DOI Heft:
No. 91 (Oct., 1900)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19786#0084
Studio- Talk
STRASBOURG.—We have plea-
sure in giving on the opposite
page an illustration of an
etching by the talented and
versatile artist, Baron Max Fichard,
whose works enjoy a wide reputation
in his native country.
BRUSSELS.—The professional
school founded in Brussels
by the syndicate of working
carvers and jewellers has
been exhibiting in the Palais du Midi
an interesting collection of the work
produced under the instruction of its
teachers. It is not exactly a profes-
sional school, however, for the students
receive technical training in the various
ateliers in which they are working. " It
is," to quote a recent description, " a
school of applied art devoted to
jewellery, wherein the chief object is to
teach the students to compose for
themselves, and to develop their fancy
and their inventiveness. Apart from
the essential composition classes di-
rected by MM. Van Strydonck and
Fernand Dubois, there is an historical
art class for jewellers' apprentices,
under the charge of M. Titz, who
strives to imbue his pupils with that
general artistic sense which, unfortu-
nately, is lacking in most of our
craftsmen."
MONUMENT FRERE-ORBAN BY C SAMUEL
The various jewels and mouldings
displayed by the students afford
ample evidence of the excellent
training available to those who
have sufficient imagination and ability to profit Bisschoffsheim School has been eminently success-
thereby. fui jn the industrial Art Section, happily revealing
manifest evidence of the influence of the professor,
Mr. F. Ganz, a young Swiss painter living in M- CyesPin> visitors have had the opportunity of
Brussels, has just finished a large canvas on which admiring a larSe collection ot wall-papers, carpets,
he has been working for three years. It depicts an glass-work, and embroideries, all treated ingeniously
episode in the Belgian army manoeuvres—Prince the m0St simple and natural fashion. Nothing
Alberts Grenadiers advancing to the Assault of Mon- attracted more attention than the delicately ori-
taigu. The studies of the work, reproduced in the gmal Productions of Mile. Brandenburg.
September Studio, show how careful Mr. Ganz has -
been to obtain complete accuracy in his picture. M. Cassiers, not content with being one of the
- most popular of our Brussels water-colourists, deter-
Once more the display by the students of the mined to take his place as a designer of posters,
67
STRASBOURG.—We have plea-
sure in giving on the opposite
page an illustration of an
etching by the talented and
versatile artist, Baron Max Fichard,
whose works enjoy a wide reputation
in his native country.
BRUSSELS.—The professional
school founded in Brussels
by the syndicate of working
carvers and jewellers has
been exhibiting in the Palais du Midi
an interesting collection of the work
produced under the instruction of its
teachers. It is not exactly a profes-
sional school, however, for the students
receive technical training in the various
ateliers in which they are working. " It
is," to quote a recent description, " a
school of applied art devoted to
jewellery, wherein the chief object is to
teach the students to compose for
themselves, and to develop their fancy
and their inventiveness. Apart from
the essential composition classes di-
rected by MM. Van Strydonck and
Fernand Dubois, there is an historical
art class for jewellers' apprentices,
under the charge of M. Titz, who
strives to imbue his pupils with that
general artistic sense which, unfortu-
nately, is lacking in most of our
craftsmen."
MONUMENT FRERE-ORBAN BY C SAMUEL
The various jewels and mouldings
displayed by the students afford
ample evidence of the excellent
training available to those who
have sufficient imagination and ability to profit Bisschoffsheim School has been eminently success-
thereby. fui jn the industrial Art Section, happily revealing
manifest evidence of the influence of the professor,
Mr. F. Ganz, a young Swiss painter living in M- CyesPin> visitors have had the opportunity of
Brussels, has just finished a large canvas on which admiring a larSe collection ot wall-papers, carpets,
he has been working for three years. It depicts an glass-work, and embroideries, all treated ingeniously
episode in the Belgian army manoeuvres—Prince the m0St simple and natural fashion. Nothing
Alberts Grenadiers advancing to the Assault of Mon- attracted more attention than the delicately ori-
taigu. The studies of the work, reproduced in the gmal Productions of Mile. Brandenburg.
September Studio, show how careful Mr. Ganz has -
been to obtain complete accuracy in his picture. M. Cassiers, not content with being one of the
- most popular of our Brussels water-colourists, deter-
Once more the display by the students of the mined to take his place as a designer of posters,
67