DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.43453#0432
THE INTERNATIONAL STUDIO
July, 1913
ART SCHOOL
Awarded International Silver Medal at St. Louis, 1904
Term: OCTOBER I—June I
For {Beginners and Advanced Students
DESIGN, MODELING, WOOD-CARVING
CAST and LIFE DRAWING
WATER COLOR
ART EMBROIDERY
EVENING CLASS in COSTUME DRAWING
Young Women’s Christian Association
7 EAST FIFTEENTH STREET, NEW YORK
Office Honrs: 9 A.M. to 5 P.M. and 7 to 9 P.M.
ADELPHI COLLEGE
Lafayette Ave., Clifton and St. Janies Place, Brooklyn, N. Y.
ART DEPARTMENT
Antique, Still Life, Portrait and Figure Classes.
Work in all mediums. Six of the Best-Equipped
Class Rooms in Greater New York.
Course of 20 weeks, commencing at any time, with
individual instruction. All day or half-day sessions.
Prof. J. B. WHITTAKER, Director
PRATT INSTITUTE
ART SCHOOL
BROOKLYN, NEW YORK
Applied Design, Interior Decoration, Jewelry, Silver-
smithing, Life, Portrait, Pictorial Illustration, Costume
Illustration, Composition, Oil and Water-Color Painting.
Architecture—Two and Three-Year Courses
Normal Art and Manual Training—Two-Year Courses.
80 Studios; So Instructors; 25th Year
WALTER SCOTT PERRY, Director
Mr. HENRY TURNER BAILEY says:
“Art for Life’s Sake”
By CHARLES H. CAFFIN
“Is the most notable book on Art
in America that has yet appeared.”
Published by THE PRANG COMPANY
358 Fifth Avenue, New York
PRICE PER COPY, $1.25
Sold by the better booksellers
THE FRENCH SCHOOL OF
FASHION ILLUSTRATING
A Complete Course in ILLUSTRATING, and FASHION
DRAWING Pupils fitted for positions
Correspondence course if desired
For full particulars address
MISS M. WEIDENMAN, 143 W. 42d St., NEW YORK
MICHIGAN
ART SCHOOL
SEVENTEENTH YEAR
Thorough and advanced methods. Classes, day
and evening, in Drawing and Painting, Antique,
Life, Portrait, Illustration, Composition, Artistic
Anatomy. For details and catalogue address
JOHN P. WICKER, Director,
SCHOOL OF FINE ARTS
Dept. P Fine Arts Building, Detroit, Mich.
CAMBRIDGE ARTISTS’ COLORS
ARE USED BY ARTISTS WITH CONFIDENCE
Because they are a selected palette of tested pigments. The name of “Cam-
bridge” on each tube insures a permanent and pure color which can be safely
used along with any other Cambridge color, resulting in a permanent picture.
If your dealer does not carry them write to addresses below.
Carriage paid upon artists’ orders. Dealers in Canada and United States can
obtain particulars of the sole sale for their town from
GEO. RIDCHJT CO.
77 York Street, Toronto, Ont. 158 Broadway, Rochester, N. Y.
The sole makers of the “Cambridge” Artists' Colors are Messrs. MADDERTON & CO., Ltd.,
Loughton, Essex, England.
NAPOLEON AND HIS TIME
THE EMPRESS JOSEPHINE. By Joseph Turquan. author of “The
Wife of General Bonaparte,” etc. The Empress Josephine continues and completes the
graphically-drawn life-story begun in “The Wife of General Bonaparte.”
Illustrated. $3.50 net.
NAPOLEON IN CARICATURE, 1795-1821. By A. M. Broadley.
With an Introductory Essay by J. Holland Rose. Twenty-four full-page illustrations in
color; two hundred in black-and-white. Two volumes. $12.50 net. Postage, 50 cents.
Edition de Luxe on hand-made paper. (Limited.) $50.00 net.
NAPOLEON’S INVASION OF ENGLAND. The Story of the Great
Terror, 1797-1805. By H. B. F. Wheeler and A. M. Broadley. Illustrated.
2 Volumes. $10.00 net.
NAPOLEON AND KING MURAT, 1808-1815. By Albert Espitalier.
Translated from the French by J. Lewis May. A monument of scholarly research.
Illustrated. $4.00 net.
NAPOLEON’S LAST CAMPAIGN IN GERMANY. By F. Loraine
Petre. With map and illustrations. $3.50 net.
THE WIFE OF GENERAL BONAPARTE. By Joseph Turquan.
Translated from the French by Violette Montague. Illustrated. $4.00 net.
THE BOYHOOD AND YOUTH OF NAPOLEON, 1769-1793. Some
Chapters on the Early Life of Napoleon. By Oscar Browning, M.A. (Crown Library
Series). Numerous illustrations, portraits, etc. $1.50 net.
JOHN LANE COMPANY, NEW YORK
PORTRAIT OF THE MAYOR OF ORNANS
BY COURBET
Miss Mary Cassatt has pre-
sented two paintings by Courbet, of which
we give reproductions, to the Pennsylvania
Academy of Fine Arts. The portrait of
the Mayor of Ornans, Courbet’s birthplace,
was executed in 1850 and was introduced
in his large canvas, entitled The Interment,
which excited ridicule at the time, but now
hangs in the Louvre. The Mayor is a
central figure in the picture, but not in the
foreground, which is perhaps just as well,
for the good man, whose name was Prosper
Teste, weighed 400 kilos, and would have
occupied too much space and attention.
When working on an important composi-
tion it was the artist’s invariable custom
PORTRAITS OF COURBET
to have the different personages pose sep-
arately and then paint them in the large
picture. There are besides this portrait of
the Mayor of Ornans several other por-
traits of the personages who have been
introduced in the composition of The In-
terment, among others a portrait of Marlet,
.who was a friend of Courbet from child-
hood, and born, as he was, at Ornans; also
Bertin, his face hidden behind his pocket-
handkerchief; M. Prudhon, the deputy,
cousin of the philosopher, and, escorted by
a beautiful black-and-white brach, “two
old men of the ’93 revolution, in the cos-
tume of the period.” The painter’s father
and his sisters, Juliette, Zelie and Zoe are
other portraits.
The other, Portrait of a Woman (Mme.
Frond?) forms a contrast to the preceding
PORTRAIT OF A WOMAN
BY COURBET
July, 1913
ART SCHOOL
Awarded International Silver Medal at St. Louis, 1904
Term: OCTOBER I—June I
For {Beginners and Advanced Students
DESIGN, MODELING, WOOD-CARVING
CAST and LIFE DRAWING
WATER COLOR
ART EMBROIDERY
EVENING CLASS in COSTUME DRAWING
Young Women’s Christian Association
7 EAST FIFTEENTH STREET, NEW YORK
Office Honrs: 9 A.M. to 5 P.M. and 7 to 9 P.M.
ADELPHI COLLEGE
Lafayette Ave., Clifton and St. Janies Place, Brooklyn, N. Y.
ART DEPARTMENT
Antique, Still Life, Portrait and Figure Classes.
Work in all mediums. Six of the Best-Equipped
Class Rooms in Greater New York.
Course of 20 weeks, commencing at any time, with
individual instruction. All day or half-day sessions.
Prof. J. B. WHITTAKER, Director
PRATT INSTITUTE
ART SCHOOL
BROOKLYN, NEW YORK
Applied Design, Interior Decoration, Jewelry, Silver-
smithing, Life, Portrait, Pictorial Illustration, Costume
Illustration, Composition, Oil and Water-Color Painting.
Architecture—Two and Three-Year Courses
Normal Art and Manual Training—Two-Year Courses.
80 Studios; So Instructors; 25th Year
WALTER SCOTT PERRY, Director
Mr. HENRY TURNER BAILEY says:
“Art for Life’s Sake”
By CHARLES H. CAFFIN
“Is the most notable book on Art
in America that has yet appeared.”
Published by THE PRANG COMPANY
358 Fifth Avenue, New York
PRICE PER COPY, $1.25
Sold by the better booksellers
THE FRENCH SCHOOL OF
FASHION ILLUSTRATING
A Complete Course in ILLUSTRATING, and FASHION
DRAWING Pupils fitted for positions
Correspondence course if desired
For full particulars address
MISS M. WEIDENMAN, 143 W. 42d St., NEW YORK
MICHIGAN
ART SCHOOL
SEVENTEENTH YEAR
Thorough and advanced methods. Classes, day
and evening, in Drawing and Painting, Antique,
Life, Portrait, Illustration, Composition, Artistic
Anatomy. For details and catalogue address
JOHN P. WICKER, Director,
SCHOOL OF FINE ARTS
Dept. P Fine Arts Building, Detroit, Mich.
CAMBRIDGE ARTISTS’ COLORS
ARE USED BY ARTISTS WITH CONFIDENCE
Because they are a selected palette of tested pigments. The name of “Cam-
bridge” on each tube insures a permanent and pure color which can be safely
used along with any other Cambridge color, resulting in a permanent picture.
If your dealer does not carry them write to addresses below.
Carriage paid upon artists’ orders. Dealers in Canada and United States can
obtain particulars of the sole sale for their town from
GEO. RIDCHJT CO.
77 York Street, Toronto, Ont. 158 Broadway, Rochester, N. Y.
The sole makers of the “Cambridge” Artists' Colors are Messrs. MADDERTON & CO., Ltd.,
Loughton, Essex, England.
NAPOLEON AND HIS TIME
THE EMPRESS JOSEPHINE. By Joseph Turquan. author of “The
Wife of General Bonaparte,” etc. The Empress Josephine continues and completes the
graphically-drawn life-story begun in “The Wife of General Bonaparte.”
Illustrated. $3.50 net.
NAPOLEON IN CARICATURE, 1795-1821. By A. M. Broadley.
With an Introductory Essay by J. Holland Rose. Twenty-four full-page illustrations in
color; two hundred in black-and-white. Two volumes. $12.50 net. Postage, 50 cents.
Edition de Luxe on hand-made paper. (Limited.) $50.00 net.
NAPOLEON’S INVASION OF ENGLAND. The Story of the Great
Terror, 1797-1805. By H. B. F. Wheeler and A. M. Broadley. Illustrated.
2 Volumes. $10.00 net.
NAPOLEON AND KING MURAT, 1808-1815. By Albert Espitalier.
Translated from the French by J. Lewis May. A monument of scholarly research.
Illustrated. $4.00 net.
NAPOLEON’S LAST CAMPAIGN IN GERMANY. By F. Loraine
Petre. With map and illustrations. $3.50 net.
THE WIFE OF GENERAL BONAPARTE. By Joseph Turquan.
Translated from the French by Violette Montague. Illustrated. $4.00 net.
THE BOYHOOD AND YOUTH OF NAPOLEON, 1769-1793. Some
Chapters on the Early Life of Napoleon. By Oscar Browning, M.A. (Crown Library
Series). Numerous illustrations, portraits, etc. $1.50 net.
JOHN LANE COMPANY, NEW YORK
PORTRAIT OF THE MAYOR OF ORNANS
BY COURBET
Miss Mary Cassatt has pre-
sented two paintings by Courbet, of which
we give reproductions, to the Pennsylvania
Academy of Fine Arts. The portrait of
the Mayor of Ornans, Courbet’s birthplace,
was executed in 1850 and was introduced
in his large canvas, entitled The Interment,
which excited ridicule at the time, but now
hangs in the Louvre. The Mayor is a
central figure in the picture, but not in the
foreground, which is perhaps just as well,
for the good man, whose name was Prosper
Teste, weighed 400 kilos, and would have
occupied too much space and attention.
When working on an important composi-
tion it was the artist’s invariable custom
PORTRAITS OF COURBET
to have the different personages pose sep-
arately and then paint them in the large
picture. There are besides this portrait of
the Mayor of Ornans several other por-
traits of the personages who have been
introduced in the composition of The In-
terment, among others a portrait of Marlet,
.who was a friend of Courbet from child-
hood, and born, as he was, at Ornans; also
Bertin, his face hidden behind his pocket-
handkerchief; M. Prudhon, the deputy,
cousin of the philosopher, and, escorted by
a beautiful black-and-white brach, “two
old men of the ’93 revolution, in the cos-
tume of the period.” The painter’s father
and his sisters, Juliette, Zelie and Zoe are
other portraits.
The other, Portrait of a Woman (Mme.
Frond?) forms a contrast to the preceding
PORTRAIT OF A WOMAN
BY COURBET