1700s, due to the growing influence of the applied sciences, the systematic
arrangement of European art collections was being encouraged, whereby more attention
was paid to chronological aspects. The previously mentioned Count Potocki began apply-
ing Mariette's system of ranking to his own drawing collection from the early 18th-
century.^In Italy, France and Britain, several art collectors had made use of the
chronological order long before 1750. Even Dutch drawing collectors at the beginning of
the 19th century began to apply, albeit with some hesitation, the chronological order in
their drawing collections.^ The application of the alphabetic sequence in the inventory of
Lubomirski could have been for practical reasons, but it also seems to suggest that
LubomirskFs interest in the development of the TTE/nz'y/z yc/zoo/ was not to be found in this
school. This assumption is supported by the absence of drawings of Dutch and Flemish
masters from the 18th century and artists of this school in his own times.
^ Elżbieta SKIERKOWSKA, „Biblioteka Narodowa" w TVAE'e ło/ełę/ozze/^Zwo gzy/złz i zyyzzzzłzz, Warszawa 1980,
p. 103, Jolanta TALBIERSKA, Rezzz^mzzdZ. Ryczny i zyyzzzzłz' ze z6z'o/hw Czz6z'zzeZzz THyczz? 7?z72z'(VeAz' Dmwenytgcłze/
w hhnzawze, Warszwa 2004, p. 15; Jolanta CZERNIE WSKA, Jolanta TALBIERSKA, Jazz TT/zły Thwcwaziyłz 777P4-
7&5P), Warszawa 2009, p. 53. The author has been unable to verify this. Potocki sent Piwowarski, the manager of the
newly created print room in Warsaw (1818), to study under Adam Bartsch (1757-1821) in Vienna, as well as subsequ-
ently to Dresden and Berlin. It is known that Bartsch, like Carl Heinrich von Heineken, for primarily practical reasons
preferred the alphabetical order.
^ PLOMP, 77arMoc/zfeiz/E"3 op. cit., p. 80.
ANNA SlNKOWSKA
d. Ctzre/Euhrzfmv, The triumph ofMordecai, 7696-7d47, reeE-pez?, wAzYe
6oEy-co/oz.z/t tz^ew tozzcAav wzYA gz^upAzfe, A 267? wzzz, Dvvo/z'zzezzzzz, BToc7tztg zhv ^705
fzzzvezttozy 7($dP.' HK 724), y/zot. Dvs*o7znezzzzz
From the 1700s, due to the growing influence of the applied sciences, the systematic
arrangement of European art collections was being encouraged, whereby more attention
was paid to chronological aspects. The previously mentioned Count Potocki began apply-
ing Mariette's system of ranking to his own drawing collection from the early 18th-
century.^In Italy, France and Britain, several art collectors had made use of the
chronological order long before 1750. Even Dutch drawing collectors at the beginning of
the 19th century began to apply, albeit with some hesitation, the chronological order in
their drawing collections.^ The application of the alphabetic sequence in the inventory of
Lubomirski could have been for practical reasons, but it also seems to suggest that
LubomirskFs interest in the development of the TTE/nz'y/z yc/zoo/ was not to be found in this
school. This assumption is supported by the absence of drawings of Dutch and Flemish
masters from the 18th century and artists of this school in his own times.
^ Elżbieta SKIERKOWSKA, „Biblioteka Narodowa" w TVAE'e ło/ełę/ozze/^Zwo gzy/złz i zyyzzzzłzz, Warszawa 1980,
p. 103, Jolanta TALBIERSKA, Rezzz^mzzdZ. Ryczny i zyyzzzzłz' ze z6z'o/hw Czz6z'zzeZzz THyczz? 7?z72z'(VeAz' Dmwenytgcłze/
w hhnzawze, Warszwa 2004, p. 15; Jolanta CZERNIE WSKA, Jolanta TALBIERSKA, Jazz TT/zły Thwcwaziyłz 777P4-
7&5P), Warszawa 2009, p. 53. The author has been unable to verify this. Potocki sent Piwowarski, the manager of the
newly created print room in Warsaw (1818), to study under Adam Bartsch (1757-1821) in Vienna, as well as subsequ-
ently to Dresden and Berlin. It is known that Bartsch, like Carl Heinrich von Heineken, for primarily practical reasons
preferred the alphabetical order.
^ PLOMP, 77arMoc/zfeiz/E"3 op. cit., p. 80.