International studio (23.1904)

Studio-Talk


HODLER ROOM NINETEENTH SECESSION EXHIBITION, VIENNA


works exhibited by Hodler—such as Abetidruhe
(Evening Rest) and IVa/dlied (Song of the Wood)
—are exceedingly beautiful; the soft tones of the
former filling one with a sense of rest, the latter
impressing us with its ten-
der greens in the stones of
the tiny waterfall and the
grass, interweaving and un-
twining themselves only to
repeat their interweavings,
just as if the colours were
playing the part of the warp
and weft. Whichever way
one turns there is some-
thing to fascinate the on-
looker in Hodler’s works.
One becomes accustomed
to the unusualness of his
methods, and each time
one brings from him some-
thing new to treasure up,
for his work is not easily
forgotten.

sort. The picture, In Hospital, represents women
waiting to be called in to the consulting room; they
have removed part of their clothing, and stand
shivering there : one sees, not only the outward

The same may we say
of Edward Munch (Berlin),
who, too, is realistic, though
his realism is of another

BV BARON L. MEDNYANSZKY
(See Budapest Studio- Talk)

353