DOI Heft:
No. 51 (June 1897)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.18389#0073
Studio- Talk
aspect has been successfully avoided. Great praise Dresden artists are, of course, well represented,
is due to Wallot (the architect of the Berlin Houses and 1 note a Triptych on Matt, xviii. 5 by G.
of Parliament), who has changed a building ori- Kuehl, the president of the Exhibition Committee,
ginally designed for industrial exhibitions, fairs, a fine Hessian Fair by Bautzer, a Muse and Storm
and the like, into one of the most beautiful "art- in Spring by H. Unger, excellent landscapes by W.
palaces," as they are called here. Ritter ; others by Pepino, Kaule, Max Klinger,
Miiller-Breslau, Baum, Besig, &c. &c. A decided
feature of the exhibition is a suite of small cabinets
One large room is devoted to the Glasgow and decorated and furnished by Bing of Paris, who has
English painters. Among the latter I find three transferred the charms of his Salon Nouveau at
works by Strang; Stott of Oldham's portrait of his Paris to our show,
parents and two others; landscapes by Priestman
and Legros; other pictures by Fowler, Crane, Of the authors of the two posters reproduced in
La Thangue, H. A. Olivier, and Austen Brown : also this month's Dresden Studio talk, Miiller-Breslau
sculptures by Legros, Frampton and others. is already pretty wTell known for his decorative
work and landscape-paint-
ings, while Cissarz is a
younger man, who at-
tracted attention first by
winning a prize in a big
poster competition at
Leipsic recently. Pie was
born at Danzig, and was
trained at the Dresden
Academy under Pauwels.
H. W. S.
PA R I S.—The
two Salons are
neither better
nor worse than
those of former
years. At the Champs-
Elysees we may see the
same profusion of canvases
—anecdotic, mythological,
military, and historical; at
the Champ de Mars the
same more or less Whist-
lerian portraits, the same
feeble bits of " imagina-
tion." Still each exhibition
has this year a sort of sen-
timental interest; for the
public is bidding a last
adieu to two buildings,
which, the Salons once
over, will speedily fall a
prey to the demolishing
pick-axe.
POSTER BY G. MULLER-BRESLAU
58
But in justice it must
be said that although art
aspect has been successfully avoided. Great praise Dresden artists are, of course, well represented,
is due to Wallot (the architect of the Berlin Houses and 1 note a Triptych on Matt, xviii. 5 by G.
of Parliament), who has changed a building ori- Kuehl, the president of the Exhibition Committee,
ginally designed for industrial exhibitions, fairs, a fine Hessian Fair by Bautzer, a Muse and Storm
and the like, into one of the most beautiful "art- in Spring by H. Unger, excellent landscapes by W.
palaces," as they are called here. Ritter ; others by Pepino, Kaule, Max Klinger,
Miiller-Breslau, Baum, Besig, &c. &c. A decided
feature of the exhibition is a suite of small cabinets
One large room is devoted to the Glasgow and decorated and furnished by Bing of Paris, who has
English painters. Among the latter I find three transferred the charms of his Salon Nouveau at
works by Strang; Stott of Oldham's portrait of his Paris to our show,
parents and two others; landscapes by Priestman
and Legros; other pictures by Fowler, Crane, Of the authors of the two posters reproduced in
La Thangue, H. A. Olivier, and Austen Brown : also this month's Dresden Studio talk, Miiller-Breslau
sculptures by Legros, Frampton and others. is already pretty wTell known for his decorative
work and landscape-paint-
ings, while Cissarz is a
younger man, who at-
tracted attention first by
winning a prize in a big
poster competition at
Leipsic recently. Pie was
born at Danzig, and was
trained at the Dresden
Academy under Pauwels.
H. W. S.
PA R I S.—The
two Salons are
neither better
nor worse than
those of former
years. At the Champs-
Elysees we may see the
same profusion of canvases
—anecdotic, mythological,
military, and historical; at
the Champ de Mars the
same more or less Whist-
lerian portraits, the same
feeble bits of " imagina-
tion." Still each exhibition
has this year a sort of sen-
timental interest; for the
public is bidding a last
adieu to two buildings,
which, the Salons once
over, will speedily fall a
prey to the demolishing
pick-axe.
POSTER BY G. MULLER-BRESLAU
58
But in justice it must
be said that although art