DOI issue:
Nr. 198 (August 1913)
DOI article:Studio-Talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.43453#0179
Studio- Talk
“the old granary at ostia” (oil painting)
BY ONORATO CARLANDI
One room contains a nice loan collection of French
pictures—Daumier, Manet, Monet, Courbet, Van
Gogh, Gauguin, Pissarro, Cezanne, Renoir, Sisley,
and the like. Excepting this one room, all schools
are hung pele-mele, which is unfortunate, especially
in the case of the home schools; for when one
in The Studio at the time) was acquired for the
Imperial Gallery of Vienna; and this fine paint-
ing may be said to have formed the nucleus of
the recent exhibition, the collection containing
close on ninety pictures, most of them in the
water-colour medium, of which this artist is a
attends an exhibition of this kind, one is principally
interested to see what the men can do who have
extended the invitations, and their work, at least,
ought to be presented as a separate group of pictures.
Besides good work by such standard artists as
known master. Notable among them were Ver-
bascum luteum with its yellow flowers ; Le Moulin
Rouge (a red mill at Terracina), painted in oil-
colour ; The Alban Lake, a water-colour exhibited
at Venice in 1912 and reproduced below; The Old
Carlos Grethe, Von Haug,
Pankok, &c., I particu-
larly noticed among Stutt-
gart paintings a fine
landscape with the values
of a Courbet by Friedrich
Fehr (now living at Karls-
ruhe), an exquisite, low-
toned interior with figures
by Schmoll von Eisen-
werth, excellent animal
pictures by Molfenter, and
very promising drawings
and etchings by Leo Bauer,
Hans Adler, and G. A.
Bredow. . H. W. S.
VIENNA. — An
exceptionally
interesting dis-
play of Sgr.
Onorato Carlandi’s pic-
tures was to be seen at
the Pisco Salon recently.
This artist’s Roman trip-
tych from the Inter-
national Exhibition of
Rome in 1911 (reproduced
“THE ALBAN LAKE” (WATER-COLOUR)
BY ONORATO CARLANDI
“the old granary at ostia” (oil painting)
BY ONORATO CARLANDI
One room contains a nice loan collection of French
pictures—Daumier, Manet, Monet, Courbet, Van
Gogh, Gauguin, Pissarro, Cezanne, Renoir, Sisley,
and the like. Excepting this one room, all schools
are hung pele-mele, which is unfortunate, especially
in the case of the home schools; for when one
in The Studio at the time) was acquired for the
Imperial Gallery of Vienna; and this fine paint-
ing may be said to have formed the nucleus of
the recent exhibition, the collection containing
close on ninety pictures, most of them in the
water-colour medium, of which this artist is a
attends an exhibition of this kind, one is principally
interested to see what the men can do who have
extended the invitations, and their work, at least,
ought to be presented as a separate group of pictures.
Besides good work by such standard artists as
known master. Notable among them were Ver-
bascum luteum with its yellow flowers ; Le Moulin
Rouge (a red mill at Terracina), painted in oil-
colour ; The Alban Lake, a water-colour exhibited
at Venice in 1912 and reproduced below; The Old
Carlos Grethe, Von Haug,
Pankok, &c., I particu-
larly noticed among Stutt-
gart paintings a fine
landscape with the values
of a Courbet by Friedrich
Fehr (now living at Karls-
ruhe), an exquisite, low-
toned interior with figures
by Schmoll von Eisen-
werth, excellent animal
pictures by Molfenter, and
very promising drawings
and etchings by Leo Bauer,
Hans Adler, and G. A.
Bredow. . H. W. S.
VIENNA. — An
exceptionally
interesting dis-
play of Sgr.
Onorato Carlandi’s pic-
tures was to be seen at
the Pisco Salon recently.
This artist’s Roman trip-
tych from the Inter-
national Exhibition of
Rome in 1911 (reproduced
“THE ALBAN LAKE” (WATER-COLOUR)
BY ONORATO CARLANDI