DOI issue:
No. 37 (April, 1896)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.17296#0196
Studio- Talk
are concerned, it will suffice
to refer here to the plates
by Sion Wenban, Meyer-
Basel and O. Ubbelohde;
while among the drawings
a prominent place is taken
by the works of Otto
Greiner, who shows studies
in coloured chalks and a la
sanguine, intended as pre-
parations for a large etching
representing a scene from
Dante's " Inferno," with
other studies of landscapes,
very fine in ensemble, and
charmingly treated as re-
gards detail. Some little
mezzotints by Pankok also
deserve mention for the
originality with which he
has employed this method
and the delicate effects
achieved.
^■'CONCERTS j CONFFRFNCFS
Professor Albert Keller,
one of the leaders of the
" Secession," whose large
picture, The Raising of the
Daughter of fairus, has
been acquired by the New
Pinakothek, gave an exhi-
bition of his latest produc-
tions in his studio a few
weeks ago. His work con-
veys the impression of an
' L POSTER BY M. VAN RYSSELBERGHE
untiring productive energy (See Brussels Studin-Talk)
and a keen artistic enter-
prise, which perhaps in the case of some of the large the quarrel between the two camps already referred
figure pieces have not achieved quite such good t0 in these notes win soon be forgotten, and we
results as might have been hoped. Some of his may congratulate ourselves on a reunion of interests
portraits, however, exhibit in a marked degree among the Munich artists. The Secessionists, in
the quick comprehension and expressive colouring this Spring Exhibition, of which I shall have more
which have won for Professor Keller the pre- to say later on, show to so much advantage, that
eminent place he occupies in the art-world of they may well hold out the hand of friendship
Munich. towards their quondam foes, without any danger
_ of loss of dignity thereby. G. K.
On Saturday, March 14, the Spring Exhibition ■m —^ RESDEN.—Paul Baum had a small
of the Secessionists was opened in the presence of % show of his winter work a short
the Prince Regent and many other official person- I while ago, before leaving for Belgium,
ages. The director of the Munich Art Society was M It consisted mainly of drawings and
also present—a significant fact, as showing that water-colours of different parts of
the original differences between the two Salons are DresdeD, especially of the bridges and the river-
at an end. It may now be hoped and expected that front. There were some capital landscapes in oils
181
are concerned, it will suffice
to refer here to the plates
by Sion Wenban, Meyer-
Basel and O. Ubbelohde;
while among the drawings
a prominent place is taken
by the works of Otto
Greiner, who shows studies
in coloured chalks and a la
sanguine, intended as pre-
parations for a large etching
representing a scene from
Dante's " Inferno," with
other studies of landscapes,
very fine in ensemble, and
charmingly treated as re-
gards detail. Some little
mezzotints by Pankok also
deserve mention for the
originality with which he
has employed this method
and the delicate effects
achieved.
^■'CONCERTS j CONFFRFNCFS
Professor Albert Keller,
one of the leaders of the
" Secession," whose large
picture, The Raising of the
Daughter of fairus, has
been acquired by the New
Pinakothek, gave an exhi-
bition of his latest produc-
tions in his studio a few
weeks ago. His work con-
veys the impression of an
' L POSTER BY M. VAN RYSSELBERGHE
untiring productive energy (See Brussels Studin-Talk)
and a keen artistic enter-
prise, which perhaps in the case of some of the large the quarrel between the two camps already referred
figure pieces have not achieved quite such good t0 in these notes win soon be forgotten, and we
results as might have been hoped. Some of his may congratulate ourselves on a reunion of interests
portraits, however, exhibit in a marked degree among the Munich artists. The Secessionists, in
the quick comprehension and expressive colouring this Spring Exhibition, of which I shall have more
which have won for Professor Keller the pre- to say later on, show to so much advantage, that
eminent place he occupies in the art-world of they may well hold out the hand of friendship
Munich. towards their quondam foes, without any danger
_ of loss of dignity thereby. G. K.
On Saturday, March 14, the Spring Exhibition ■m —^ RESDEN.—Paul Baum had a small
of the Secessionists was opened in the presence of % show of his winter work a short
the Prince Regent and many other official person- I while ago, before leaving for Belgium,
ages. The director of the Munich Art Society was M It consisted mainly of drawings and
also present—a significant fact, as showing that water-colours of different parts of
the original differences between the two Salons are DresdeD, especially of the bridges and the river-
at an end. It may now be hoped and expected that front. There were some capital landscapes in oils
181