International studio (36.1908/1909(1909))

FLAX BARN AT LAREN
tory of modern realistic art. Next to Liebermann
in importance ranks Kampf, with his effective por-
trait of the Emperor and his fiuent -SM/e7*.s. That
taient for simpiihcation and that subdued touch of
sentiment which are the birthright of the outwardly
cynicai North German hnd expression in iand-
scapes by Leistikow, Frenzel, and thenear-by Worp-

BY MAX LIEBERMANN
sweder, Modersohn and Carl Vinnen. Dresden is
representcd by Euehi, Bantzer and Bracht, and
Karisruhe by three tremulousiy atmospheric
picturesbyDillandtwocharacteristic Biack Forest
panoramas by Hans Thoma. One might particu-
iarize to infinity, yet it is unnecessary to furnish a
siavish inventory of the work of these Teutons of


THE UNDERWORLD

BY FRANZ VON STUCK

CXXIX