DOI Heft:
No. 95 (February, 1901)
DOI Artikel:Mourey, Gabriel: Coloured etchings in France, [1]
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19787#0016
THE STUDIO
COLOURED ETCHINGS IN novelist or poet should speak the language of
FRANCE (FIRST ARTICLE.) Rabelais or of Agrippa d'Aubigne! No one
BY GABRIEL MOUREY. ™uld think of maki"S * Y^f'
M. J. K. Huysmans that he should have trans-
There is nothing in the present aspect of the lated his sensations and his ideas in his own
artistic movement-an aspect which all may see, complex and "precious" style. Yet people have
but few can appreciate—
which to my eyes is more
surely is equivalent to in-
sisting that the modern "Impasse st. eustache" from a coloured etching by m. sprinkmann
XXII. No. 95.—February, 1901. J
COLOURED ETCHINGS IN novelist or poet should speak the language of
FRANCE (FIRST ARTICLE.) Rabelais or of Agrippa d'Aubigne! No one
BY GABRIEL MOUREY. ™uld think of maki"S * Y^f'
M. J. K. Huysmans that he should have trans-
There is nothing in the present aspect of the lated his sensations and his ideas in his own
artistic movement-an aspect which all may see, complex and "precious" style. Yet people have
but few can appreciate—
which to my eyes is more
surely is equivalent to in-
sisting that the modern "Impasse st. eustache" from a coloured etching by m. sprinkmann
XXII. No. 95.—February, 1901. J