Japanese Art and Artists of To-day.—/. Painting
Tosa School. He succeeds in giving dignity to his work—
by no means an easy matter, considering his subjects and
method of treatment. His productions, too, show great free-
dom in the use of his brush. His Autumn Scene in a Wood,
now at the Exhibition, and by no means his best work, shows
the highly decorative style of his painting.
Kawai Gyokudo, who paints landscapes almost exclusively,
is famed for the solitude and quietude his works invariably
bespeak. This artist came from Kyoto. He was a pupil of
Bairei, though when he first came to Tokyo he studied under
Gaho. He has devoted much study to the paintings of the
Ashikaga period. His New Moon, now at the Exhibition,
may be taken as a typical example of his work. Other noted
examples are A Spring Shower, Deer in Autumn, and The Fis/ier-
the fisherman s return
by kawai gyokudo (tokyo)
•a spring shower" by kawai gyokudo (tokyo)
a golden screen, putting .....-..........--—-.....-■ .......-. ......... - - - •......•-—......,.......-
on blossoms by means of
a hexagonal salt-dish.
Shimomura Kwanzan is
recognised as the best
student that the Tokyo
Fine Art School has so
fai produced. He studied
at Gaho's studio for
some years. He was by .,^fc4.:/-t..
no means a promising
artist at the beginning, ■ r<
and declares he got his
inspiration from watching -"^^f' '
the "No" dance. It
appears that the deter iffiar"***
mined yet graceful move- MSBs^'^r^
merits of the dancers gave
him the inspiration he was Bfc*>-
seeking. His painting
rightly belongs to the old "ferry-boat in rain" by suzuki kwason (tokyo.
107
Tosa School. He succeeds in giving dignity to his work—
by no means an easy matter, considering his subjects and
method of treatment. His productions, too, show great free-
dom in the use of his brush. His Autumn Scene in a Wood,
now at the Exhibition, and by no means his best work, shows
the highly decorative style of his painting.
Kawai Gyokudo, who paints landscapes almost exclusively,
is famed for the solitude and quietude his works invariably
bespeak. This artist came from Kyoto. He was a pupil of
Bairei, though when he first came to Tokyo he studied under
Gaho. He has devoted much study to the paintings of the
Ashikaga period. His New Moon, now at the Exhibition,
may be taken as a typical example of his work. Other noted
examples are A Spring Shower, Deer in Autumn, and The Fis/ier-
the fisherman s return
by kawai gyokudo (tokyo)
•a spring shower" by kawai gyokudo (tokyo)
a golden screen, putting .....-..........--—-.....-■ .......-. ......... - - - •......•-—......,.......-
on blossoms by means of
a hexagonal salt-dish.
Shimomura Kwanzan is
recognised as the best
student that the Tokyo
Fine Art School has so
fai produced. He studied
at Gaho's studio for
some years. He was by .,^fc4.:/-t..
no means a promising
artist at the beginning, ■ r<
and declares he got his
inspiration from watching -"^^f' '
the "No" dance. It
appears that the deter iffiar"***
mined yet graceful move- MSBs^'^r^
merits of the dancers gave
him the inspiration he was Bfc*>-
seeking. His painting
rightly belongs to the old "ferry-boat in rain" by suzuki kwason (tokyo.
107