Mcmrice Greiffenhagen
AURICE GREIFFENHAGEN It was Mr. Whistler who said to me that the true
AND HIS WORK. BY J. artist, being artist in one thing is artist in everything.
STANLEY LITTLE ^n otner words, the artistic faculty permeates the
whole nature of the genuine artist, and although it
The realm of art is full of ano- may be allowed that a great painter may be quite
malies. How could it be otherwise since art itself incapable of understanding or appreciating literary
is an anomaly in this world of hard dry reality, excellence—Turner's criticism on the works of his
where the necessity of grasping at the tangible, or friend Sir Walter Scott was, " the covers of some are
of guarding it, should it already be in our posses- certainly very pretty "—and may be as dead to the
sion, weighs heavily upon all of us, turning us from achievements of divinely inspired musicians, the
our dreams, wherein the things of beauty reign seeming anomaly is to be attributed, when not to
supreme, to the commonplaces of keeping a roof the handicap of defective education, to that ab-
over our heads and a foot of earth under our feet, sorption of the faculties in one groove which is
Thus it comes that in these days, to subscribe to demanded of the great artist in that he may perfect
the cant of the hour, for assuredly it was so in himself, that is to say, give expression to the best
every age, the artist is compelled to pay forfeit that is in him, along the line of least resistance,
for being what nature made him. He must the channel in which his power of expressing his
make terms with the men and women of his day devotion to the beautiful runs strongest,
and generation; with the mammon of unrighteous- It may be asserted, however, and without fear of
ness. Some few, born in the purple, or endowed contradiction, that the artist, whatever be the art
by nature with a rugged pertinacity, enabling them he may follow, has a catholic attachment to, and
to defy the rude buffetings of the world, have appreciation of, the other arts; or at all events that
seemed—it has only been seeming after all—to he entertains a sympathetic feeling towards all
rise superior to circumstance ; to be throughout the branches of his own art. Sometimes we meet with
architects of their own beings. But for all that the an artist whose being is so saturated with artistic
artist, like the rest of us, is a poor thrall—a pack- sensibility that we wonder how he came to devote
horse carrying merchandise for otheis to enjoy, himself exclusively to one art. Maurice Greiffen-
Velasquez doing the bidding of Philip IV.; Rey- hagen supplies a case in point, and in truth his own
nolds, cap in hand, to the scion of that Philistine life-work, though confined within the limits of
house which had supplanted a dynasty peculiarly graphic art, has demonstrated that he experienced
attuned to artistic affinities; and Morland painting some difficulty in ranging himself,
signboards for country tavern keepers for the I have in earlier years been with Mr. Greiffen-
price of his board and lodging. hagen in some of the most beautiful parts of the
AURICE GREIFFENHAGEN It was Mr. Whistler who said to me that the true
AND HIS WORK. BY J. artist, being artist in one thing is artist in everything.
STANLEY LITTLE ^n otner words, the artistic faculty permeates the
whole nature of the genuine artist, and although it
The realm of art is full of ano- may be allowed that a great painter may be quite
malies. How could it be otherwise since art itself incapable of understanding or appreciating literary
is an anomaly in this world of hard dry reality, excellence—Turner's criticism on the works of his
where the necessity of grasping at the tangible, or friend Sir Walter Scott was, " the covers of some are
of guarding it, should it already be in our posses- certainly very pretty "—and may be as dead to the
sion, weighs heavily upon all of us, turning us from achievements of divinely inspired musicians, the
our dreams, wherein the things of beauty reign seeming anomaly is to be attributed, when not to
supreme, to the commonplaces of keeping a roof the handicap of defective education, to that ab-
over our heads and a foot of earth under our feet, sorption of the faculties in one groove which is
Thus it comes that in these days, to subscribe to demanded of the great artist in that he may perfect
the cant of the hour, for assuredly it was so in himself, that is to say, give expression to the best
every age, the artist is compelled to pay forfeit that is in him, along the line of least resistance,
for being what nature made him. He must the channel in which his power of expressing his
make terms with the men and women of his day devotion to the beautiful runs strongest,
and generation; with the mammon of unrighteous- It may be asserted, however, and without fear of
ness. Some few, born in the purple, or endowed contradiction, that the artist, whatever be the art
by nature with a rugged pertinacity, enabling them he may follow, has a catholic attachment to, and
to defy the rude buffetings of the world, have appreciation of, the other arts; or at all events that
seemed—it has only been seeming after all—to he entertains a sympathetic feeling towards all
rise superior to circumstance ; to be throughout the branches of his own art. Sometimes we meet with
architects of their own beings. But for all that the an artist whose being is so saturated with artistic
artist, like the rest of us, is a poor thrall—a pack- sensibility that we wonder how he came to devote
horse carrying merchandise for otheis to enjoy, himself exclusively to one art. Maurice Greiffen-
Velasquez doing the bidding of Philip IV.; Rey- hagen supplies a case in point, and in truth his own
nolds, cap in hand, to the scion of that Philistine life-work, though confined within the limits of
house which had supplanted a dynasty peculiarly graphic art, has demonstrated that he experienced
attuned to artistic affinities; and Morland painting some difficulty in ranging himself,
signboards for country tavern keepers for the I have in earlier years been with Mr. Greiffen-
price of his board and lodging. hagen in some of the most beautiful parts of the