DOI Heft:
No. 85 (March, 1904)
DOI Artikel:Werbung
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.26964#0158
Special Supplements of The International Studio
THE GENIUS OF J. M. W. TURNER, R.A.
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THE "TURNER" number is divided into bve sections, dealing respect-
ively with Turner's pictures in oil, water-colour drawings, monochromes,
Liher Studiorum, and the engravings after his works.
REPRODUCTIONS in colour form an important feature, of the publica-
tion, and the Editor has been fortunate enough to obtain Tom private
collections and other sources a number of hitherto unpublished works of
great beauty and interest, which effectively demonstrate the artist's extra-
ordinary versatility. In addition to the coloured reproductions, the black-
and-white illustrations are very numerous and attractive.
OP/WOMy OF ?WF FFFMr
THE CHICAGO RECORD-HERALD : "It is pleasing to note this new evidence of the enterprise
and ability back of that thriving periodical, The International Studio. This is the most complete
and satisfactory collection of Turner reproductions ever issued at a moderate price."
THE N. Y. MAIL AND EXPRESS:—"No other volume has so concisely presented Turner's
claims, nor has any other offered so large an assortment of illustrations, giving the reader a survey
of so many phases of the artist's work. The illustrations deserve high praise."
CHILDREN'S BOOKS AND THEIR ILLUSTRATORS
Fy GLEESON WHITE, F77/77</ 777 /7777*7/l, JO 777771 7777.
Reproductive book illustrating, as we understand it to-day, is not an ancient art by any means ; indeed,
it is only within the last few decades that it has become an art proper. The present volume traces its short
history from the first quaint Eighteenth Century "Chap-book" crudities, on through Bewick's wonderful
strides towards our own day, which boasts such names as Walter Crane, Arthur Hughes, Charles Robinson,
Maxheld Parrish, Granville Fell, Howard Pyle, and others. It is an interesting chapter of modern art, which
shows how the adult mind has gradually learned to read the child mind, and how the artist has learned to
delight the child heart with the pictures of its own imagery.
ART IN lSQ7- F777777/777 C/77F, ^2.00 7777,- BrP/^r,
ART IN 1898. F77777F z'77 C/77F, ,%2.00 7777777 J .%/. 00 7777.
These volumes present in black and white a pictorial record of the most famous exhibits in painting and
scuplture at the leading galleries of London and Paris, in the years 1897 and 1898. Beginning at the Royal
Academy of London we find the works of such famous artists as the following : In subject pictures, G. F.
Watts, Sir E. J. Poynter, Briton Riviere H. H. La Thangue, Herbert J. Draper ; in portrait, Hon. John
Collier, Hubert Herkomer ; in landscape and seascape, Colin Hunter, E. A. Waterlow, Alfred East, David
Murray ; in sculpture, Onslow Ford, G. J. Frampton. In the New Gallery, Sir E. Burne-Jones is still
exhibiting, by the side of his son, the present Sir Philip Burne-Jones ; also Walter Crane, J. J. Shannon,
J. W. Waterhouse. Napier Hemy. While at the New English Art Club we find P. Wilson Steer, C. W.
Furse, Henry Tonks, R. Anning Bell. Across the Channel we see in the Salons the works of the following
characteristic French artists : William Bouguereau, Fantin-Latour, L. Perrault, Benjamin-Constant, Paul
Lefroy, J. A. Meunier ; and in scuplture, Alex. Charpentier, A. Rodin.
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THE GENIUS OF J. M. W. TURNER, R.A.
Fy F7^7T*7 7/7 A? B7'z77*<777777, C. F. F7//, <777^ /F<7/77r Borrow. ^Fr<7^7ri. ^777. ^2.00 7777.
THE "TURNER" number is divided into bve sections, dealing respect-
ively with Turner's pictures in oil, water-colour drawings, monochromes,
Liher Studiorum, and the engravings after his works.
REPRODUCTIONS in colour form an important feature, of the publica-
tion, and the Editor has been fortunate enough to obtain Tom private
collections and other sources a number of hitherto unpublished works of
great beauty and interest, which effectively demonstrate the artist's extra-
ordinary versatility. In addition to the coloured reproductions, the black-
and-white illustrations are very numerous and attractive.
OP/WOMy OF ?WF FFFMr
THE CHICAGO RECORD-HERALD : "It is pleasing to note this new evidence of the enterprise
and ability back of that thriving periodical, The International Studio. This is the most complete
and satisfactory collection of Turner reproductions ever issued at a moderate price."
THE N. Y. MAIL AND EXPRESS:—"No other volume has so concisely presented Turner's
claims, nor has any other offered so large an assortment of illustrations, giving the reader a survey
of so many phases of the artist's work. The illustrations deserve high praise."
CHILDREN'S BOOKS AND THEIR ILLUSTRATORS
Fy GLEESON WHITE, F77/77</ 777 /7777*7/l, JO 777771 7777.
Reproductive book illustrating, as we understand it to-day, is not an ancient art by any means ; indeed,
it is only within the last few decades that it has become an art proper. The present volume traces its short
history from the first quaint Eighteenth Century "Chap-book" crudities, on through Bewick's wonderful
strides towards our own day, which boasts such names as Walter Crane, Arthur Hughes, Charles Robinson,
Maxheld Parrish, Granville Fell, Howard Pyle, and others. It is an interesting chapter of modern art, which
shows how the adult mind has gradually learned to read the child mind, and how the artist has learned to
delight the child heart with the pictures of its own imagery.
ART IN lSQ7- F777777/777 C/77F, ^2.00 7777,- BrP/^r,
ART IN 1898. F77777F z'77 C/77F, ,%2.00 7777777 J .%/. 00 7777.
These volumes present in black and white a pictorial record of the most famous exhibits in painting and
scuplture at the leading galleries of London and Paris, in the years 1897 and 1898. Beginning at the Royal
Academy of London we find the works of such famous artists as the following : In subject pictures, G. F.
Watts, Sir E. J. Poynter, Briton Riviere H. H. La Thangue, Herbert J. Draper ; in portrait, Hon. John
Collier, Hubert Herkomer ; in landscape and seascape, Colin Hunter, E. A. Waterlow, Alfred East, David
Murray ; in sculpture, Onslow Ford, G. J. Frampton. In the New Gallery, Sir E. Burne-Jones is still
exhibiting, by the side of his son, the present Sir Philip Burne-Jones ; also Walter Crane, J. J. Shannon,
J. W. Waterhouse. Napier Hemy. While at the New English Art Club we find P. Wilson Steer, C. W.
Furse, Henry Tonks, R. Anning Bell. Across the Channel we see in the Salons the works of the following
characteristic French artists : William Bouguereau, Fantin-Latour, L. Perrault, Benjamin-Constant, Paul
Lefroy, J. A. Meunier ; and in scuplture, Alex. Charpentier, A. Rodin.
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dy F7/7F ^777777, Yrw F#rF
F/7T777 r771</ 7T7 7^7 7^)77M/ B77^/7T'77777l <7/* 7^7 INTERNATIONAL STUDIO, /iv TeFirF 7 <%7,g 77 7777/777
7^7 7K7/7 7/* ..
F..:. ..
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