Studio: international art (13.1898)

Studio- Talk

puzzled our "aesthetes" as we call them here and this latest display of his came quite as a

are now gradually compelling admiration. Other revelation. M. Marechal has since been invited

young architects there are in plenty who strive to to exhibit at Antwerp and at Munich,

be Hortas, but fail to achieve anything beyond --

the most superficial imitations. This, however, is Among the latest posters calling for notice is

inevitable. one of small dimensions, designed by M, G.

Combaz for the Exhibition of the " Libre-Esthe*-

The Liege engraver, F. Marshal, has acquired tique " at Brussels. It is excellent in composition,

a great and well-deserved reputation among ama- with the lettering ingeniously disposed ; the some-

teurs and artists alike by his recent exhibition what heavy design and the harmonious colouring

of work at the Cercle Artistique of Brussels. being suggestive of Eastern ceramic work. This

Hitherto he had been known only by the engrav- poster is printed in six colours. Another interest-

ings published years ago, and preserved in the ing poster of entirely different style has been

album of the Societe des Aquafortistes Beiges • executed by M. A. Rassenfosse, of Liege. It is

of great size, and intended to

'''^ v- ^ announce the beds publics. It

\fe '\m 'ISSIp^ careful study of them.

^^Sffiffi^ iHW^^ % Otto Reiniger is a land-

■^m^ ' scapist. lie chooses for pre-

-v IPl^ !> ' ference subjects from his

BHHl native country VYurtemburg,

''[<;,, "^j^jj^ whose charming scenery is

I daresay fortunately — not

a brook in winter" prom a painting by otto RKi.MCKK yet much known to the
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