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Studio: international art — 13.1898

DOI issue:
No. 61 (April, 1898)
DOI article:
Studio-talk
DOI Page / Citation link:
https://doi.org/10.11588/diglit.18391#0218

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Studio- Talk

in the cave midst primroses and russet leaves—this
is very beautiful both in colour and in most admir-
able technique. Of Mr. Stanhope Forbes' work it
is hardly needful to enlarge. He has a church gate
with steps, and a wall splashed with silver lichens;
beyond the wall there is a screen of trees and the
church. He has also a picture showing a cottage
door in the evening; a village postman with his

cabinet in steel and leather by miss e. cowell

cabinet in steel and gesso by miss gere

leather by Miss E. Cowell, and the other in steel
and gesso by Miss E. Gere. The other illustrations
are a Christmas card from a colour design by R. J.
Williams, a design for a poster in black and red by
Miss H. Faulkner, and a design for stained-glass
by Miss Evelyn Holden. CM. G.

NEWLYN.—In a fantastic wood a little
procession of boys clad in antique
dress are following, but fearfully,
their clever brother, Hop-o'-my-
Thumb, who is showing the way and
pointing to the pebbles he has had the foresight to
drop. Mrs. Stanhope Forbes has painted this with
her invariable certainty ; between the thought and
the touch there is none of the evaporation of mean-
ing that takes place with most of us. So, too, in her

Imogen, who, in a youth's dress, lies all unconscious lantern is giving letters to a family group lit by the

conflicting lights.

Mr. Gotch has a picture
entitled The Awakening.
Three angels appear to a
young girl who is just
rising from her bed, which
stands in the corner of a
severely conventional
room ; the painting is done
with that extreme and
consistent elaboration of
finish which we are grow-
ing to look upon as Mr.
Gotch's natural mode of
expression. Mr. Sher-
wood Hunter has a pic-
ture suggested by a jubilee
procession: girls all in
white, bearing in their
hands coloured Japanese

stained glass by miss evelyn holden lanterns, are filing.along

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