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DOI Artikel:Sinkowska, Anna: The Flemish school in the drawings collection of Henryk Lubomirski (1777-1850)
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.34475#0114
108
ANNA SlNKOWSKA
70. TAm&y Poster?, Resting Bull, 7T<7 cAu/k, 76V x 202 777777,
0^o/Ń76M7?7, hb^c/uw, ń?v. ($707 6777ve77/07y 7000.* 77/1 727j,
^Ao/. 0^o/777eM777
the inventory of 1869, attributed to Hendrick Goltzius (1558-1617)2* In the last catalogue
from the Ossolineum (1998), this drawing is related to Abrahaam Bloemaert (1564-1651)
as well as even GoltziusT' The composition of this drawing is a crude fixation of the
subject before proceeding to the details. This can be seen in the sketchy denotation of the
facial parts, the body of the Christchild, clothing and background. The contour lines, as in
the drawings of the Dutch Mannerists of the second half of the 16th century, are decorative
and can be compared to the allegorical presentation of Bartholomeus Spranger (1546-
1611) (ill. 5). This drawing also belongs to the Lubomirski collection, although it is not
included m the Flemish but rather the German school. In Spranger's drawing there is a
distinct influence of the Italian and classic art, as seen in the choice of an allegorical
subject and interest in representating human nakedness. It is notable that, besides the draw-
ings of Spranger in the German school, those of other artists of he Low Countries from this
period are also included, such, for instance, as by Hans Vredeman de Vries (1526-1609)
and Hans van Aken(1552-1615)2^ These artists were also placed in the Habsburg Gallery
in Vienna under the German school."
- Lviv (Lwów), Naukowa Biblioteka im. W. Stefanyka, Oddział Rękopisów, kopie Archiwum Ossolineum, Wrocław,
cd-DE-5376, scan 1-400, RvwTvL' (WgrrmPe i7?we77 76Tzowy spL 1869, inventory number 712, for image; cf: S. Kozak,
i 777'A/7(777(7zcy 777M^zowz'g 7^7777^77 (2V-2T77w.), exh.cat. Ossolineum, Wrocław 1998, catalogue number 49
and http://www.oss.wroc.pl/rembrandt/index.html.
- Rijksinstituut voor Kunstdocumentatie (RKD), The Hague. This drawing is assigned to Abraham Bloemaert, cf.:
RKD images 110669.
Lviv (Lwów), Naukowa Biblioteka im. W. Stefanyka, Oddział Rękopisów, kopie Archiwum Ossolineum, Wrocław,
cd-DE-5376, scan 1 -400, /s!yw77C 0/^77777/77^ i/rwo/it^zony spE 1869, Van Aken inventory number 299, Spranger inven-
tory number 430-433, De Vries inventory number 484. Van Aken is placed and named first in the Gennan school, with
just one drawing: ó/as-sas 7/ze c/E/Ae/;. Notably, the Flemish school also begins with Van Aken, and there are six
drawings attributed to him.
^ MEIJERS, op.cit, p. 278.
ANNA SlNKOWSKA
70. TAm&y Poster?, Resting Bull, 7T<7 cAu/k, 76V x 202 777777,
0^o/Ń76M7?7, hb^c/uw, ń?v. ($707 6777ve77/07y 7000.* 77/1 727j,
^Ao/. 0^o/777eM777
the inventory of 1869, attributed to Hendrick Goltzius (1558-1617)2* In the last catalogue
from the Ossolineum (1998), this drawing is related to Abrahaam Bloemaert (1564-1651)
as well as even GoltziusT' The composition of this drawing is a crude fixation of the
subject before proceeding to the details. This can be seen in the sketchy denotation of the
facial parts, the body of the Christchild, clothing and background. The contour lines, as in
the drawings of the Dutch Mannerists of the second half of the 16th century, are decorative
and can be compared to the allegorical presentation of Bartholomeus Spranger (1546-
1611) (ill. 5). This drawing also belongs to the Lubomirski collection, although it is not
included m the Flemish but rather the German school. In Spranger's drawing there is a
distinct influence of the Italian and classic art, as seen in the choice of an allegorical
subject and interest in representating human nakedness. It is notable that, besides the draw-
ings of Spranger in the German school, those of other artists of he Low Countries from this
period are also included, such, for instance, as by Hans Vredeman de Vries (1526-1609)
and Hans van Aken(1552-1615)2^ These artists were also placed in the Habsburg Gallery
in Vienna under the German school."
- Lviv (Lwów), Naukowa Biblioteka im. W. Stefanyka, Oddział Rękopisów, kopie Archiwum Ossolineum, Wrocław,
cd-DE-5376, scan 1-400, RvwTvL' (WgrrmPe i7?we77 76Tzowy spL 1869, inventory number 712, for image; cf: S. Kozak,
i 777'A/7(777(7zcy 777M^zowz'g 7^7777^77 (2V-2T77w.), exh.cat. Ossolineum, Wrocław 1998, catalogue number 49
and http://www.oss.wroc.pl/rembrandt/index.html.
- Rijksinstituut voor Kunstdocumentatie (RKD), The Hague. This drawing is assigned to Abraham Bloemaert, cf.:
RKD images 110669.
Lviv (Lwów), Naukowa Biblioteka im. W. Stefanyka, Oddział Rękopisów, kopie Archiwum Ossolineum, Wrocław,
cd-DE-5376, scan 1 -400, /s!yw77C 0/^77777/77^ i/rwo/it^zony spE 1869, Van Aken inventory number 299, Spranger inven-
tory number 430-433, De Vries inventory number 484. Van Aken is placed and named first in the Gennan school, with
just one drawing: ó/as-sas 7/ze c/E/Ae/;. Notably, the Flemish school also begins with Van Aken, and there are six
drawings attributed to him.
^ MEIJERS, op.cit, p. 278.