DOI issue:
Nr.4
DOI article:Szczepińska-Tramer, Joanna: Konstanty Brandel i sztuka europejska jego epoki
DOI Page / Citation link:https://doi.org/10.11588/diglit.34904#0436
426
JOANNA SZCZEPIŃSKA-TRAMER
<37? J EMrop^n Ar^
This article contains a series of new proposals as
well as corrections that its authoress, occupying
herself for a period of over forty years with the art of
this Poiish painter and graphic artist (1880-1970)
who !ived in Paris on a permanent basis from 1903
onwards, wishes to contribute to the current State of
research into this artist.
The flrst part of this article comprises a critical
assessment of the most recent proposals for dating
graphic works by Brandel together with the
handwritten catalogues compiled by the artist
himself. These proposals have been presented in a
recently published catalogue of graphic works by
this artist preserved in the Emigration Archives of
Toruń University Library (2005). An annex placed
at the end of this article appraises seventeen works
selected by the author whose dating, in her opinion,
arouse the greatest reservation.
The second part of the article comprises a
discussion on the place Konstanty BrandeTs creative
work occupies among the main currents in European
art during the period he was active. Elere, specific
attention is given to the painting and graphic art of
German Expressionism, this being an area of
Brandefs artistry thus far ignored by specialists which
the authoress wishes to point out while postulating the
necessity of detailed research in the futurę.
These propositions and corrections are based on
the authoress's own recollections from her work and
conversations with the artist himself - no less than
that of others actively interested in his creative
works, both at the same time as her and earlier - the
personal materials, photographs and notes that form
a part of her personal collections, as well as the
results of research she has carried out recently into
materials conceming Konstanty Brandel preserved
in previously inaccessible collections of manuscripts
of the Poiish Library in Paris. These collections had
not been available to researchers for a extended
period due to prolonged renovation lasting many
years which followed the Poiish Library's closure.
The propositions presented here are the outcome
of reflections that have been maturing over many
years on this artists' creative work; reflections that
the author believes to constitute a fuli stop to her
research on him.
7h2?7.s7<2te<7 by Teter Me/Aw
JOANNA SZCZEPIŃSKA-TRAMER
<37? J EMrop^n Ar^
This article contains a series of new proposals as
well as corrections that its authoress, occupying
herself for a period of over forty years with the art of
this Poiish painter and graphic artist (1880-1970)
who !ived in Paris on a permanent basis from 1903
onwards, wishes to contribute to the current State of
research into this artist.
The flrst part of this article comprises a critical
assessment of the most recent proposals for dating
graphic works by Brandel together with the
handwritten catalogues compiled by the artist
himself. These proposals have been presented in a
recently published catalogue of graphic works by
this artist preserved in the Emigration Archives of
Toruń University Library (2005). An annex placed
at the end of this article appraises seventeen works
selected by the author whose dating, in her opinion,
arouse the greatest reservation.
The second part of the article comprises a
discussion on the place Konstanty BrandeTs creative
work occupies among the main currents in European
art during the period he was active. Elere, specific
attention is given to the painting and graphic art of
German Expressionism, this being an area of
Brandefs artistry thus far ignored by specialists which
the authoress wishes to point out while postulating the
necessity of detailed research in the futurę.
These propositions and corrections are based on
the authoress's own recollections from her work and
conversations with the artist himself - no less than
that of others actively interested in his creative
works, both at the same time as her and earlier - the
personal materials, photographs and notes that form
a part of her personal collections, as well as the
results of research she has carried out recently into
materials conceming Konstanty Brandel preserved
in previously inaccessible collections of manuscripts
of the Poiish Library in Paris. These collections had
not been available to researchers for a extended
period due to prolonged renovation lasting many
years which followed the Poiish Library's closure.
The propositions presented here are the outcome
of reflections that have been maturing over many
years on this artists' creative work; reflections that
the author believes to constitute a fuli stop to her
research on him.
7h2?7.s7<2te<7 by Teter Me/Aw