286
JAN KlJPA
1. MaJowm o/"Lyis7 Rror/, Vyssi Brod, Cistercian Monastery
future assessment of the two main opinions on the topic which currently co-exist side by
side.^
In any assessment of the mutual relationship of the two images, it is necessary to first
bear in mind that several prevailing features are present which speak unanimously in fa-
vour of the two paintings having originated from a single workshop, and which are very
close in terms of authorship. Apart from the identical conception of central paintings and
the style of rendering used in the adornment this close resemblance is
! provide a comprehensive survey of the evolving opinion on both works in the iiterature until now in the following
work: Jan KLIPA, Mn&um LhsAAoAAd /WAo/M Hv/tAAmsAd. /AVyudvA A'/jozA/A vzd/Aw/pAA rzA/dd a AAvoncAddc
Ao/Aexfu, [in:] Helena DÂNOVÂ, Jan KLIPA, Lenka STOLÂROVÂ (eds.), AAxsAo - z<????<? Aonmy casAd. LfA/oAe a
AuAum 7200-7740, Nârodni galerie v Praze, Praha 2008 (currently in print).
JAN KlJPA
1. MaJowm o/"Lyis7 Rror/, Vyssi Brod, Cistercian Monastery
future assessment of the two main opinions on the topic which currently co-exist side by
side.^
In any assessment of the mutual relationship of the two images, it is necessary to first
bear in mind that several prevailing features are present which speak unanimously in fa-
vour of the two paintings having originated from a single workshop, and which are very
close in terms of authorship. Apart from the identical conception of central paintings and
the style of rendering used in the adornment this close resemblance is
! provide a comprehensive survey of the evolving opinion on both works in the iiterature until now in the following
work: Jan KLIPA, Mn&um LhsAAoAAd /WAo/M Hv/tAAmsAd. /AVyudvA A'/jozA/A vzd/Aw/pAA rzA/dd a AAvoncAddc
Ao/Aexfu, [in:] Helena DÂNOVÂ, Jan KLIPA, Lenka STOLÂROVÂ (eds.), AAxsAo - z<????<? Aonmy casAd. LfA/oAe a
AuAum 7200-7740, Nârodni galerie v Praze, Praha 2008 (currently in print).