DOI Heft:
Nr. 198 (August 1913)
DOI Artikel:Studio-Talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.43453#0183
Studio-Talk
VESTIBULE OF THE NEW KUNSTLERHAUS AT CODING IN MORAVIA
Granary at Ostia, an oil painting reproduced
on p. 146, and The Tiber at Rome, a study in
Raffaelli’s dry oil-colours for the painting now in
the Venice Gallery of Modern Art. The drawing
On the Via Appia, here reproduced in colour, is an
excellent example of his work, while the painting,
also reproduced here, of olive-trees near the Villa
Adriana, is likewise of much interest. To these
Sgr. Carlandi added some twenty-five English sub-
jects, to which he attached especial importance as
showing his connection with the English school.
The artist lived for some time in London, and
various of his sketches of
English landscape were re¬
produced in The Studio
Special Number of 1909.
The paintings exhibited
this spring in Vienna dis¬
played his brilliant facility,
his sense of colour, and
masterly technique —
always free and entirely
modern in handling, both
in the oil and the water¬
colour mediums. S. B.
Slovakei, which belongs to
Hungary. Though of one
and the same race these
Slav peasants dwelling in
Moravian Slovakei are
much more prosperous than
their brethren in Hungarian
Slovakei. Both, however,
have preserved their
national art traditions and
costumes, though in
Moravia the latter are much
richer and more beautiful
than those of the Slovaks
dwelling just over the
boundary. Goding, being
the first town on the Aus-
trian side, was chosen as
the centre of art instead of
Ungarisch Hradisch, the
chief town in Moravian
Slovakei, on account of its being easily accessible
to the Slovaks on both sides of the border. In
Goding the Slovaks of both countries assemble from
far and near, and on market days, Sundays, and
holidays the town presents a lively scene, for the
peasants—men and youths, matrons and maidens
■—don their richest costumes. Their love of art is
inborn; and it is exactly the peasants themselves
who show the keenest interest in their national
painters, sculptors, and other artists.
For this reason I gladly accepted an invitation to
Goding is a small town
in Moravia, the centre of
what is known as the
Moravian Slovakei — that
is, the part inhabited by
Moravian Slovaks as dis-
tinct from Ungarische-
15°
EXHIBITION ROOMS IN THE KUNSTLERHAUS, CODING
VESTIBULE OF THE NEW KUNSTLERHAUS AT CODING IN MORAVIA
Granary at Ostia, an oil painting reproduced
on p. 146, and The Tiber at Rome, a study in
Raffaelli’s dry oil-colours for the painting now in
the Venice Gallery of Modern Art. The drawing
On the Via Appia, here reproduced in colour, is an
excellent example of his work, while the painting,
also reproduced here, of olive-trees near the Villa
Adriana, is likewise of much interest. To these
Sgr. Carlandi added some twenty-five English sub-
jects, to which he attached especial importance as
showing his connection with the English school.
The artist lived for some time in London, and
various of his sketches of
English landscape were re¬
produced in The Studio
Special Number of 1909.
The paintings exhibited
this spring in Vienna dis¬
played his brilliant facility,
his sense of colour, and
masterly technique —
always free and entirely
modern in handling, both
in the oil and the water¬
colour mediums. S. B.
Slovakei, which belongs to
Hungary. Though of one
and the same race these
Slav peasants dwelling in
Moravian Slovakei are
much more prosperous than
their brethren in Hungarian
Slovakei. Both, however,
have preserved their
national art traditions and
costumes, though in
Moravia the latter are much
richer and more beautiful
than those of the Slovaks
dwelling just over the
boundary. Goding, being
the first town on the Aus-
trian side, was chosen as
the centre of art instead of
Ungarisch Hradisch, the
chief town in Moravian
Slovakei, on account of its being easily accessible
to the Slovaks on both sides of the border. In
Goding the Slovaks of both countries assemble from
far and near, and on market days, Sundays, and
holidays the town presents a lively scene, for the
peasants—men and youths, matrons and maidens
■—don their richest costumes. Their love of art is
inborn; and it is exactly the peasants themselves
who show the keenest interest in their national
painters, sculptors, and other artists.
For this reason I gladly accepted an invitation to
Goding is a small town
in Moravia, the centre of
what is known as the
Moravian Slovakei — that
is, the part inhabited by
Moravian Slovaks as dis-
tinct from Ungarische-
15°
EXHIBITION ROOMS IN THE KUNSTLERHAUS, CODING