DOI Heft:
Nr. 3
DOI Artikel:[Inhaltsverzeichnis]
DOI Kapitel:Artykuły
DOI Artikel:Hajduk, Olga M.: Nagrobek Pawła, Anny i Wojciecha Kryskich w Drobinie: Problematyka translokacji i rekonstrukcji pierwotnej koncepcji dzieła
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.71008#0483
Nagrobek Pawła, Anny i Wojciecha Kryskich w Drobinie
473
The Tomb of Paweł, Anna, and Wojciech Kryski in Drobin.
The Question of the Translocation and Reconstruction
of the Original Concept
The questions of the translocation and the original
concept of the Renaissance tomb of the Kryskis in
Drobin near Płock, the work of fundamental
importance for Polish sculpture of the latter half of the
16th century, are discussed. The analyzed art piece is
actually the first (preserved) sepulchral monument on
the Polish territory where seated figures were used.
Additionally, it was one of the first works of Santi
Gucci Fiorentino in Poland (the dating ascertained by
the Author goes back to ca 1563-69). The to-date
studies on the discussed work are referred to and the
so-far collected source material is analyzed, these
being completed with new findings. The most
important issue tackled in the article is the
reconstruction of the original concept and of the
location of the Kryskis' tomb. The effects of the
analysis of the structure of the work are presented, as
they have allowed to reconstruct the statue's original
location and the presentation of its original conceptual
idea. Additionally, thermal imaging of the interior of
the Drobin church is presented, and so are the sources
and photographic documentation demonstrating the
conservation of the tomb. The analysis yielded two
reconstructions proposed by the Author: these are
made of Tomb I with the figures of Paweł and Anna
Kryski in the form of an aedicula with two incomplete
inscription plates at the bottom and missing plinths
for the outermost pilasters, which were flanking the
niche, as well as Tomb II in the form of an extensive
pedestal with pairs of oval inscription plates on the
edges, in the central part forming an avant-corps
supporting a sarcophagus with the lying figure of
Wojciech Kryski. The form of the statue preserved
until today and resulting from the combination of two
different tombs reconstructed and planned as two
separate ones, also became a kind of a model to be
subsequently copied in the tomb of Stanislaw,
Małgorzata, and Piotr Kryski executed in the 1st half
ofthe 17th century and located on the other side ofthe
Drobin church presbytery.
Translated by Magdalena Iwińska
473
The Tomb of Paweł, Anna, and Wojciech Kryski in Drobin.
The Question of the Translocation and Reconstruction
of the Original Concept
The questions of the translocation and the original
concept of the Renaissance tomb of the Kryskis in
Drobin near Płock, the work of fundamental
importance for Polish sculpture of the latter half of the
16th century, are discussed. The analyzed art piece is
actually the first (preserved) sepulchral monument on
the Polish territory where seated figures were used.
Additionally, it was one of the first works of Santi
Gucci Fiorentino in Poland (the dating ascertained by
the Author goes back to ca 1563-69). The to-date
studies on the discussed work are referred to and the
so-far collected source material is analyzed, these
being completed with new findings. The most
important issue tackled in the article is the
reconstruction of the original concept and of the
location of the Kryskis' tomb. The effects of the
analysis of the structure of the work are presented, as
they have allowed to reconstruct the statue's original
location and the presentation of its original conceptual
idea. Additionally, thermal imaging of the interior of
the Drobin church is presented, and so are the sources
and photographic documentation demonstrating the
conservation of the tomb. The analysis yielded two
reconstructions proposed by the Author: these are
made of Tomb I with the figures of Paweł and Anna
Kryski in the form of an aedicula with two incomplete
inscription plates at the bottom and missing plinths
for the outermost pilasters, which were flanking the
niche, as well as Tomb II in the form of an extensive
pedestal with pairs of oval inscription plates on the
edges, in the central part forming an avant-corps
supporting a sarcophagus with the lying figure of
Wojciech Kryski. The form of the statue preserved
until today and resulting from the combination of two
different tombs reconstructed and planned as two
separate ones, also became a kind of a model to be
subsequently copied in the tomb of Stanislaw,
Małgorzata, and Piotr Kryski executed in the 1st half
ofthe 17th century and located on the other side ofthe
Drobin church presbytery.
Translated by Magdalena Iwińska