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International studio — 41.1910

DOI issue:
Nr. 162 (August, 1910)
DOI article:
Harada, Jirō: Japanese art and artists of to-day, 1, Painting
DOI Page / Citation link:
https://doi.org/10.11588/diglit.19867#0156

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Japanese Art and Artists of To-day.—/. Painting

Tosa School. He succeeds in giving dignity to his work—
by no means an easy matter, considering his subjects and
method of treatment. His productions, too, show great free-
dom in the use of his brush. His Autumn Scene in a Wood,
now at the Exhibition, and by no means his best work, shows
the highly decorative style of his painting.

Kawai Gyokudo, who paints landscapes almost exclusively,
is famed for the solitude and quietude his works invariably
bespeak. This artist came from Kyoto. He was a pupil of
Bairei, though when he first came to Tokyo he studied under
Gaho. He has devoted much study to the paintings of the
Ashikaga period. His New Moon, now at the Exhibition,
may be taken as a typical example of his work. Other noted
examples are A Spring Shower, Deer in Autumn, and The Fis/ier-

the fisherman s return

by kawai gyokudo (tokyo)

•a spring shower" by kawai gyokudo (tokyo)

a golden screen, putting .....-..........--—-.....-■ .......-. ......... - - - •......•-—......,.......-

on blossoms by means of
a hexagonal salt-dish.

Shimomura Kwanzan is
recognised as the best
student that the Tokyo
Fine Art School has so
fai produced. He studied
at Gaho's studio for

some years. He was by .,^fc4.:/-t..

no means a promising

artist at the beginning, ■ r<

and declares he got his

inspiration from watching -"^^f' '

the "No" dance. It

appears that the deter iffiar"***
mined yet graceful move- MSBs^'^r^
merits of the dancers gave

him the inspiration he was Bfc*>-

seeking. His painting

rightly belongs to the old "ferry-boat in rain" by suzuki kwason (tokyo.

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