DOI issue:
Nr. 164 (October, 1910)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.19867#0429
Studio-Talk
S
works in a more complete
way. It was here that
the public recently had
the opportunity of seeing
JmLi . a .. £S|^H to the best advantage the
' ' „.. ^JUttK/^j^^lZiJ^ collected works of two
gifted artists, M. Jules
j92HK . Crosnier and M. Silvestre.
„- vxr?^HB[j M. Crosnier is vice-presi-
dent of the "Classe des
Beaux Arts" in Geneva,
and one of the most dis-
tinguished Swiss water-
colourists. He has long
won his spurs in the
domain of art, for since
1889 he has been hors
. JHLt i9H|BmI co tic ours at the Paris
Salon, and has exhibited
with success not only in
'-~4i- "L™ •**=S2:^-Xuliiii' Paris but at the Royal
" mountain landscape" by jules crosnier Academy in London.
Elegance and distinction
are the dominant notes
art library and its elegant reception rooms, on the of M. Crosnier's art, and the way in which he has
walls of which hang the works of early Genevese rendered the character of the Alps, or of the
masters, the Athenee has for a long time possessed shores of Lake Leman, or the coast of Brittany,
a permanent art gallery, one of the attractions of or yet again Scotch landscape, shows not only
the city. Owing to the fact that the exhibits are the suppleness of his gift, but what water-colour
changed every month many artists are able to is capable of in the hands of an artist of rare
contribute. Amongst the
principal features of the
recent show were a series
of works by M. E. Vallet,
and a few by MM. Sil-
vestre, Duvoisin, Fores-
tier, and Castres. M.
Vallet has drawn his in-
spiration from the simple,
often pathetic and always
picturesque life of the
Valais, and his Ultima
Qutes and Ci?netiere
Valaisan are the beauti-
ful outcome of the quiet,
solid maturing of a highly
interesting temperament.
The Soci^te des Arts
has for some months past
opened another gallery at
the Athenee for the pur-
pose of giving artists the
chance of exhibiting their "la chataigneraie d'yvoire" by a. silvestre
33°
S
works in a more complete
way. It was here that
the public recently had
the opportunity of seeing
JmLi . a .. £S|^H to the best advantage the
' ' „.. ^JUttK/^j^^lZiJ^ collected works of two
gifted artists, M. Jules
j92HK . Crosnier and M. Silvestre.
„- vxr?^HB[j M. Crosnier is vice-presi-
dent of the "Classe des
Beaux Arts" in Geneva,
and one of the most dis-
tinguished Swiss water-
colourists. He has long
won his spurs in the
domain of art, for since
1889 he has been hors
. JHLt i9H|BmI co tic ours at the Paris
Salon, and has exhibited
with success not only in
'-~4i- "L™ •**=S2:^-Xuliiii' Paris but at the Royal
" mountain landscape" by jules crosnier Academy in London.
Elegance and distinction
are the dominant notes
art library and its elegant reception rooms, on the of M. Crosnier's art, and the way in which he has
walls of which hang the works of early Genevese rendered the character of the Alps, or of the
masters, the Athenee has for a long time possessed shores of Lake Leman, or the coast of Brittany,
a permanent art gallery, one of the attractions of or yet again Scotch landscape, shows not only
the city. Owing to the fact that the exhibits are the suppleness of his gift, but what water-colour
changed every month many artists are able to is capable of in the hands of an artist of rare
contribute. Amongst the
principal features of the
recent show were a series
of works by M. E. Vallet,
and a few by MM. Sil-
vestre, Duvoisin, Fores-
tier, and Castres. M.
Vallet has drawn his in-
spiration from the simple,
often pathetic and always
picturesque life of the
Valais, and his Ultima
Qutes and Ci?netiere
Valaisan are the beauti-
ful outcome of the quiet,
solid maturing of a highly
interesting temperament.
The Soci^te des Arts
has for some months past
opened another gallery at
the Athenee for the pur-
pose of giving artists the
chance of exhibiting their "la chataigneraie d'yvoire" by a. silvestre
33°