Inhalt

• Nr. 241 (March, 1917) DOI
  • III-VI Daingerfield, Elliott: Retrospect and impression DOI
  • VI-VIII Purdy, W. Frank: American sculpture: some impressions DOI
  • VIII-XI Lindeberg, H. T.: Architectural progress DOI
  • XI-XIII Parsons, Frank Alvah: Twenty years of decorative idea in America DOI
  • XIII American Academy in Rome DOI
  • XIV-XVIII Merrick, L.: Chairman of the National Society of Portrait Painters DOI
  • 3-17 Gibson, Frank: The art of Alexander and John Robert Cozen DOI
  • 18-29 Whitley, William Thomas: Arts and crafts at the Royal Academy, 4 DOI
  • 30-39 Mortimer-Lamb, Harold: The thirty-eighth exhibition of the Royal Canadian Academy of Arts DOI
  • 44-51 Studio-Talk DOI
  • 52 The lay figure: On the possibilities of the poster DOI
  • XIX-XXIV Phillips, Duncan: Charles W. Hawthorne DOI
  • XXIV-XXIX B. Nelson, W. H. de: Pennsylvania Academy, 1917 DOI
  • XXX-XXXII Wright, Willard Huntington: Modern art: from Daumier to Marsden Hartley DOI
  • XXXII-XXXVI In the galleries DOI
• Nr. 242 (April, 1917) DOI
  • XXXVII-XLIII Anderson, Antony: Hovsep Pushman: an appreciation DOI
  • XLIII-XLIV Castello, Eugène: Deshong Memorial Art Gallery DOI
  • XLV-XLVI Brush, Edward Hale: The Francis Scott Key Monument at Baltimore DOI
  • XLVII-XLVIII N., W. H.: Ossip L. Linde DOI
  • XLIX-LI Turpin, Rees: Is there hope for the philistine? DOI
  • LII Parke, Jean: Portrait in coloured chalks DOI
  • 55-75 Salaman, Malcolm C.: The graphic arts at the Royal Academy DOI
  • 76-87 Wood, T. Martin: The portrait paintings of Ambrose McEvoy DOI
  • 88-99 Studio-Talk DOI
  • 99 Reviews DOI
  • 100 The lay figure: On people who expect too much DOI
  • LIII-LVI Defries, Amelia: Maurice Sterne at Bali DOI
  • LVII-LVIII Humphrey, Grace: A song to nature DOI
  • LVIII-LIX Payne, Frank Owen: Equestrian memorial to Alfred Gwynne Vanderbilt DOI
  • LXI The Roebling memorial DOI
  • LXII-LXIV Wright, Willard Huntington: Modern art: a full harvest of the new painting DOI
  • LXIV-LXX In the galleries DOI
• Nr. 243 (May, 1917) DOI
  • LXXI-LXXVII Rubinstein, Stella: French furniture, Mediæval and Renaissance DOI
  • LXXVIII-LXXX Dowling, William: Recent caricatures by William Dowling ("Vim") DOI
  • LXXXI-LXXXIV B. Nelson, W. H. de: Domesticated art DOI
  • LXXXIV An important conference DOI
  • 103-114 Salaman, Malcolm C.: The art of the colour-print DOI
  • 114-119 Whitworth, Geoffrey: Maxwell Armfield, painter and decorative artist DOI
  • 120-129 Dixon, Marion Hepworth: Hugh Thomson, illustrator DOI
  • 130-143 Studio-Talk DOI
  • 144-145 Reviews DOI
  • 146 The lay figure: On simulated simplicity DOI
  • LXXXVII-XC Sell, Henry Blackman: An uninstitutional institution DOI
  • XC-XCIV Powell, Edith Wood: The introspectives DOI
  • XCV-XCVI Wright, Willard Huntington: Modern art: an American painter of promise DOI
  • XCVII-XCVIII Castello, Eugène: Art Club exhibition, Philadelphia DOI
  • XCVIII-XCIX Henegan: The enchanted Rubens DOI
  • XCIX-CIV In the galleries DOI
• Nr. 244 (June, 1917) DOI
  • CV-CX Phillips, Duncan: Emil Carlsen DOI
  • CX-CXII Fitz-Simons, Theodore Lynch: The revival of Batik DOI
  • CXII Bureau of advice on paintings DOI
  • CXIII-CXVI Rubinstein, Stella: A French tapestry of about 1500 DOI
  • CXVI Pratt, Bela Lyon [Gefeierte Pers.]: Bela L. Pratt DOI
  • CXVII-CXX Meredith, Guy: Annie Traquair Lang DOI
  • CXX The William M. Chase sale DOI
  • 149-160 Hind, Charles Lewis; Ball, Wilfrid [Gefeierte Pers.]: In memoriam: Wilfrid Ball, water-colour painter DOI
  • 160-169 Lees, G. Frederic: The art of George Harcourt DOI
  • 169-179 Claus, Emile: The Thames from my tower windows DOI
  • 181-188 Studio-Talk DOI
  • 189 Reviews DOI
  • 190 The lay figure: On some matters of national importance DOI
  • CXXI-CXXVII B. Nelson, W. H. de: Aesthetic hysteria DOI
  • CXXVIII-CXXIX Edson, Mira Burr: The Keramic Society of Greater New York DOI
  • CXXX-CXXXII B. Nelson, W. H. de: The allied artists DOI
  • CXXXIII-CXXXVI In the galleries DOI
• Maßstab/Farbkeil