DOI issue:
Nr. 164 (October, 1910)
DOI article:The National Competition of Schools of Art, 1910, at South Kensington
DOI Page / Citation link: https://doi.org/10.11588/diglit.19867#0397
The National, Competition of Schools of Art, igio
CARVED WOOD
FIN1AL FOR A BED
POST. BY WILLIAM
B. BINNS (BIRMING-
HAM, MARGARET
STREET)
silver adorned with forget
me-nots in blue enamel,
by Carrie Copson, of
Birmingham (Vittoria
Street); the dainty silver
sugar basin of clear glass
set in a graceful frame-
work of silver, by Alice
Scott of Bradford School
of Art (p. 295); the silver
salt cellar and spoons (p.
297) by Alfred P. Pearce,
of Birmingham (Margaret
Street); and the very
small silver tea caddy, by
Robert J. Wilcock of
298
Morecambe School of Art. From Dublin School of Art came a
copper bowl with Assyrian figures in silver, by Mary Lynch; and
Silas Paul, of Leeds School of Art, showed a steel casket which, if it
displayed no particular originality, can yet be called a capital piece
of workmanship. The same criticism applies to the church door-
handle and lock-plate, by Frank Longbottom, of Bradford School of
STAINED WOOD MIRROR FRAME
BY FLORENCE GOWER (REGENT STREET POLYTECHNIC)
STAINED WOOD PANEL FOR OVER MANTEL
BY GERTRUDE DE LA MARE (REGENT STREET POLYTECHNIC)
CARVED WOOD
FIN1AL FOR A BED
POST. BY WILLIAM
B. BINNS (BIRMING-
HAM, MARGARET
STREET)
silver adorned with forget
me-nots in blue enamel,
by Carrie Copson, of
Birmingham (Vittoria
Street); the dainty silver
sugar basin of clear glass
set in a graceful frame-
work of silver, by Alice
Scott of Bradford School
of Art (p. 295); the silver
salt cellar and spoons (p.
297) by Alfred P. Pearce,
of Birmingham (Margaret
Street); and the very
small silver tea caddy, by
Robert J. Wilcock of
298
Morecambe School of Art. From Dublin School of Art came a
copper bowl with Assyrian figures in silver, by Mary Lynch; and
Silas Paul, of Leeds School of Art, showed a steel casket which, if it
displayed no particular originality, can yet be called a capital piece
of workmanship. The same criticism applies to the church door-
handle and lock-plate, by Frank Longbottom, of Bradford School of
STAINED WOOD MIRROR FRAME
BY FLORENCE GOWER (REGENT STREET POLYTECHNIC)
STAINED WOOD PANEL FOR OVER MANTEL
BY GERTRUDE DE LA MARE (REGENT STREET POLYTECHNIC)